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Complete taiaha. Dark brown wood with highly polished surface. One end has a large head and tongue carving with a rauru (spiral) pattern on the tongue. Lips, nose, slanted eyes and brow ridge depicted. At the other end, blade flattens and flares out, with a lenticular cross-section.

Complete taiaha. Human face carved on both sides of the proximal end. Rauru (spiral and notch) pattern carved on protruding tongue. Distal edge of the tongue tapers to a point; sides are flattened. Paua shell inlay is intact in three of four eyes. Cloth padding wrapped around the shaft below the carved faces; narrow strip of black cloth patterned with yellow dots and a larger piece of undecorated brown cloth. Cloth and remnants of bird quills are lashed on using plaited muka fibre. Tufts of white dog hair attached to plaited muka at the base of the shaft. Blade is undecorated and worked smooth, tapering to a slight point at the distal edge.

Wooden walking stick, worked smooth but undecorated. Circular in section, tapering slightly from thickest section (midpoint) to each end, both of which are flat.

Complete tewhatewha. The lower edge of the blade is curved. The top edge straight with a slight slope. There is a hole in lower edge of blade, for decoration to be suspended. There is a carving mid-way down the tewhatewha of a stylised head.

Complete tewhatewha. Dark brown wood worked smooth. Cross section is oval. Both sides of the blade are carved with a spiral with dog-tooth notches, koru, and grooves. Staff handle is undecorated. Curved blade projects off one side; sawn flat at the top.

Complete pouwhenua. Dark brown wood with a smooth, polished surface. Tapering to a dull point at the proximal end. About one-third of the way from the proximal end is a spiral and diamond-like carving on both sides. Blade flares out, with a ridge running lengthwise and a triangular distal edge. Cross section of the blade is a flattened diamond.

Complete tokotoko. Mid-brown wood. Carved with two full-length figures and rauponga (ridge and notch) pattern in a variety of directions and styles. Paua shell inlay in eyes and as features of rauponga pattern (three missing). Top figure has a realistic face, with a full moko, holding a patu in one hand. Lower figure has a more stylized, traditional face with slanted eyes and wide mouth. Handle and distal end are uncarved.

A small konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. This Konae is woven from Houhere and completed with an external whiri and has then been folded internally on itself.

Kete muka woven using whatu aho patahi (single-pair weft-twining). Woven from top to bottom. Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch) patterns. X2 Three ply muka braids with tassels have been introduced as handles.

Large taha huahua (calabash container) consisting of a gourd inside a woven kete and a wooden frame. Gourd is dark brown/dark orange, with the top cut off to create a wide opening. There are four perforations around the rim of the gourd opening (only one is intact), used for fitting a tuki (wooden mouthpiece). Kete is woven in a under-one, over-one plait, using alternating black and natural unscraped flax. A plaited muka cord is tied around the kete opening, forming a series of loops and lashings around the wooden frame, as well as creating a handle. The wooden frame consists of two hoops around the kete and four legs, which rest diagonally to the calabash.

Waka huia without lid. Mid brown in colour. Lenticular shape. Exterior surface is carved in a geometric pattern including koru and rauru (double spirals). There is an human head projecting at each end for suspension.

Kete woven from undyed harakeke (flax). This kete has been woven initially as a flat piece in a takirua (over two, under two) pattern, with the base being woven together after the initial weaving. The kete was then inverted to hide the base join internally. It has been finished with a tapiki (finish) where the whenu have been folded internally before being trimmed. X2 four ply round whiri (braids) have been introduced to act as handles.

Piece of twisted muka cord

Complete pouraka (small fish trap). Trap consists of two wooden hoops with two sticks overlapping above, lashed with muka fibre. A net of woven flax is stretched over the two hoops, with an opening in the centre.

Complete wooden adze haft. Slightly curved handle, with a long platform at the top. Uncarved. There is a groove around the short end of the platform, and two wider grooves for lashing at the longer end of the platform. There is an adze ( D41.148) lashed to this haft with a length of processed fibre.

Broken wooden bowl, oval in shape. The external side of the base is keeled, with a small flattened area. The internal side of the base is flat and oval. Sides taper outwards to upper lip of the bowl and are higher towards the perforated end. Both ends are missing large fragments from the upper lip. There are two perforations at the higher end.

Complete kahawai lure. Wooden shank with knobs at head and base. Paua shell inlay. Slightly curved bone point with internal barb. Lashings at head and base.

Complete composite fishhook. Wooden shank carved with double-sided faces at the head, one at the base and one below the point and other geometric shapes throughout. Curved bone point with two internal and two external barbs and two internal notches, lashed to the shank with twisted muka. Two knobs at the head with twisted muka lashings and a plaited cord projecting from the top.

A piece of thick vine that has been twisted into a loop, and worked to a dull point at each end.