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Goose feather and flax kete. Feathers are light brown, light grey, and white in colour. Warps held together using single pair twine. 19 weft rows, 1.5cm apart. Feathers attached to every 6th warp on alternate weft rows (except basal three). Cast on using thrum technique. Cast off from inside by taking warp 1 to back of warp 4, warp 2 to back of warp 5 etc and holding in place with single pair twine. Warps then frayed and trimmed to form fringe on external side. Twisted flax fibre handle on either side, one strand of which has been dyed bright yellow.

Complete kotiate rakau. Geometric carvings on both sides of blade and handle with a face on the butt. There is a perforation on the handle with two smaller ones on the blade. Has chips on both sides.

Complete patu aruhe (fern root beater). Handle has a circular cross-section. End of handle is pointed. There is a shoulder between handle and beater end. Cross-section of beater end is lenticular, with one side more rounded. The distal end of the beater is blunt and flat. There are cracks on the flatter side of beater end.

Broken maul. Head broken. Tapers from head with slight shoulder. There is an evenly proportioned handle with the proximal end flattened off. There are cracks in the surface of the head.

Complete waka huia made of matai. Lenticular shape. Dark brown and black in colour. The exterior side of the box has female figures carved at each end; heads protrude off of each end and bodies are carved below on the outside of the box. Both the outer sides of the box and lid are divided into quadrants and feature a rauponga (ridge and triangular notch) pattern. Lid is flat underneath and rounded on top. Lid joins box with tongue and groove joint at each end.

Complete waka huia made of kauri with braided muka cord for suspension. Mid brown and red in colour. Shape is an elongated oval. Exterior of the box has a male figure carved at each ends, with protruding heads for suspension knobs and bodies carved with geometric patterns. The bottom and sides of the box are divided into quadrats with diagonal rauponga (ridge and triangular notch) pattern. Interior is smooth and undecorated. Top of the lid has copulating couple carved in high relief along centre line as a handle. Rest of lid divided into eight sections with carved diagonal rauponga pattern. Inside of lid is flattened and undecorated, with a broken notch at one end.

Wooden putorino made in two parts, joined down the sides. Middle section oval but round at distal and proximal ends. Proximal end head has serrated paua shell eyes inset. Proximal end flax ties are complete. Middle head flat, with serrated paua shell eye inset, proper left eye is more rudimentary than right. Distal end head has no paua inset and is missing the lower flax tie. The end of the flute is split, with the proper left back chipped.

‘Ahu ‘ula (cape) built upon a netted backing made from olonā fibre.

Kete Muka (Wall Pocket) woven from natural muka (flax fibre). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns, whenu (strands) have also been left loose in order to give a ruffled decorative effect. Muka thread has also been looped through ara (wefts) in order to create twirled frills along six wefts. Frill work woven edge. Two muka cords made via miro (rolling) technique adorn each side of the pocket opening, both have tassels attached.

Complete flax kete with single plaited handle. Natural light yellow colour. Fringe attached with single pair twine along both sides on front and back. Base fringe formed from warps. Extra weft thread added for decoration. Warps held together with single pair twine. Patterned on both sides with alternate rows of loose "ruffled" warps and single crossed thread. Handle attached to each edge, knotted and frayed, with a tassel at each end.

Kete woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns forming triangular shape in centre and loose warps ('ruffles') surrounding triangle. Back is undecorated, with weft rows further apart, except for four rows which are visible from front. Double pocketed. Frill work woven edge. Three ply whiri of flax have been added to act as handles.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa decorated with mawhitiwhiti (woven cross stitch pattern work). Decorative three ply whiri (braid) tassels adorns the top. Outer edge frill work is woven independently and sewn to the item with cotton thread and is woven using a braided tapiki (border) technique seen on some Kai Tahu kakahu.

Shallow rectangular wooden tray. Rauponga (notch and groove) and koru pattern on the interior side of the tray. Four human heads with protruding tongues are carved at each corner. Symmetrical straight lines are carved on flat of tray bottom with plain smoothed shoulder. Tray was previously broken in two pieces and glued back together; wood is splintered on the tray rim at the location of the repair.

Complete tatā (canoe bailer). Oval in outline and shallow. Finely carved and worn through use to a fine polish. The bailer was possibly made with stone tools. It is made from the wood of totara (Podocarpus totara) cut at an angle to the grain from a large diameter trunk. Carved proximal end features double tongue with a double manaia forming mouth. A classic Kai Tahu pakura design is featured on the lips and nose. Handle also adorned with head. The distal end of the bailer is chipped. Repair visible on back. There is a groove down the centre back.

Complete kotiate made of wood. Two perforations on sides of blade. Six carved spirals/circles on blade. Face carving on butt with paua shell inlay eyes.

Complete mutu (bird snare) made from a single piece of dark brown wood. Perch has a figure carved facing the proximal end, with four-fingered hands resting on stomach and feet together. Eyebrows, nose, and pointed mouth indicated on head. A rounded knob projects from the perch and one end curves upward. The handle is straight, with another face carved into the butt; the eyes are depicted by a perforation. Two pieces of vine are curved through perforations at the butt and below the abdomen of the figure on the perch; the vine at the butt is also lashed with a fibre cord. A twisted and knotted cord passes through another perforation at the perch figure's forehead.

Broken adze haft, distal end remaining. Dark brown wood, cracked and broken throughout. Platform at distal end is carved at a slant to the handle.

Wooden adze haft. Handle is cracked and broken, repaired with adhesive, nail, and additional pieces of wood.