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Kete Muka (Wall Pocket) woven from natural muka (flax fibre). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns, whenu (strands) have also been left loose in order to give a ruffled decorative effect. Muka thread has also been looped through ara (wefts) in order to create twirled frills along six wefts. Frill work woven edge. Two muka cords made via miro (rolling) technique adorn each side of the pocket opening, both have tassels attached.

Complete flax kete with single plaited handle. Natural light yellow colour. Fringe attached with single pair twine along both sides on front and back. Base fringe formed from warps. Extra weft thread added for decoration. Warps held together with single pair twine. Patterned on both sides with alternate rows of loose "ruffled" warps and single crossed thread. Handle attached to each edge, knotted and frayed, with a tassel at each end.

Kete woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns forming triangular shape in centre and loose warps ('ruffles') surrounding triangle. Back is undecorated, with weft rows further apart, except for four rows which are visible from front. Double pocketed. Frill work woven edge. Three ply whiri of flax have been added to act as handles.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa decorated with mawhitiwhiti (woven cross stitch pattern work). Decorative three ply whiri (braid) tassels adorns the top. Outer edge frill work is woven independently and sewn to the item with cotton thread and is woven using a braided tapiki (border) technique seen on some Kai Tahu kakahu.

Complete tatā (canoe bailer). Oval in outline and shallow. Finely carved and worn through use to a fine polish. The bailer was possibly made with stone tools. It is made from the wood of totara (Podocarpus totara) cut at an angle to the grain from a large diameter trunk. Carved proximal end features double tongue with a double manaia forming mouth. A classic Kai Tahu pakura design is featured on the lips and nose. Handle also adorned with head. The distal end of the bailer is chipped. Repair visible on back. There is a groove down the centre back.

Complete kotiate made of wood. Two perforations on sides of blade. Six carved spirals/circles on blade. Face carving on butt with paua shell inlay eyes.

Complete mutu (bird snare) made from a single piece of dark brown wood. Perch has a figure carved facing the proximal end, with four-fingered hands resting on stomach and feet together. Eyebrows, nose, and pointed mouth indicated on head. A rounded knob projects from the perch and one end curves upward. The handle is straight, with another face carved into the butt; the eyes are depicted by a perforation. Two pieces of vine are curved through perforations at the butt and below the abdomen of the figure on the perch; the vine at the butt is also lashed with a fibre cord. A twisted and knotted cord passes through another perforation at the perch figure's forehead.

Broken adze haft, distal end remaining. Dark brown wood, cracked and broken throughout. Platform at distal end is carved at a slant to the handle.

Wooden adze haft. Handle is cracked and broken, repaired with adhesive, nail, and additional pieces of wood.

Broken patu aruhe (fern root beater), distal end broken and jagged. The surface of the beater is covered with deep cracks, there is a large fragment missing from one side near the shoulder. Cross-section of beater and handle are circular.

Large wooden kumete in the form of a kuri (Polynesian dog). Mid brown in colour. The four legs of the kuri serve as a pedestal on which the bowl rests. The head and tail project out on two sides to serve as handles. Most of the exterior surface is carved in a rauponga (ridge and triangular notch) and rauru (double spiral) pattern. The eyes have paua shell inlays. The interior of the bowl is oval shaped and undecorated, with adze marks visible.

Complete pukaea. Small lip around proximal end mouthpiece. Sides flare towards distal end, which ends in a gaping bell-like mouth. The pukaea is manufactured from two lengths of carved wood that are fixed together by lengths of fibre. The fibre is set into indentations in the wood, so are flush with the surface. The outer surfaces of the of the mouth are carved, and they come to a point at the distal ends, one of which is significantly chipped. There are teeth-like notches around the internal mouth opening.

Complete pukaea. Large pukaea with circular cross-section, manufactured from two internally hollowed pieces of wood, wrapped nearly from end to end by fibre. Half of the fibre, from the mid-section to the distal end is dyed black. The proximal end is narrow, sides flare to a wide distal end. The distal end has carved, triangular projections around the edge. There are three small metal nails at the distal end where the twine ends.