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Kete Muka woven from natural muka (flax fiber) using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu (strands). The body of this kete is decorated with whenu (strands) left loose in order to give a ruffled decorative effect. Muka cord formed using the miro (rolling) technique has been added as handles. Frill work woven outer edge.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.

Fragments of tapa. The edges of the cloth are frayed along the base, with a straighter edge along the top. The proper right is missing a large portion of the cloth. The proper right edge is completely detached.

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.

Fine woven Kete Muka woven from natural muka (flax fiber). Woven using Whatu aho patahi (single-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge attached after initial weaving. Two muka cord made with miro (rolling) with tassels have been added to function as handles.

Complete piupiu waist garment made from undyed flax. Scraped flax sections create approximately seven square motifs with a horizontal band either side. Small tassels have been attached throughout the flax tags. The waistband is approximately 11cm wide with a 3 ply whiri (plait) at the top. As extensions to the whiri, twisted whenu (strands) make up waist ties. These extensions are finished with large tassels.

Complete piupiu. Garment made from flax, scraped and unscraped, dyed (black, gold) and undyed (natural). Tags fall from various levels of kaupapa. Tags have scraped and unscraped sections forming a pattern of 4 horizontal bands across skirt. All unscraped sections are incised with cuts, some horizontal, some diagonal, some with criss-cross pattern. Kaupapa is approx. 230mm long with 17 weft rows (black) of single pair twining. Waistband has 4 weft rows (3 natural, 1 gold) of double pair twining. Top of waistband is 3 ply plait from warp extensions of kaupapa. Ties at each end are extensions of 3 ply plait. One has gold and natural flax fibre worked into it, and is knotted in several places.

Complete taiaha. Roughly carved human faces on each side of the proximal end. Metal drawing pins in three of the four eyes (perforation visible where one is missing). Unfinished spiral incised markings on one side of protruding tongue. Dark dyed twisted piece of fibre tied around the centre of the blade.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Lashings at head and base.

Broken kahawai lure, iron shank and lashings remaining. Remnants of paua shell inlay and lashings attached to iron shank at head and base. Braided cord attached at head.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Flax fibre, decorated on front only with peacock, pheasant and domestic fowl feathers. There is one visible orange kaka feather on this kete woven in towards the centre of the body. Front extends as flap and folds over to back, loop on each side to button. (non-matching white and cream buttons. Warps held in place with double pair twine. Six bands of cross over stitch - alternate red and black which overlie warps (held with same weft rows) on back, flap and two rows front. Sides of flap bound with black fabric. Two whiri (braids) used as handles, with decorative tassels at end.

Kete Whiri, a basket woven from an internal base braid, in this case two braids have been used to increase the functional size of this kete. Woven in takitahi pattern (over one, under one) with a flat bottom adaptation. Finished with an internal whiri (braid) around the internal brim before whenu (strands are trimmed). X2 round four whiri (braids) have been threaded into the weaving to act as handles. Huia smith is a Dunedin weaver with Nga Puhi Whakapapa.

Kete Muka (Tea Cosy). Woven from undyed and dyed black and blue muka using whatu Whatu aho patahi (single-pair weft-twining). Mawhitiwhiti (woven cross stitch pattern work) decorates the kaupapa (body) . Frill work woven outer edge with six tassels attached to the lower part of this kete with muka cord made using the miro (rolling) technique. This kete is lined with sewn fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Wall Pocket) With closing flap/lid. Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front with two similar cords without tassels on the lower front. Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Very large composite fishhook without a point. Wooden shank is curved with geometric carvings and two human faces near the head. Along the base, there are shark and fish, one being chased by a bird and others following a fishing lure pulled by figures in a boat. Twisted muka lashings at the point end and at the head, with a very thick plaited cord attached.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.