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Complete waka huia made of matai. Lenticular shape. Dark brown and black in colour. The exterior side of the box has female figures carved at each end; heads protrude off of each end and bodies are carved below on the outside of the box. Both the outer sides of the box and lid are divided into quadrants and feature a rauponga (ridge and triangular notch) pattern. Lid is flat underneath and rounded on top. Lid joins box with tongue and groove joint at each end.

Complete waka huia made of kauri with braided muka cord for suspension. Mid brown and red in colour. Shape is an elongated oval. Exterior of the box has a male figure carved at each ends, with protruding heads for suspension knobs and bodies carved with geometric patterns. The bottom and sides of the box are divided into quadrats with diagonal rauponga (ridge and triangular notch) pattern. Interior is smooth and undecorated. Top of the lid has copulating couple carved in high relief along centre line as a handle. Rest of lid divided into eight sections with carved diagonal rauponga pattern. Inside of lid is flattened and undecorated, with a broken notch at one end.

Wooden putorino made in two parts, joined down the sides. Middle section oval but round at distal and proximal ends. Proximal end head has serrated paua shell eyes inset. Proximal end flax ties are complete. Middle head flat, with serrated paua shell eye inset, proper left eye is more rudimentary than right. Distal end head has no paua inset and is missing the lower flax tie. The end of the flute is split, with the proper left back chipped.

Shallow rectangular wooden tray. Rauponga (notch and groove) and koru pattern on the interior side of the tray. Four human heads with protruding tongues are carved at each corner. Symmetrical straight lines are carved on flat of tray bottom with plain smoothed shoulder. Tray was previously broken in two pieces and glued back together; wood is splintered on the tray rim at the location of the repair.

Complete tatā (canoe bailer). Oval in outline and shallow. Finely carved and worn through use to a fine polish. The bailer was possibly made with stone tools. It is made from the wood of totara (Podocarpus totara) cut at an angle to the grain from a large diameter trunk. Carved proximal end features double tongue with a double manaia forming mouth. A classic Kai Tahu pakura design is featured on the lips and nose. Handle also adorned with head. The distal end of the bailer is chipped. Repair visible on back. There is a groove down the centre back.

Complete kotiate made of wood. Two perforations on sides of blade. Six carved spirals/circles on blade. Face carving on butt with paua shell inlay eyes.

Complete mutu (bird snare) made from a single piece of dark brown wood. Perch has a figure carved facing the proximal end, with four-fingered hands resting on stomach and feet together. Eyebrows, nose, and pointed mouth indicated on head. A rounded knob projects from the perch and one end curves upward. The handle is straight, with another face carved into the butt; the eyes are depicted by a perforation. Two pieces of vine are curved through perforations at the butt and below the abdomen of the figure on the perch; the vine at the butt is also lashed with a fibre cord. A twisted and knotted cord passes through another perforation at the perch figure's forehead.

Broken adze haft, distal end remaining. Dark brown wood, cracked and broken throughout. Platform at distal end is carved at a slant to the handle.

Wooden adze haft. Handle is cracked and broken, repaired with adhesive, nail, and additional pieces of wood.

Broken patu aruhe (fern root beater), distal end broken and jagged. The surface of the beater is covered with deep cracks, there is a large fragment missing from one side near the shoulder. Cross-section of beater and handle are circular.

Large wooden kumete in the form of a kuri (Polynesian dog). Mid brown in colour. The four legs of the kuri serve as a pedestal on which the bowl rests. The head and tail project out on two sides to serve as handles. Most of the exterior surface is carved in a rauponga (ridge and triangular notch) and rauru (double spiral) pattern. The eyes have paua shell inlays. The interior of the bowl is oval shaped and undecorated, with adze marks visible.

Complete pukaea. Small lip around proximal end mouthpiece. Sides flare towards distal end, which ends in a gaping bell-like mouth. The pukaea is manufactured from two lengths of carved wood that are fixed together by lengths of fibre. The fibre is set into indentations in the wood, so are flush with the surface. The outer surfaces of the of the mouth are carved, and they come to a point at the distal ends, one of which is significantly chipped. There are teeth-like notches around the internal mouth opening.

Complete pukaea. Large pukaea with circular cross-section, manufactured from two internally hollowed pieces of wood, wrapped nearly from end to end by fibre. Half of the fibre, from the mid-section to the distal end is dyed black. The proximal end is narrow, sides flare to a wide distal end. The distal end has carved, triangular projections around the edge. There are three small metal nails at the distal end where the twine ends.

Complete mutu kaka (bird snare). Dark brown wood. Surface is smooth with chisel marks visible. Handle is straight with decorative notches running down one side. Knob at the handle butt, with a straight drilled perforation; a twist of wire passes through the perforation and wrapped around the knob. Perch has a reclining human figure carved at one end, legs in the air with knees bent. A diagonal perforation is drilled from the back of the figure's head to below its chin. Two small perforations are drilled at the figure's elbows. Flattened knob at the other end of the perch, the end of which curves upward at an angle.