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Complete stairwell stringer (diagonal beam that holds up the steps/treads of the stairwell). One end is diagonally cut, with the end chipped and worn. This end has one nail hole. The opposite end is snapped. The top surface has 7 pairs of nail holes (14 holes total). The whole beam has pest holes sporadically bored into it.

Complete pae manu (bird perch) consisting of a central bar with a bowl at each end. Dark brown wood. Surface is smooth. Side of the perch is carved in curved pattern, with perforations between the lines. Two straight perforations are drilled from top to bottom, possibly for mounting purposes. One bowl has a human head facing externally, mouth is an open hole on the side. Nose, eyes, eyebrow, and five topknots at the head are indicated. Bowl at the other end is smaller but deeper, with a human figure carved externally. Tongue protrudes and lips, nose, and eyes are indicated, as well as a torso with inwardly curved limbs. Both bowls have flattened rims and the interior surfaces are rough, with chisel marks evident.

Mid brown wooden bowl. Shape is lenticular and cross section is half-circular. Spout at one end and small projection at other, possibly for suspending. Adze marks visible on exterior, smoothed but not polished or decorated.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Round wooden kumete. Shallow depth, approximately half of height. Rim and bottom are flattened. Two handles on either side depict human faces in high relief. The exterior is carved in a rauponga whakarere (ridge and triangular notch) pattern.

Wooden adze haft. Handle is round in cross section and chisel marks visible on surface, darkened near the grip. Triangular platform at the distal end, with notches and a deep groove at the edge. A mount is lashed with plaited fibre into the hollow groove, projecting beyond the platform. The mount has a deep rectangular groove, open at one end, for inserting an adze. It appears to be made using metal tools.

A: Complete barracouta lure. Straight wooden shank with a dessicated surface. On one end, there are two grooves on one side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge. B: Complete barracouta lure. Straight wooden shank with a smoothly worked surface, some cut marks and dessication evident. At one end, there is a groove on each side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge.

Complete patiti with iron axe-head and wooden handle. Surface of the handle is smooth. The butt flares out slightly, with a flattened edge and a straight drilled perforation. Sides of the handle are reduced at the distal end, where the axe-head is attached. Surface of the axe-head is somewhat rusted, with a stamp mark on one side. Blade flares out with a curved, sharp cutting edge.

Complete tatā (canoe bailer). Made from dark brown rimu using steel tools. Curved handle projects over the scoop, with a manaia head carved at the butt. Below the handle, at the back of the scoop, is another carving and two perforations. Two pieces of loose wood on the carving have been re-attached in the past with heavy furniture nails. Scoop has a slight ridge on the interior, creating a straight-sided pouring edge

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.

A wooden tube, described as a mouthpiece for blowing up kelp poha. Made of light brown rimu or patete. Both ends cut flush. Surface is smooth and undecorated.

Waka huia without a lid. Made from kapuka wood; dark brown in colour. Rectangular in shape and in cross section; slightly rounded on the bottom. Simple grooved knobs on each end, one of which has a perforation for a suspension cord. Exterior is carved in a rauru (double spiral) pattern, with three on the bottom and four on each side. Interior is smooth and undecorated.

Complete barracouta lure, no lashing remaining. Wooden shank with nail forming the point. Nail is curved and rusted, coming to a sharp point. The shank is complete, with a lashing groove at the head.

Set of fire oven stones.

Complete mutu kaka (bird snare). Dark brown wood. Surface is smooth with chisel marks visible; no decorative carving. Handle is straight with an oblique edge and a notch at the butt. Perch is straight and tapered to a dull point at each end with a square-shaped perforation at the shorter end, where the handle meets the perch. Two grooves on one side of the perch.

Complete wooden hoe (paddle). Double-sided human or bird carving at the proximal end, with four perforations. The proximal edge has been burnt on one side. A double-sided human face is carved where the handle meets the blade, with spiral and pākati (dog-tooth) patterns throughout. Blade is an elongated oval, tapering to a point at the distal end, with two perforations. The distal edge has been flattened, with chisel marks evident on the side edges.

Complete Whakawae. Features two human figures, one standing on top of the other. Both figures feature paua shell inlay eyes with tongues sticking out, and both hands resting on their stomachs. The lower figure's body has been rubbed smooth from touching.