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Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Possible fragment of waka. One perforation hole drilled from two sides. Burnt at one end around a possible second perforation. Flat on top and slight curve. White clay remains on article.

Cut pile embroidered raffia cloth., These textiles are made by the Kuba people of the Kasai river area of Central Zaire. A plain weave raffia fabric was woven by the men and embroidered by the women with great accuracy and skill. The fine lines of the design are stitched with dyed raffia and the pile areas are stitched with groups of fine raffia fibres which are then cut to short even lengths. The abstract designs are often similar to wood carvings, house decorations and the ritual body scars of both men and women. These cloths display wealth and prestige on ceremonial occasions. They assume great importance at funerals where they reaffirm enduring social relationships and, as burial cloths, indicate adherence to belief in after life.

Complete kaitaka patea cloak. Woven from muka (flax fibre) with horizontal aho (wefts). Narrow wool taniko borders on the side edges and a broad border on the bottom. Taniko is woven in black and white chevron and diamond pattern, with triangles in red, pink, green, and blue; faded throughout. The body of the cloak and the top border are undecorated.

A model of a hoe (waka paddle). Light brown wood. Handle is worked smooth with a round cross-section. A knob on the butt of the handle is carved with a simple human face, with eyebrows, eyes, nose and mouth depicted. Blade of the paddle is oblong with a lenticular cross-section; broken at the distal end. Blade is carved on front and back with a pattern of horizontal and vertical grooves.

Broken ribbonwood piupiu. A section of proper left tags missing. The tags have been arranged in alternating vertical lines of undyed and dyed (red and dark purple) bands. These tags are accompanied by four 3 ply whiri (plaits). The proper left whiri is missing. The whiri are dyed red and purple, with one whenu (strand) left undyed. The waistband is approximately 7cm wide with three weft weaves. The front of the waistband has been covered with a decorative twill (diagonal weave). The waistband has a decorative edging at the top, attached using cotton thread. At each end of the waistband a 4 ply whiri extension of different fibre has been attached. One detached tag accompanies the garment.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete hue (gourd container or calabash). Exterior surface is mid brown and covered with a black substance. Wide, bulbous base with a short, wide neck. Vine stem at the top of the neck, with a circular perforation on one side of the neck. Several cracks throughout body and neck.

Kete Muka woven from natural muka (flax fiber) using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu (strands). The body of this kete is decorated with whenu (strands) left loose in order to give a ruffled decorative effect. Muka cord formed using the miro (rolling) technique has been added as handles. Frill work woven outer edge.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.

Fragments of tapa. The edges of the cloth are frayed along the base, with a straighter edge along the top. The proper right is missing a large portion of the cloth. The proper right edge is completely detached.

Complete hue or taha huahua (gourd container or calabash) inside a kete and wooden hoop supports. Neck of the gourd has been cut away, creating a large circular hole, the edges of which have been worked smooth. Kete is plaited with unscraped harakeke in an over-two, under-two twill. Kete has a flat base and rounded sides with a drawstring closure made of twisted muka cord. Two wooden hoops wrap around the perimeter of the kete to support the container. The two hoops are tied with pieces of unscraped harakeke and thick plaited muka handles.

Lidded container of bark

Complete waka huia, pointed oval shape. Lid is flat underneath but quite domed on top, one end chipped. The lid is decorated with two large double spirals in a rauru pattern, with rest of surface filled with coiled fern frond motif. Decoration on lid almost identical to that on box, the decoration on the base just being expanded to fit the larger surface. Knobs on the short ends formed from 'Janus' heads with paua shell eyes in 6 of the 8 eye spaces. Each head carved differently. There is a small lip on the rim of the base to stop too much movement of lid.

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.