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Complete wahaika made of wood. Notch on one side of blade. Carved figure protruding from upper blade, creating two perforations. Figure has carved tattoo marks on body. Carved face on butt, with one perforation at the base of the head and another perforation created from its open mouth.

Complete pae hamuti, used as a grip to balance while squatting over a latrine. This piece has been identified as a forgery and not of authentic Maori origin. Dark brown in colour. A human head figure is carved at each end; one is much larger than the other and has paua shell inlays in eyes. The head has been broken at the mouth and repaired. The body of the larger figure is carved behind the head, with three toes and three fingers and spiral decoration on the shoulders and buttocks. The middle of the handle is uncarved and smooth. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a rectangular perforation in the centre for lashing.

Wooden spear. Oval in cross-section. Tapered to a point at distal end, the tip of which is broken. The spear head has been broken off and repaired with an adhesive. Three sets of two barbs on the top surface. The edges of the barbs and the longitudinal ridge on the top surface are notched. The proximal end, numbered separately as D48.294, has broken off in two places and been reattached with adhesive. Surface of the proximal end has geometric carvings and is charred where it has been repaired.

Wooden spear. Oval in cross-section. The distal end is separately numbered as D48.293, but has been reattached to the proximal end with adhesive. Tapered to a point at distal end, the tip of which is broken. The spear head has been broken off and repaired with an adhesive. Three sets of two barbs on the top surface. The edges of the barbs and the longitudinal ridge on the top surface are notched. The proximal end has broken off in two places and been reattached with adhesive. Surface of the proximal end has geometric carvings and is charred where it has been repaired.

Long shaft of light coloured wood. Circular in cross section with many knots. Distal end split into quarters, with wooden wedges pushed between. There is a length of twine wrapped around the distal end.

Burnt and broken poutokomanawa (carved wharenui building component). Male figure, not stylized, with head large in comparison to body. Painted dark red with black lips and eyes. Moko also painted in black but obscured on proper right side (as a result of fire exposure?). Nose and chin indicated. Five-fingered proper left hand rests on abdomen, proper right hand below. Right arm and hand have been broken and burnt (thumb is the only remaining digit). Entire left leg is missing. Burn marks apparent throughout, especially below abdomen and on the back side. Attached at the feet to a square black pedestal.

Piece of worked wood, use unknown. Surface is charred and dessicated. Indentation on one side. Remnants of adhesive on other side.

Complete patu aruhe (fern root beater). The beater has a diamond cross-section. There is distinct differentiation between the handle the beater end. The handle is long and smooth with a circular cross-section, ending is a distinct knob.

Broken and weathered hoe (waka paddle), blade remaining. Light brown wood. Surface is cracked and flaking with borer holes throughout. Slightly concave in cross section, with a thin ridge running along the centre of the back/concave side.

Piece of worked wood, use unknown. Surface is dessicated and possibly a little charred. One side is flattened and relatively smooth, the other has a longitudinal ridge. Tapered at one end.

Complete carving of a mal figure, very large. There is a large projection off the end of the head that is perforated. The face is carved in a full moko that has been filled in black. There is paua shell inlay for the eyes with black, circular pieces of wood for pupils. There is a simple hei tiki carving around the figure's neck with both three-fingered hands resting on his chest. Chipped around feet and attached to a base. The back is flat. The figure is pained red.

Complete wooden bowl. Oval shaped. Flattened at the bottom. Sides flare out with a pouring spout 28mm wide one end, small perforated knob at other end. Several other perforations and drill marks at rim of knobbed end, as well as a chip that has been broken off and glued back on. Rim is broken on one side.

Small wooden bowl. Oval shaped. Base rounded externally and internally. Flares to rim with sides lower than each end. Undecorated. No handles. Rim broken in parts.

Complete toki poutangata, hafted adze. The haft is finely carved wood in a variety of styles. The distal end of the handle has a two-sided anthropomorphic head, with paua shell inlaid eyes. There is a perforation through the handle between the knob and handle. The handle itself has basically longitudinal carving lines along the length of the handle, with three equally spaced latitudinal lines, and one curved area of carving near the distal end. There is a circular paua shell inlay on one side below the human figure on the heel of the haft. This anthropomorphic figure has legs apart, penis, four toes per feet, bent knees with spiral design on buttocks and shoulders, protruding tongue, paua inlay eyes, face mostly uncarved. The adze itself protrudes through to base of neck, set in triangular shaped slot, with fibre wrapped around the shoulder of the blade and end of the haft. There is another carved human face on the haft underneath the adze, opposite figure previously mentioned, with on

Complete tekoteko of a male figure. Made of heavy wood, and painted a dark red. There is indistinct writing around the forehead. There is a ta moko on the lower portion of the figure's face. The carving on the body is done in the rauponga style. There is a carved projection below the figures feet that is partially broken. There is one large perforation on this projection. The figure is concave at the back, so the arms, buttocks and sides of head project backwards. There is a large hole at the back of the head, and four smaller holes on the back of the arms, two on each side.

Complete tekoteko (gable carving). Dark brown wood carved with a human figure standing on a human head. Top figure has lower lip which curves upward and underneath lower lip in the centre. Slanted eyes. Broken nose. Proper left eyebrow has an incomplete curved grooved carving. Right arm curves upward and rests on chest, with a four-fingered hand. Left hand rests on stomach with three fingers and a thumb. Carving across figure's body is in a taratara-a-kae (zig-zag) pattern. Head figure has slanted eyes and curved geometric carvings for eyebrows. Nostrils, lips, and four teeth are depicted.

Broken totara tauihu (prow) of waka taua (war canoe). All carving are worn, especially on the proper right. Fretwork carving of two spirals on body, top of spirals broken off. Large human face protruding forwards, tongue protruding with the top half of the face missing. There is piko-o-rauru (double spiral) carving on the cheeks and worn carving on the lips and tongue. The face has been reattached using three metal pins. A full figure lies horizontal at the base of the two vertical spirals, split in two by the spirals. A third face is carved at the rear of the prow. There is worn tuara-kuri (diamond notches) carving on the prow. The proper right lashing board is broken off, with the front-most lashing hole remaining. The proper left lashing board has four drilled holes remaining.

Complete kotiate rakau. Geometric carvings on both sides of blade and handle with a face on the butt. There is a perforation on the handle with two smaller ones on the blade. Has chips on both sides.

Complete patu aruhe (fern root beater). Handle has a circular cross-section. End of handle is pointed. There is a shoulder between handle and beater end. Cross-section of beater end is lenticular, with one side more rounded. The distal end of the beater is blunt and flat. There are cracks on the flatter side of beater end.

Broken maul. Head broken. Tapers from head with slight shoulder. There is an evenly proportioned handle with the proximal end flattened off. There are cracks in the surface of the head.