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Sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with long harakeke (210mm) added as a possible decorative or cushioning element adhered via looping through wefts. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Complete matarau (eel spear). Both ends of the shaft taper to a point. The matarau has seven tines, three each side of the shaft point. The two exterior tines extend approximately 25cm to reach the shaft, where the shaft has been notched to hold them. The proper right exterior tine has been notched six times near the base of the tine.

Complete adze Trapezoidal, with back narrower than front. The surface is ground, with flaking around butt and back Butt undifferentiated Bevel continuous with blade. Cutting edge smooth, sharp and straight. Prominent saw mark/gouge down the left side proper.

Piece of worked wood, rod-shaped with a smooth surface. Oval in cross-section. One end has an elongated knob with a shoulder. Body tapers toward the other end, slightly flared at the edge.

Complete tatua. Plaited flax man's war belt. Natural colouration. Made in one piece, with sides folded over and then folded over longitudinally - unstitched long the bottom edge. Plaited in over two, under two twill with loose flax strands from commencement and finish lying loosely inside belt. Darker dyed three ply plaited fibre braid attached to each end.

Complete wahaika made of wood. Notch on one side of blade. Carved figure protruding from upper blade, creating two perforations. Figure has carved tattoo marks on body. Carved face on butt, with one perforation at the base of the head and another perforation created from its open mouth.

Complete pae hamuti, used as a grip to balance while squatting over a latrine. This piece has been identified as a forgery and not of authentic Maori origin. Dark brown in colour. A human head figure is carved at each end; one is much larger than the other and has paua shell inlays in eyes. The head has been broken at the mouth and repaired. The body of the larger figure is carved behind the head, with three toes and three fingers and spiral decoration on the shoulders and buttocks. The middle of the handle is uncarved and smooth. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a rectangular perforation in the centre for lashing.

Complete kahu huruhuru, with peacock, chicken and turkey feathers. There are peacock feathers in a square in centre of the cloak, with wool borders approximately 8cm wide of blue, red and black. Along the top there are four ties using the same wool. One pair of ties are short, and set back from the edge by approximately 10cm, there is a longer pair of ties at each corner. Manufactured using a whatu aho patihi technique (single pair twining). The 1first whenu are made with two threads; one blue wool and one undyed flax.

Pounamu/Nephrite hei tiki. Light green kahurangi variety, West Coast source. Unusual small hei tiki with very straight sides. Head turned to left. Top of head has scarf which runs side to side (which may be a koukou/top knot) and a suspension hole in centre drilled from both sides. Upper middle lip on dominant face extends unevenly to edge. Red sealing wax in eyes. Hands rest on rear of thighs, no legs indicated and flat on rear. Plaited harakeke cord with loop at one end through which the other passes and connects to bone toggle attached.

Wooden spear. Oval in cross-section. Tapered to a point at distal end, the tip of which is broken. The spear head has been broken off and repaired with an adhesive. Three sets of two barbs on the top surface. The edges of the barbs and the longitudinal ridge on the top surface are notched. The proximal end, numbered separately as D48.294, has broken off in two places and been reattached with adhesive. Surface of the proximal end has geometric carvings and is charred where it has been repaired.

Wooden spear. Oval in cross-section. The distal end is separately numbered as D48.293, but has been reattached to the proximal end with adhesive. Tapered to a point at distal end, the tip of which is broken. The spear head has been broken off and repaired with an adhesive. Three sets of two barbs on the top surface. The edges of the barbs and the longitudinal ridge on the top surface are notched. The proximal end has broken off in two places and been reattached with adhesive. Surface of the proximal end has geometric carvings and is charred where it has been repaired.

Whariki muka (table mat). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Frill work woven outer edge.

Long shaft of light coloured wood. Circular in cross section with many knots. Distal end split into quarters, with wooden wedges pushed between. There is a length of twine wrapped around the distal end.

Paraerae (sandal) woven from harakeke (flax). Two whenu (strands) are overplayed for reinforcement and woven using the takirua (over two, under two) pattern. Braided tapiki (finish) along the heel ends with long harakeke (50mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fiber) is threaded in six loops around the outside of the sandal and a muka cord formed using the miro (rolled) is tied to the side of the sandal.

Complete piupiu. The flax tags are scraped and unscraped, with the scraped sections dyed alternating faded blue, red and green. The tags are accompanied by five twisted whenu that are tied in decorative bows at the waistband and have pairs of tassels at both the waistband and ends. The waistband is approximately 11cm wide with the horizontal weft rows dyed in red and the vertical warp rows dyed in a faded blue. The top of the waistband is a three ply whiri (plait), with any extensions at each end broken away.

Burnt and broken poutokomanawa (carved wharenui building component). Male figure, not stylized, with head large in comparison to body. Painted dark red with black lips and eyes. Moko also painted in black but obscured on proper right side (as a result of fire exposure?). Nose and chin indicated. Five-fingered proper left hand rests on abdomen, proper right hand below. Right arm and hand have been broken and burnt (thumb is the only remaining digit). Entire left leg is missing. Burn marks apparent throughout, especially below abdomen and on the back side. Attached at the feet to a square black pedestal.

Two sandals woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with trimmed harakeke added as a possible decorative or cushioning element adhered with a knot. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Piece of worked wood, use unknown. Surface is charred and dessicated. Indentation on one side. Remnants of adhesive on other side.

Complete patu aruhe (fern root beater). The beater has a diamond cross-section. There is distinct differentiation between the handle the beater end. The handle is long and smooth with a circular cross-section, ending is a distinct knob.

Broken and weathered hoe (waka paddle), blade remaining. Light brown wood. Surface is cracked and flaking with borer holes throughout. Slightly concave in cross section, with a thin ridge running along the centre of the back/concave side.