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Complete wooden lid, possibly for a tuki (calabash mouthpiece). Dark brown in colour. Circular with a raised circular base for fitting. Base is undecorated, but has chisel marks evident. Exterior is carved with a rauponga (groove and triangular notch) pattern. Raised human figure project off the centre as the handle. Figure has a protruding tongue and three-fingered hands rest on abdomen. Feet come together and rest on a human head below.

Broken paepae (outer threshold of pataka). Made of dark wood, possibly stained. There is one complete male figure in profile on the lower portion of the paepae, head is horizontal. Above this figure on the proper right side there is a leg of a second figure, the rest of which does not remain. These details are carved in taratara a kae style. There are three large perforations on the proper left side, and two smaller perforations on the proper right side. There is a projection on the bottom of the paepae on the proper right side.

Waka huia without a lid. Made from kapuka wood; dark brown in colour. Rectangular in shape and in cross section; slightly rounded on the bottom. Simple grooved knobs on each end, one of which has a perforation for a suspension cord. Exterior is carved in a rauru (double spiral) pattern, with three on the bottom and four on each side. Interior is smooth and undecorated.

Complete tatā (canoe bailer). Light brown rimu wood. Surface is worked smooth but with wood grain still evident. Handle is straight with a carved face at the butt (browline, bulbous eyes, and nose are indicated). Style departs from traditional design with handle at back, indicates European influence. A chip is missing from centre edge of pouring edge.

Complete wooden hoe (paddle). Double-sided human or bird carving at the proximal end, with four perforations. The proximal edge has been burnt on one side. A double-sided human face is carved where the handle meets the blade, with spiral and pākati (dog-tooth) patterns throughout. Blade is an elongated oval, tapering to a point at the distal end, with two perforations. The distal edge has been flattened, with chisel marks evident on the side edges.

Unfinished waka huia made of porokaiwhiri. Mid-brown in colour. Cross-section is a flattened oval. The exterior side of the box is partially carved in a rauponga (ridge and triangular notch) pattern; about one-quarter is unfinished. Undecorated human heads protrude from either end of the box, with a perforation drilled behind each head for suspension. The interior of the box and both sides of the lid are undecorated. The bottom of the lid is flattened and rests on the box with tongue and groove joint.

Complete waka huia made from totara. Mid-brown in colour and stained red in some portions. Cross section is U-shaped. Lid and the interior of the box are lenticular, with straight, squared off ends and a flat bottom. There is a handle along the exterior centre of the lid created by four overlapping manaia figures, with various perforations and minimal carvings. The exterior sides of both the lid and the box surface are divided into quadrants with a curved rauponga (ridge and triangular notch) pattern. There is a human head carving protruding off each end of the box, used for suspension.

Complete wahaika rakau. Geometric and facial design (possibly based on an owl?) carved on blade with mirror image on opposite side. Two of the eight paua shell inlays are missing. Where the blade meets the handle, a human figure is carved with extruding tongue and three fingered hands on chest. Polished, uncarved handle with square-shaped perforation. Human face carving at butt of handle.

Complete wahaika rakau. It has a circular drilled perforation at the head. It has whakairo on the head in the shape of a head. It also has whakairo on one side of the handle in the shape of the human form. It is well polished.

Complete wahaika rakau. It has rectangular chipped out perforation on the head. It has whakairo on the head in the shape of a head, it also has whakairo on the side of the handle in a head shape. Above the butt there is an inverted notch on the opposite side to the carving. It is polished but with scratches and minor chips along the blade.

Complete kahawai lure. Wooden shank with knobs at head. Paua shell inlay. Muka lashings at head and base. Curved bone point with internal barb and notches at base.

Broken kahawai lure, shank remaining. Curved wooden shank with knob at base and notches at head. Paua shell inlay.

Broken bowl, one end and side remaining. Base flat and rectangular in shape. The remaining side has straight low sides that rises at the end to an inverted V projection. There is a longitudinal fragment missing from the remaining side, along the edge towards the base. There are many cracks in the surface. Except for the broken edges, the surface is smooth.

Wooden adze haft. Surface is polished smooth. Handle is round in cross section, with a platform at the distal end running perpendicular to the handle. Groove cut in platform with plaited flax tied around and attached to handle.

Broken wooden puppet figure with movable arms, left ear, and base not present. Surface is polished smooth except for face, which has a complete incised moko. Large cylindrical head with ears and deeply grooved eyes. Top knot or comb represented by a squared-off projection coming from the top of the head. Square perforations at shoulders where movable arms would have been attached. Four circular perforations on the back side, one of which has a small metal piece sticking out of it. Knees are sawn flat at the front. Broken at the feet, with grooves and remnants of carved toes remaining.

Wooden helve, pounamu/ nephrite blade/inaka variety. Carved handle oval in section, ridge at base extending from tongue of wheku style inward sitting head diminishing at middle to a blunt point at proximal end. Distal end has platform with carved face on internal side below. External/projection at distal end of platform and elaborately carved in form of human figure; inset paua eyes. Manaia sits back to handle and merged with human figure with protruding tongue. Toki blade lashed onto handle with fibre. Blade is thin sectioned , bevelled the full length on true right side but not on other. An approximate 30 degree angled blade which shows sign of some wear. Shimmery green with high schistocity and lighter mottled vein. Two perforations at butt end for attachment. Several cracks including one at centre distal end of toki.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. Paua inlay. Lashings and cord at head and base. Straight bone point with internal barb. Some remnants of feathers at base.