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Brown Kete Muka possibly dyed using tanekaha bark and a white ash mordant. Short fringe, made with double pair twining, attached to side edges and base on front and back. Warps held together with double pair twining. Patterned in regular manner. Alternate rows of cross stitch (based on eight warp unit) and alternate verticle stripes natural and brown. No handles.

Frament of maro. The fibre is woven together, with two whenu (strands) forming diagonal ornamental lines.

Complete flax kete with plaited handle. Woven in a twilled over-one, under-one pattern with unscraped flax. Natural mid-yellow colour with some mid-red and mid-brown in handle. Internal base commencement; cast off with internal horizontal plait. Top edge serrated in large triangular shape. Patterned at the base with three horizontal double rows of holes, created by changing the direction of individual flax strands.

Complete fishing line and sinker. The line is plaited flax bound with unworked flax. The sinker is complete, with a transverse lashing mark around the circumference. The connecting rod is a naturally formed Y section, with flax bound to each of the lengths of wood.

Sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with long harakeke (210mm) added as a possible decorative or cushioning element adhered via looping through wefts. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Complete matarau (eel spear). Both ends of the shaft taper to a point. The matarau has seven tines, three each side of the shaft point. The two exterior tines extend approximately 25cm to reach the shaft, where the shaft has been notched to hold them. The proper right exterior tine has been notched six times near the base of the tine.

Complete tatua. Plaited flax man's war belt. Natural colouration. Made in one piece, with sides folded over and then folded over longitudinally - unstitched long the bottom edge. Plaited in over two, under two twill with loose flax strands from commencement and finish lying loosely inside belt. Darker dyed three ply plaited fibre braid attached to each end.

Complete kahu huruhuru, with peacock, chicken and turkey feathers. There are peacock feathers in a square in centre of the cloak, with wool borders approximately 8cm wide of blue, red and black. Along the top there are four ties using the same wool. One pair of ties are short, and set back from the edge by approximately 10cm, there is a longer pair of ties at each corner. Manufactured using a whatu aho patihi technique (single pair twining). The 1first whenu are made with two threads; one blue wool and one undyed flax.

Pounamu/Nephrite hei tiki. Light green kahurangi variety, West Coast source. Unusual small hei tiki with very straight sides. Head turned to left. Top of head has scarf which runs side to side (which may be a koukou/top knot) and a suspension hole in centre drilled from both sides. Upper middle lip on dominant face extends unevenly to edge. Red sealing wax in eyes. Hands rest on rear of thighs, no legs indicated and flat on rear. Plaited harakeke cord with loop at one end through which the other passes and connects to bone toggle attached.

Whariki muka (table mat). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Frill work woven outer edge.

Long shaft of light coloured wood. Circular in cross section with many knots. Distal end split into quarters, with wooden wedges pushed between. There is a length of twine wrapped around the distal end.

Paraerae (sandal) woven from harakeke (flax). Two whenu (strands) are overplayed for reinforcement and woven using the takirua (over two, under two) pattern. Braided tapiki (finish) along the heel ends with long harakeke (50mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fiber) is threaded in six loops around the outside of the sandal and a muka cord formed using the miro (rolled) is tied to the side of the sandal.

Complete piupiu. The flax tags are scraped and unscraped, with the scraped sections dyed alternating faded blue, red and green. The tags are accompanied by five twisted whenu that are tied in decorative bows at the waistband and have pairs of tassels at both the waistband and ends. The waistband is approximately 11cm wide with the horizontal weft rows dyed in red and the vertical warp rows dyed in a faded blue. The top of the waistband is a three ply whiri (plait), with any extensions at each end broken away.

Two sandals woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with trimmed harakeke added as a possible decorative or cushioning element adhered with a knot. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Complete toki poutangata, hafted adze. The haft is finely carved wood in a variety of styles. The distal end of the handle has a two-sided anthropomorphic head, with paua shell inlaid eyes. There is a perforation through the handle between the knob and handle. The handle itself has basically longitudinal carving lines along the length of the handle, with three equally spaced latitudinal lines, and one curved area of carving near the distal end. There is a circular paua shell inlay on one side below the human figure on the heel of the haft. This anthropomorphic figure has legs apart, penis, four toes per feet, bent knees with spiral design on buttocks and shoulders, protruding tongue, paua inlay eyes, face mostly uncarved. The adze itself protrudes through to base of neck, set in triangular shaped slot, with fibre wrapped around the shoulder of the blade and end of the haft. There is another carved human face on the haft underneath the adze, opposite figure previously mentioned, with on

Goose feather and flax kete. Feathers are light brown, light grey, and white in colour. Warps held together using single pair twine. 19 weft rows, 1.5cm apart. Feathers attached to every 6th warp on alternate weft rows (except basal three). Cast on using thrum technique. Cast off from inside by taking warp 1 to back of warp 4, warp 2 to back of warp 5 etc and holding in place with single pair twine. Warps then frayed and trimmed to form fringe on external side. Twisted flax fibre handle on either side, one strand of which has been dyed bright yellow.

Wooden putorino made in two parts, joined down the sides. Middle section oval but round at distal and proximal ends. Proximal end head has serrated paua shell eyes inset. Proximal end flax ties are complete. Middle head flat, with serrated paua shell eye inset, proper left eye is more rudimentary than right. Distal end head has no paua inset and is missing the lower flax tie. The end of the flute is split, with the proper left back chipped.

‘Ahu ‘ula (cape) built upon a netted backing made from olonā fibre.

Kete Muka (Wall Pocket) woven from natural muka (flax fibre). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns, whenu (strands) have also been left loose in order to give a ruffled decorative effect. Muka thread has also been looped through ara (wefts) in order to create twirled frills along six wefts. Frill work woven edge. Two muka cords made via miro (rolling) technique adorn each side of the pocket opening, both have tassels attached.