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Complete composite fishhook. Curved wooden shank. Straight bone point with internal barb lashed with muka cord. Additional muka lashings and a twisted cord at the head. Bait notch at the base.

Fragments of fine kete woven using the takitoru pattern. The upper edge of the largest fragment features remnants of unique woven triangles as a decorative element below a finely woven tapiki (finish) featuring a three ply whiri (braid) looped as possible handles. Other fragments contain remnants of muka cord

Piece of kōkōwai wrapped in three layers of kete and kelp. Kōkōwai rests on a bed of feathers and soft fibre and is imprinted with fibre remnants of inner kete. Kete is plaited in over-one, under-one twill, with narrow strands of unscraped plant material. Middle layer is a piece of rigid kelp. Outer layer is a larger, more complete woven piece of kete, curled at the edges and quite rigid, plaited around one edge.

Sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takirua pattern. Braided tapiki (finish) along the heel ends with long harakeke (70mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fibre) is threaded in eight loops around the outside of the sandal and is laced with and additional 3 ply whiri muka. A looped loosely woven muka cord formed using the miro (rolled) technique form the back of sandal at the rear.

Complete barracouta fishing rod with attached lure. Rod is slightly curved wood. Carved with a diamond pattern midway down the rod, cross-section is round on the lower half below the carving and slightly flattened at the distal end. Distal end has a groove where the lure is attached with a line made from twisted muka fibre. Lure is wooden with a knob at the head. Point is a curved metal nail in the base. Several other smaller nails through the base for support.

Kete Whiri (Bag woven from a central braid). Whenu (strands) are braided together in a whiri (plait). This forms the base centre of the kete. Whenu have then been woven outwards from middle to edge, forming a circular kete.Two flax whiri (plaits) are connected aroung the edge, forming handles. The stitching holding one side together has begun to come apart.

C and D: Set of two poi made of ribbonwood, undecorated with natural fibre colours. Twisted cord attached to each.

Complete waka huia, oval shaped. The waka huia is hollowed out except for the short sides, where a small ledge remains that the lid rests on. The lid is decorated with rauponga whakarare motif in parallel stripes along its length. The lid features a hole in centre for cord attachment, with a small amount of cord in the perforation. On the top of the lid this cord is dyed red, with a small amount hanging out underneath. Base is carved with interlocking rauru spirals occupying most of area with two smaller double spirals in between and raupongo whakarare filling the remaining spaces. Ends have koruru. One faces upwards with a laterally pierced perforation behind for suspension. The other faces downwards, with a laterally pierced perforation behind for suspension. Both have paua shell inlay eyes. On the long sides there are two paua shell inlay circles.

Complete composite fishhook consisting of two curved pieces of paua shell lashed together with muka. Additional muka lashings at the head, attached to a twisted muka cord. Modern metal nail through lashings at base.

Kete Muka woven from natural and yellow dyed muka (flax fiber). Yellow possibly raurekau bark in origin. Woven from bottom to top using whatu aho patahi (single-pair weft-twining). The body of this kete is unusually decorated as double whenu (warp strands) appear to have been used, with one strand left loose to give the body of this kete a decorated ruffled effect. Yellow and natural muka have been miro (twined) to create two cords that have been added to act as handles. Frill work woven outer edge in yellow and natural muka has been sewn to the left and right edges.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Complete pounamu pendant. Dark green in colour with high translucency. Cross section is lenticular. Surface is ground. J-shaped, with a curved and rounded distal end. Proximal end is also rounded, with a braided muka cord through the suspension hole.

Complete kahu huruhuru with kereru feather, flax fibre and wool. Manufactured with whatu aho rua technique (two-pair weft-twining). The first and the last whenu along the left and right edges are pink and blue wool thread twisted together. Kereru feather attached singly (a aho/2) in green and white vertical stripes. The kurupatu (fringe collar) is made with white feather. There are no ties. There is a small area of repair along the top at one edge.

Small flax kete with twisted handle. Woven in a twill pattern from unscraped flax with no additional decoration. Natural mid-yellow colour. No base seam; cast off by folding to internal side and inserting through other flax strands.

Complete pair of poi. Both oblong with a squared base, one slightly larger than the other. Raupo has been wrapped around the poi longitudinally; very wide strips of plant material used. Held together at top of poi with fibre. There is a length of twisted fibre cord emerging from the top, knotted at end.

Five pronged eel fork (matarau tune). Outside tines are longer than the internal tines. The tines are pointed at distal end and notched at proximal end so tines can be bound and secured. Heavily bound at top with plain harakeke/flax with woven chord extending from centre tie point. Tines evenly spaced with plain harakeke at middle.

Fragment of kete woven from undyed harakeke (flax) using the takitahi (over one, under one) pattern. Remains of three ply whiri (braid) finish at the top.

Remains of woven harakeke (flax) listed as a fragment of a sandal. Appears to be the remains of a whiri (braid) technique formed by looping doubled whenu (strands).

Complete pounamu pendant. Attached to pounamu toggle D40.539 by a brown three-play rope. Dark green bowenite/tangiwai variety, chatoyant and translucent. Surface is ground. Cross section is lenticular. Seven notches on the proximal edge and a suspension hole drilled from both sides. One side edge is straight, and the other is curved; somewhat squared off at the distal end. Pendant is bevelled on both sides.

Pounamu toggle. Attached to D40.538 by a brown three-ply rope. Light green tahutahi variety; source believed to be Cascade Plateau area. Surface is ground. Triangular shape. Perforation through the centre of the toggle, drilled from both sides. One side has two bevels running lengthwise, demarcated by lines.