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Klewag. Straight, convex single-edged blade. Half-circle fretted from blade next to hilt. Straight polished wooden hilt, dark stained, curved bulbous pommel. Straight, brown wooden scabbard bound three double bands woven rattan cane. "John Bruce" written on scabbard.

Shamshir. Narrow, highly curved, long, single-edged blade. Fluted, engraved floral, scrolled patterns next hilt. Wooden hilt with bulbous pommel.

Six-waved, straight, watered blade, curved; carved wooden hilt. Straight brown wooden scabbard bound three double bands, one triple band rattan cane.

'Dha' sword

Small lacquered dish with three feet.

Complete waka huia. The shape of the waka huia is rectangular box. The waka huia has four spirals along the length, one wide on sides and base but two wide on the lid. There are isolated inlay paua eyes on base and lid with some paua filling irregular gaps in ornamentation on the lid. There is a simple head each end with no eyes and a tongue that curls back to join box forming hole for suspending cord. There is an 8'mm perforation in the centre of lid. There are flat tongues on the lid (1 each end) that fit into sockets on the top of the waka huia. There is modern fibre cord for suspension through each knob.

Lid of a waka huia. Dark brown in colour. Lid is half-circular in cross section. There are square projections at each end, each with a drilled perforation, although one has been filled in. The exterior surface is carved in eight sections of a rauponga (ridge and triangular notch) pattern. Two large reliefs of human figures dominate; their heads point toward either end. The figures have a full moko with paua shells inlaid in the eyes. The bodies are also decorated in spirals and geometric carvings. One three-fingered hand rests on the stomach and the other rests on thigh. Legs curve inward with three-toed feet. The tops of the heads are pointed toward the ends. The lid has previously been sawn in half and another section of carving has been cut away; all parts have been glued or nailed back together.

Complete putorino flute. At the proximal end there is a large central bore with a wide lip running around it. On the front face of the putorino there is a large projection in human face form, finely carved, with notched paua shell inlay for the eyes. The putorino is wrapped with thin fibre just below this face. The putorino widens at the middle, where there is another carved human face, with the mouth acting as a sound hole. This craving also features notched paua shell inlay around the eyes. There is another length of fine fibre wrapped around the putorino below this carving. On the back side opposite this face, there is a drilled hole of unknown purpose. The putorino tapers to a thin distal end. There is a small projection of a carved human face, forehead to the distal end. This carving has been partially broken, with only one paua shell inlay remaining, and with a red wax-like substance on the lower face. There is wide fibre wrapped around above the carving, and thin fibre wrapped a

Complete putatara, with conch shell body and wooden mouthpiece intact. The wooden mouthpiece is carved, two ridges down either side, with curved ridges linking them around the front, creating a mouthpiece that looks phallic in shape. There are two circular paua inlay on the front and back. One inlay appears to be adhered with red wax. The mouthpiece is attached to the shell with fibre and wax. There is a perforation through the outer lip of the aperture that has a length of fibre twine through it. On the outer whorl of the body there is a large repair. An oval piece of wood has been fixed to a hole in the wood with four lengths of fibre twine that has been waxed to fill in any gaps. At the distal end of the aperture there is a perforation.

Complete wooden koauau. Round in cross section, polished patina from handling. Exterior surface carved with rauru (double spirals) and a human figure protruding off one side. Human figure has rauru on shoulders and thighs. Feet rest on a wheku style head. Light green glass or stone inlay in eyes, at base of foot, and between two of the finger holes. A rectangular-shaped indentation filled with red sealing wax indicates there may have been another inlay. Four fingers holes in total.

Mongoose lemur mounted in a crouched walking position on a branch attached to a historic wooden base, with all four limbs contacting the branch. Its head is turned toward its right side so it is looking forward, and its tail is hanging down in a loose C-shaped curve toward its head.

Collared brown lemur mounted in a crouched sitting position on a branch attached to a historic wooden base, with three limbs contacting the branch. Its left hind leg is hanging down off the branch and its head is turned toward its left side. The tail is hanging down in a loose C-shaped curve toward its head.

Indri mounted in an upright climbing position on a vertical branch attached to a historic wooden base, with all four limbs contacting the branch. Its left hand is higher than its head, and its right leg is closest to the base. Its head is turned toward its right side.

Complete wooden tatā (canoe bailer). There is a large curved handle with a simple manaia carved into the handle knob. Where the handle meets the bailer there is a large mouth carving. At the funnel end of the bailer there are two curved ridges. The walls of the bailer are high and straight. There are several cracks where the walls meet the base. Wood is stained dark red.

Complete composite fishhook. Curved wooden shank with large bone point attached with muka lashings. Bone point is straight with and incurved tip and three external barbs and one internal barb. Lower external barb and internal barb have two notches on them. Additional muka lashings twisted around the head.