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Complete wooden pūtōrino. Bound with strands of harakeke at each end and at four places on the body. Tapered at the distal end, with a knobbed mouthpiece at the proximal end. Perforation at the centre on one side. Surface has been painted mid-brown. Two cracks running longitudinally on each side.

Wooden stick implement, use unknown. Surface is completely burnt, charred, and dessicated. Knobs at each end of a rod, one larger than the other. Knobs have flattened faces on each side. Broken and repaired in several places, with some chips missing. Glued to a piece of acrylic glass.

Fire plate, and fire stick. The fire plate is a flat wooden slab made of light coloured wood. Deep grooved in centre of plate with burn marks at one end. Burn marks in three places on side edges - two on right side U shaped indentation Polished on intact portions both edges. The fire stick is a rounded with blackened point with broken proximal end.

Complete wooden patu aruhe (beater used to prepare fern root). Very worn. Blade is long and narrow with an oval cross-section with parallel sides, tapering to a rounded, but chipped distal end. The neck is narrow with no distinct shoulder, ending with a knob on the proximal end. There are several knots in the wood on blade on bottom side.

Complete waka huia. Narrow, oval shaped waka huia, hollowed out to the corners we have a small ledge for the lid to rest on. Lid and base are worked in a rauponga style, with the base featuring a double spiral with accompanying notching pattern that radiates out from the centre on both sides of the base towards each end to meet a koruru figure. The two spirals are separated in the middle of the base end to end by a strap of groove and dot decoration. One koruru has carved eyes with the other remaining uncarved. Tongues on both koruru reach over the lower lip to the base forming a perforation for the suspension of the waka huia. The lid design is separated diagonally by five bands with an eye on each of the two central compartments with double haehae notching running longitudinally.

Complete waka huia made from totara. Wood is dark brown with a mid-red stain. Base has been broken in three pieces and glued back together. Cross section is a flattened U-shape, with rounded ends and a flat lid. Exterior sides of lid and box are carved with a curved rauponga (ridge and triangular notch) and rauru (spiral) pattern. Base has a human figure carved on both ends. The figures' bodies consist of curved arms and legs with three fingers and toes on each, carved on the base. The figures' heads protrude off the sides for suspension and have paua shell inlaid in the eyes.

Complete paddle. Straight handled paddle with a complex full human form as a handle knob at the proximal end. Circular cross-section of handle. The blade is broad and diamond shaped, typical of a North Island canoe paddle. Small chip at the distal end of the blade. The handle meets the blade at an angle.

Complete kotiate made of wood. Notches on side of blade. Face carving on butt with a square-shaped perforation just below head.

Piece of worked wood, use unknown. Oblong rod shape, circular in cross-section. Both ends have roughly cut grooves consisting of prominent chisel marks around the perimeter, creating knobs. Surface is cracked with insect holes and natural knots.

Piece of worked wood, broken at each end. Four intact perforations run the length of the piece, with two other broken perforations at the ends. Roughly rectangular in shape and in cross-section.

Complete waka huia made of totara. Elongated oval in shape and half-circular in cross section. Dark red and brown in colour. A human figure projects off at each end, one male and one female. Both figures have paua inset eyes with geometric carvings. Female figure has glass beads at the back of the head to form another set of eyes. Male figure has paua inset eyes at the back of the head and another on the manaia figure depicted on its proper left arm. Exterior of box and lid are both carved with a curved rauponga (ridge and triangular notch) and rauru (double spiral) pattern. Interior is smooth and undecorated.

Curved wooden sealing club. A cylindrical iron piece is attached by four nails on the exterior side of the blade. Handle is tapered, with a groove and another iron piece running through it. Top and bottom are sawn flat. Large crack running the length of the blade on one side.

Complete tā (maul or mallet). There is a concave depression, somewhat blackened, that sits just off-centre on flat face of head, which is oval in shape. The back of the maul is rounded and smoothed. The word "Ta" is written in Mission script form on proper right of front face. The handle tapers gently, with a knob at the end. There is a groove on the bottom of the knob, possibly unintentional. Handle has polished patina.

Complete maul. Concave depression sits centre of flat oval face of head with round rear. A split in grain runs from deep in depression towards distal end. Head tapers to handle with even width to proximal end with phallic type knob which has deep split on rear of knob. Rear of head has deep splits running with the grain to proximal point. Small nail sits in centre of shoulder between head and handle.

Complete wooden patu aruhe (beater for preparing fern root). Spatula shaped blade with parallel sides and a lenticular cross-section. The distal end is rounded. There is a distinct shoulder between the upper blade and the handle. The handle is circular in cross-section with knob on proximal end. There is a build-up of dirt on both sides of the blades. There are several hair cracks on surface.

Fragment of wood carving. Light red and brown in colour. Half-circular shape (cut on a straight, flat plane on one side). Two knobs sit on rounded outside edge. One face is carved in relief with a pakura or puwerewere (curved fan) and haehae (ridges) pattern. The other face is undecorated with chisel marks evident. Small insect holes throughout.

Fragment of wood carving. Light red and brown in colour. Half-circular shape (sawn on a straight, flat plane on one side). Three knobs sit on rounded outside edge. One face is carved in relief with a pakura or puwerewere (curved fan) and haehae (ridges) pattern. The other face is undecorated with chisel marks evident. Small insect holes throughout.

Piece of worked wood, use unknown. Kite-shaped, tapered at each end. Surface is course and knotted.