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Large taha huahua (calabash container) consisting of a gourd inside a woven kete and a wooden frame. Gourd is dark brown/dark orange, with the top cut off to create a wide opening. There are four perforations around the rim of the gourd opening (only one is intact), used for fitting a tuki (wooden mouthpiece). Kete is woven in a under-one, over-one plait, using alternating black and natural unscraped flax. A plaited muka cord is tied around the kete opening, forming a series of loops and lashings around the wooden frame, as well as creating a handle. The wooden frame consists of two hoops around the kete and four legs, which rest diagonally to the calabash.

Waka huia without lid. Mid brown in colour. Lenticular shape. Exterior surface is carved in a geometric pattern including koru and rauru (double spirals). There is an human head projecting at each end for suspension.

Complete pouraka (small fish trap). Trap consists of two wooden hoops with two sticks overlapping above, lashed with muka fibre. A net of woven flax is stretched over the two hoops, with an opening in the centre.

Complete wooden adze haft. Slightly curved handle, with a long platform at the top. Uncarved. There is a groove around the short end of the platform, and two wider grooves for lashing at the longer end of the platform. There is an adze ( D41.148) lashed to this haft with a length of processed fibre.

Broken wooden bowl, oval in shape. The external side of the base is keeled, with a small flattened area. The internal side of the base is flat and oval. Sides taper outwards to upper lip of the bowl and are higher towards the perforated end. Both ends are missing large fragments from the upper lip. There are two perforations at the higher end.

Complete kahawai lure. Wooden shank with knobs at head and base. Paua shell inlay. Slightly curved bone point with internal barb. Lashings at head and base.

Complete composite fishhook. Wooden shank carved with double-sided faces at the head, one at the base and one below the point and other geometric shapes throughout. Curved bone point with two internal and two external barbs and two internal notches, lashed to the shank with twisted muka. Two knobs at the head with twisted muka lashings and a plaited cord projecting from the top.

Waka huia made from porokaiwhiri. Dark brown in colour. Shape is an elongated oval and cross section is half-circular. There is a projection on one end of the box carved in a human head figure; the other end has broken off. Lid is flattened on the bottom and has a notched projection on one end, broken off on the other end. The exterior sides of both the lid and box are divided into quadrants with a rauponga (ridge and triangular notch) pattern. The interior sides of both the lid and box are smooth and undecorated.

Complete tatā (canoe bailer). Dark brown wood. Handle is straight and projects over the scoop, with a face carving and perforation at the butt. Proximal end of the bailer has a koruru figure with paua eyes in the centre and two manaia on either side. A koru pattern radiates around both sides of the rim. Scoop is elongated, tapering toward the pouring edge, which has two large chips. A large crack runs from the pouring edge to the midpoint. The interior and exterior surfaces of the scoop are smooth and undecorated.

Small wooden ladle or scoop. Surface is charred, cracked, and flaking. An oval depression has been carved into the body, and one end has a notch on the edge to form a spout. The handle at the other end is quite short; may be a broken remnant of a longer handle.

Complete tokotoko. Dark brown wood. Full-length figure carved at the top. Double-sided face carving mid-way down the tokotoko and at the distal end. Large paua shell eye inlays on the middle carving. Rauponga (ridge and notch) pattern throughout. Handle is undecorated except for a plain face carving on the butt.

Wooden taurapa/waka stern. Surface is burnt and cracked. Triangular cross section; flat top with sides tapering in toward the base. One end curved upward to form two elongated curved projections, 65mm apart, one of which has broken off. A deep groove runs below the projections on the external side to the base, with a hole in the centre. The other end appears to have a broken projection in the centre, possibly where it was attached to the waka.

Broken bowl, base and two intact sides remaining. Shaped to a point a one end, squared at other end. Base flat externally and internally. Intact side straight. There is a small rectangular projection 15 mm long below rim on straight end. At the pointed end there is a small perforation through the base.

Complete composite fishhook. Curved wooden shank. Straight bone point with internal barb lashed with muka cord. Additional muka lashings and a twisted cord at the head. Bait notch at the base.

Complete waka huia made of totara. Dark brown and dark red in colour. Lenticular shape. On each end of the box, there are female figures with their bodies in high relief on box and heads forming suspension knobs. Faces have red wax eyes. The exterior sides of both the lid and the box are carved with a rauponga (ridge and triangular notch) and rauru (double spiral) pattern. There is a rauru in the centre of the lid and two rauru on the bottom of the box. The lid is flat on the bottom and rounded on the top and fits into box with a tongue and groove at each end.

Broken wooden bowl with flat base, possibly of kowhai wood. Oval in shape. At the more narrow end of the bowl there is a small 1cm long projection at the edge of the lip. Below this projection there is a large fragment missing from this end. On the opposite end of the bowl (the wider end) there is a small 1cm long projection from other end about 1cm below the upper edge. The sides on the outside are almost perpendicular, particularly at widest end and on one side. The inside slopes to a flat base. There is a large fragment missing from the bottom of the bowl. There are visible repairs where previously broken.

Complete tokotoko (walking stick). Light brown wood with surface worked smooth. Circular in cross section. Proximal end is sawn flat, with a male human figure. Figure has a full moko and both hands rest on stomach; proper right leg broken off. Two bands of carvings about one-quarter and three-quarters from the proximal end: former is a diamond motif carving and latter is made of two simple grooves. Tapers to a point at the distal end.

Complete barracouta fishing rod with attached lure. Rod is slightly curved wood. Carved with a diamond pattern midway down the rod, cross-section is round on the lower half below the carving and slightly flattened at the distal end. Distal end has a groove where the lure is attached with a line made from twisted muka fibre. Lure is wooden with a knob at the head. Point is a curved metal nail in the base. Several other smaller nails through the base for support.

Wooden barracouta lure with bone point