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Piece of worked wood, use unknown. Elongated and slightly tapered at one end, with a curved scoop-like feature at the tapered end. Surface is burnt and dessicated.

Piece of worked wood, use unknown. Roughly square in shape and in cross-section. One half of the surface is burnt. Severely dessicated, with sand and roots in cracks.

Complete tokotoko (walking stick). Carved with one full figure and two faces on shaft. The shaft is carved with rauponga (rows of notches and lines) in diagonal and chevron styles. There is rauponga whakarare (carving traverses pattern to form hooks) up the side length of the shaft. Approximately two third of the way up the shaft are two faces, back to back. Both have tounge and teeth visible, along with spaces in the eyes for inserts. Above the outwards facing face is the full figure. There is some wearing on the face and chest. Arms are asymmetrically places to leave space for another insert (missing). At the end of the handle is a second figure, depicted from the chest up. The tounge and teeth are exposed with space in the eyes for inserts.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Flax fibre, decorated on front only with peacock, pheasant and domestic fowl feathers. There is one visible orange kaka feather on this kete woven in towards the centre of the body. Front extends as flap and folds over to back, loop on each side to button. (non-matching white and cream buttons. Warps held in place with double pair twine. Six bands of cross over stitch - alternate red and black which overlie warps (held with same weft rows) on back, flap and two rows front. Sides of flap bound with black fabric. Two whiri (braids) used as handles, with decorative tassels at end.

Kete Whiri, a basket woven from an internal base braid, in this case two braids have been used to increase the functional size of this kete. Woven in takitahi pattern (over one, under one) with a flat bottom adaptation. Finished with an internal whiri (braid) around the internal brim before whenu (strands are trimmed). X2 round four whiri (braids) have been threaded into the weaving to act as handles. Huia smith is a Dunedin weaver with Nga Puhi Whakapapa.

Complete waka huia made of totara. Dark brown in colour. Rectangular in shape and in cross section. Box has a human head figure projecting off of each end for suspension; one of the figures has just one eye carved. The bodies of the figures are carved on the bottom of the box, connecting to another smaller human figure in the centre. A carved ridge runs around the box edge, decorated with geometric patterns. The interior is smooth and undecorated. The box has been reinforced with a metal piece attached at each end of the interior with two screws. The lid has a squared off projection at each end. The exterior side of the lid is carved in a curved rauponga (ridge and triangular notch) and rauru (spiral) pattern, while the interior side is undecorated.

Complete waka huia, oval shaped. Lid has two very large and well-carved human figures, a copulating couple. Inside lid has lip to fit into base. The base is decorated in rauponga whakarare running lengthways and widthwise through the centre. The rest of the space is filled with rauponga pattern that radiate outwards from the centre. There is faded black and red paint in the grooves. Each end of the box has a figure with torso on box and elongated neck with head forming knob. These heads are broken from the eyes down, missing lower face. One figure is male, the other is female. Eyes of all heads in formed of small double spirals.

Kete Houhere (Bag made with lacebark). Woven with whatu aho patahi (single-pair weft-twining). This kete was woven from the bottom up. Black and white chicken feathers decorate the body in alternating rows. A woven tapiki (finish) completes this kete with whenu (strands) being discarded internally before being trimmed. Two Houhere cords made via the miro (rolling) technique act as handles.

Kete Muka (Tea Cosy). Woven from undyed and dyed black and blue muka using whatu Whatu aho patahi (single-pair weft-twining). Mawhitiwhiti (woven cross stitch pattern work) decorates the kaupapa (body) . Frill work woven outer edge with six tassels attached to the lower part of this kete with muka cord made using the miro (rolling) technique. This kete is lined with sewn fabric.

Complete wooden paipa (smoking pipe). Exterior of the bowl is carved with three human figures. Figures have realistic faces, hair, ears, and paua shell inlay eyes. Chest and arms have geometric patterns. Metal fitting around the bowl and stem rim. A smooth, curved mouthpiece is attached.

Complete tokotoko (walking stick). Light brown wood with surface worked smooth. Circular in cross section. Proximal end is sawn flat, with a male human figure. Figure has a full moko and both hands rest on stomach; proper right leg broken off. Two bands of carvings about one-quarter and three-quarters from the proximal end: former is a diamond motif carving and latter is made of two simple grooves. Tapers to a point at the distal end.

Contemporary wooden koauau made from maire. Three holes on top with flush bevelled ends. Underside has innovative flattened plane for placement on flat surfaces.

Complete tokotoko (walking stick). Carved at one end with rauponga (rows of notched carving). The grip flairs slightly at the rounded tip.

Wooden koauau. Cylindrical in shape with three holes on top which feature uncarved circular surface around each. Raised shoulder notch on rear side with small hole filled with unknown material. Design based on horizontal bands extending almost full length of koauau. Design based on three ridges (patapata) with two grooves (haehae) and notched ridge chevrons (pakati).

Complete wooden fishhook shank. Curved, tapering to a blunt point at the distal end. Surface is smooth and painted black.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Wall Pocket) With closing flap/lid. Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front with two similar cords without tassels on the lower front. Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Very large composite fishhook without a point. Wooden shank is curved with geometric carvings and two human faces near the head. Along the base, there are shark and fish, one being chased by a bird and others following a fishing lure pulled by figures in a boat. Twisted muka lashings at the point end and at the head, with a very thick plaited cord attached.