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Kete Whiri, a basket woven from an internal base whiri (braid). Woven with natural harakeke (flax) in takitahi pattern (over one, under one).One side longer than the other, creating a misshapen square in shape. Finished with a serrated top edge. Two miro (rolled) fibres have been threaded into the weaving to act as handles.

Large circular piece of worked wood, possibly the post of a building. Surface is dessicated. One end has been reduced on the sides with a chisel; chisel marks are evident. The other side has broken off.

Large piece of worked wood, possibly a post from a building. Surface is dessicated, with a natural pitted knot on one side. One end has been reduced on all sides with a chisel; chisel marks are very evident. Broken and tapered at the other end.

Hollowed out piece of worked wood, possibly a post from a building. Surface is dessicated and very sandy. One end has a flat plane on one side and has been worked to a bevel-like inclined plane on the other, creating a relatively straight edge. A longitudinal groove cuts into the piece, about one-third of the way to the centre.

Piece of worked wood, possibly a post from a building. Bark is still attached on one side. Other side has been sliced in half, creating a straight cut plane from one end to about the centre. The end has been reduced on all sides by a chisel; chisel marks very evident. The other end has broken away. A piece of twine is wrapped around the centre and knotted.

Large piece of worked wood, possibly part of a post of a building. Surface is very dessicated and worn. One end has a roughly triangular cross-section, and has been worked with a chisel. There are bird feathers stuck into the wood at the very end. The other end is broken and tapered to a point.

Piece of worked wood, use unknown. Surface is charred and dessicated. One end has a pentagonal cross-section, tapered toward the other end.

Piece of a worked tree branch, use unknown. Surface has some bark still attached. One end has a pentagonal cross-section and has been reduced with chisel marks evident. The other end is forked and broken.

Fragment of a wooden kumete, lower portion remaining. Base circular, flat internally, rounded external sides. On one side are a pair of embracing figures (Rangi and Papa?) clasping arms, legs crossed with each other. On other side, a single figure forms the representation of the lower half of the human body.

Mongoose lemur mounted in a crouched walking position on a branch attached to a historic wooden base, with all four limbs contacting the branch. Its head is turned toward its right side so it is looking forward, and its tail is hanging down in a loose C-shaped curve toward its head.

Collared brown lemur mounted in a crouched sitting position on a branch attached to a historic wooden base, with three limbs contacting the branch. Its left hind leg is hanging down off the branch and its head is turned toward its left side. The tail is hanging down in a loose C-shaped curve toward its head.

Indri mounted in an upright climbing position on a vertical branch attached to a historic wooden base, with all four limbs contacting the branch. Its left hand is higher than its head, and its right leg is closest to the base. Its head is turned toward its right side.

Complete mutu (bird snare) made from a single piece of light brown wood. Perch has a human face carved facing the proximal end, with eyebrows, nose, and pointed mouth indicated on head. A square knob projects from the perch and one end curves upward. The handle is slightly curved, with another face carved into the butt. Pieces of bird feather quills are curved through perforations at the butt and on the perch, through the mouths of the figures. Both sets of quills are lashed with muka fibre, and a twisted and knotted cord passes through another perforation at the perch figure's forehead.

Piece of wood, possibly worked, use unknown. Roughly triangular in cross-section, with a flattened smooth plane on one side.