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Model of a mokihi, created by binding bundles of bulrush with flax. The prow is double ended, with the top binding of bulrush ending approximately 19cm before the lower prow.

Complete pōhā used for preserving tītī, consisting of a kelp bag inside of a flax kete with a bark liner. Kete is made in an under-one, over-one pattern, and plaited around the top edge. Long strips of bark, probably totara, cover the kelp bag, and are lashed together with strips of flax, and tied together tightly at the top.

Complete mutu kaka (bird snare). Handle is curved with decorative notches running down one side. Butt is carved with a geometric pattern and has two perforations with a vine and muka cord lashed through them. Perch is carved at one end with a human face facing upward, and there is a projection curving upward at the other end, representing the feet of the carved figure. Two perforations on either side of the figure's mouth each with a broken twig through them, lashed with a twisted muka cord. Another diagonal perforation from the figure's nose bridge to the back of the head, with a twisted muka cord passing through it, tied to a thicker plaited muka cord. A stick and a broken block of wood is lashed with a vine to the perch.

Complete kahawai lure. Curved bone shaft with paua shell inlay. Barbed bone fishhook point lashed to base with muka. Twisted muka cord at head.

Complete taiaha. Human face carved on both sides of the proximal end. Rauru (spiral and notch) pattern carved on protruding tongue. Distal edge of the tongue tapers to a point; sides are flattened. Paua shell inlay is intact in three of four eyes. Cloth padding wrapped around the shaft below the carved faces; narrow strip of black cloth patterned with yellow dots and a larger piece of undecorated brown cloth. Cloth and remnants of bird quills are lashed on using plaited muka fibre. Tufts of white dog hair attached to plaited muka at the base of the shaft. Blade is undecorated and worked smooth, tapering to a slight point at the distal edge.

Kete muka woven using whatu aho patahi (single-pair weft-twining). Woven from top to bottom. Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch) patterns. X2 Three ply muka braids with tassels have been introduced as handles.

Large taha huahua (calabash container) consisting of a gourd inside a woven kete and a wooden frame. Gourd is dark brown/dark orange, with the top cut off to create a wide opening. There are four perforations around the rim of the gourd opening (only one is intact), used for fitting a tuki (wooden mouthpiece). Kete is woven in a under-one, over-one plait, using alternating black and natural unscraped flax. A plaited muka cord is tied around the kete opening, forming a series of loops and lashings around the wooden frame, as well as creating a handle. The wooden frame consists of two hoops around the kete and four legs, which rest diagonally to the calabash.

Kete woven from undyed harakeke (flax). This kete has been woven initially as a flat piece in a takirua (over two, under two) pattern, with the base being woven together after the initial weaving. The kete was then inverted to hide the base join internally. It has been finished with a tapiki (finish) where the whenu have been folded internally before being trimmed. X2 four ply round whiri (braids) have been introduced to act as handles.

Piece of twisted muka cord

Complete pouraka (small fish trap). Trap consists of two wooden hoops with two sticks overlapping above, lashed with muka fibre. A net of woven flax is stretched over the two hoops, with an opening in the centre.

Complete kahawai lure. Wooden shank with knobs at head and base. Paua shell inlay. Slightly curved bone point with internal barb. Lashings at head and base.

Complete composite fishhook. Wooden shank carved with double-sided faces at the head, one at the base and one below the point and other geometric shapes throughout. Curved bone point with two internal and two external barbs and two internal notches, lashed to the shank with twisted muka. Two knobs at the head with twisted muka lashings and a plaited cord projecting from the top.

Fragment "A" of kete woven from harakeke (flax) using fine whenu (strands). Kaupapa (body) woven using takirua pattern. Sewn together along one edge with muka (flax fibre) cord twined to tapiki (finish) another edge. Fragment "B" of kete woven from harakeke (flax) using fine whenu (strands). Kaupapa (body) woven using takirua pattern. Muka (flax fibre) cord twined to tapiki (finish) opening with remaining whenu untrimmed as a decorative element. Fragments of muka cord made using the miro (rolling) technique remain.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element.

Fragments of fine kete woven using the takitoru pattern. The upper edge of the largest fragment features remnants of unique woven triangles as a decorative element below a finely woven tapiki (finish) featuring a three ply whiri (braid) looped as possible handles. Other fragments contain remnants of muka cord

Piece of kōkōwai wrapped in three layers of kete and kelp. Kōkōwai rests on a bed of feathers and soft fibre and is imprinted with fibre remnants of inner kete. Kete is plaited in over-one, under-one twill, with narrow strands of unscraped plant material. Middle layer is a piece of rigid kelp. Outer layer is a larger, more complete woven piece of kete, curled at the edges and quite rigid, plaited around one edge.

Multiple hukahuka (tags) constructed with the two ply miro (rolling) technique. Dyed black with paru.

Complete composite fishhook. Curved wooden shank. Straight bone point with internal barb lashed with muka cord. Additional muka lashings and a twisted cord at the head. Bait notch at the base.

Complete barracouta fishing rod with attached lure. Rod is slightly curved wood. Carved with a diamond pattern midway down the rod, cross-section is round on the lower half below the carving and slightly flattened at the distal end. Distal end has a groove where the lure is attached with a line made from twisted muka fibre. Lure is wooden with a knob at the head. Point is a curved metal nail in the base. Several other smaller nails through the base for support.

Kete Whiri (Bag woven from a central braid). Whenu (strands) are braided together in a whiri (plait). This forms the base centre of the kete. Whenu have then been woven outwards from middle to edge, forming a circular kete.Two flax whiri (plaits) are connected aroung the edge, forming handles. The stitching holding one side together has begun to come apart.