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Complete flax kete with single plaited handle. Natural light yellow colour. Fringe attached with single pair twine along both sides on front and back. Base fringe formed from warps. Extra weft thread added for decoration. Warps held together with single pair twine. Patterned on both sides with alternate rows of loose "ruffled" warps and single crossed thread. Handle attached to each edge, knotted and frayed, with a tassel at each end.

Kete woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns forming triangular shape in centre and loose warps ('ruffles') surrounding triangle. Back is undecorated, with weft rows further apart, except for four rows which are visible from front. Double pocketed. Frill work woven edge. Three ply whiri of flax have been added to act as handles.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa decorated with mawhitiwhiti (woven cross stitch pattern work). Decorative three ply whiri (braid) tassels adorns the top. Outer edge frill work is woven independently and sewn to the item with cotton thread and is woven using a braided tapiki (border) technique seen on some Kai Tahu kakahu.

Complete mutu (bird snare) made from a single piece of dark brown wood. Perch has a figure carved facing the proximal end, with four-fingered hands resting on stomach and feet together. Eyebrows, nose, and pointed mouth indicated on head. A rounded knob projects from the perch and one end curves upward. The handle is straight, with another face carved into the butt; the eyes are depicted by a perforation. Two pieces of vine are curved through perforations at the butt and below the abdomen of the figure on the perch; the vine at the butt is also lashed with a fibre cord. A twisted and knotted cord passes through another perforation at the perch figure's forehead.

Complete pukaea. Small lip around proximal end mouthpiece. Sides flare towards distal end, which ends in a gaping bell-like mouth. The pukaea is manufactured from two lengths of carved wood that are fixed together by lengths of fibre. The fibre is set into indentations in the wood, so are flush with the surface. The outer surfaces of the of the mouth are carved, and they come to a point at the distal ends, one of which is significantly chipped. There are teeth-like notches around the internal mouth opening.

Complete pukaea. Large pukaea with circular cross-section, manufactured from two internally hollowed pieces of wood, wrapped nearly from end to end by fibre. Half of the fibre, from the mid-section to the distal end is dyed black. The proximal end is narrow, sides flare to a wide distal end. The distal end has carved, triangular projections around the edge. There are three small metal nails at the distal end where the twine ends.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu in pairs of two. The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element.

Kete Muka woven from natural muka (flax fiber). Woven whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu in pairs of three. The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element. Rolled muka cord prepared with the miro (rolling) technique has been introduced as a handle.

Kete. Square in shape. Woven from undyed muka. Fringe attached with double pair twine to front and back of both side edges. Fringe along base formed from warps, with extra weft thread inserted along basal weft row for decorative purposes. Warps held together with double pair twine. Decorated with turquoise and purple fibre circles, which are faded. These are formed by the insertion of two additional coloured weft threads to top and bottom of every 7th weft stitch - undulating effect of each thread forms circle. Top edge frayed badly. No handles.

Broken kahawai lure, in two pieces. Two knobs on head of the shank. There is a curved point with an internal barb, and a notch on the external side of the base attached to the paua shell shank by muka.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Complete kaitaka patea cloak. Woven from muka (flax fibre) with horizontal aho (wefts). Narrow wool taniko borders on the side edges and a broad border on the bottom. Taniko is woven in black and white chevron and diamond pattern, with triangles in red, pink, green, and blue; faded throughout. The body of the cloak and the top border are undecorated.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.