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Complete comb, manufactured from 19 splinters of wood, including two thinker end pieces. These splinters are connected together by a long length of two-ply fibre that weaves the pieces together. The distal end of the end pieces have knobs that project outwards.

Complete comb, manufactured from 22 slivers of wood, with two being thicker end pieces. These tines are strapped together with thin fibre. The thicker end pieces has matching heads that face outwards at the distal end. Both chins are slightly damaged, with one laterally perforated.

Complete kahawai lure. Wooden shank with knobs at head. Paua shell inlay. Muka lashings at head and base. Curved bone point with internal barb and notches at base.

Long shaft of light coloured wood. Circular in cross section with many knots. The sides of the proximal end are squared. Distal end split into quarters, with wooden wedges pushed between. There is a length of twine wrapped around the distal end.

Complete string of 12 glass trade beads. They are of varying size, but all small. They are strung on a straight piece of muka, tied at both ends.

Wooden adze haft. Surface is polished smooth. Handle is round in cross section, with a platform at the distal end running perpendicular to the handle. Groove cut in platform with plaited flax tied around and attached to handle.

A variation of a konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. Woven with natural harakeke in a takirua (over two, under two) pattern. An irregular tapiki (finish) has been used and secured with a row of whatu aho patahi (single-pair weft-twining) and whatu aho rua (two-pair weft-twining). A muka cord has then been threaded through to create a pouch.

Ceremonial adze haft, identified as a fake. Dark brown wood with paua shell inlay and a twisted muka cord for lashing. Handle is carved with a geometric pattern of ridges and notches, with a human head carved on the butt. Haft consists of a carved human figure with adze housing situated between rear of legs, grasping a fish to its mouth with both three-fingered hands. Manaia eyes and forehead runs down ridge to base of hafting point. Figures are carved with geometric patterns.

Pair of wooden weaving sticks with sample of twined flax fibre tied between them. The sticks are not identical. One (a) is circular in section, the other (b) slightly oval. Both taper to a point at distal end, stick (a) broken on tip and has grey/brown substance on it. Proximal end is flat. Stick (b) appears to have been chewed and broken. Each has 30mm wide groove, 35mm below end, around, to which is attached the weaving. Coarse muka with 22 rows of double pair twining plus an insert row and commencement row. Commencement and final row have scalloped weft introduced and short pieces of black flax fibre forming decoration.

Pair of wooden weaving sticks with sample of twined flax fibre tied between them. Both weaving sticks taper to a point at distal end, with a groove at the proximal end to which is attached the weaving. One of the sticks is broken at the proximal end. Coarse muka with 8 rows of double pair twining plus an insert row and commencement row. Commencement row has scalloped weft introduced and short pieces of black flax fibre forming decoration.

Complete kahawai lure. Curved wooden shank with notches at head. Shell inlay. Straight bone point with internal barb. Muka lashings at head and base.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.

Complete kahawai lure. Curved wooden shank with knob at base for lashings. Iridescent paua shell inlay. Muka lashings at head and base. Twisted muka cord attached at head. Straight bone point with very prominent internal barb.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at head and base with twisted cord bundle at head.

Complete two-piece fish hook, with wooden shaft and bone point. Point is straight and barbed. Point is lashed with muka at base. Shaft is cylindrical in shape, with curved base and knob at head.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Complete taiaha. Roughly carved human faces on each side of the proximal end. Metal drawing pins in three of the four eyes (perforation visible where one is missing). Unfinished spiral incised markings on one side of protruding tongue. Dark dyed twisted piece of fibre tied around the centre of the blade.

Complete hue or taha tuatua (gourd container or calabash) inside a woven kete. Oval shape, with a rounded base broken in several fragments. Top is cut off at the neck, creating a large circular hole with sides worked smooth. Kete is made of unscraped harakeke, plaited in an over-one, under-one twill, broken in several places and with a broken muka handle. Metal ring and broken pieces in plastic bags accompany the hue.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Kete Muka woven from natural and black dyed muka (flax fiber) using whatu aho patahi (single-pair weft-twining). Cast on for this kete is unusual as is appears a base cord has been used as a foundation, whenu (warp strands) have been added by creating a loop with the whenu and pulling both tail ends through. The body of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. A badly deteriorating natural and black muka three ply whiri (braid) has been added to act as a handle. Frill work woven outer edge in black and natural muka.