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C and D: Set of two poi made of ribbonwood, undecorated with natural fibre colours. Twisted cord attached to each.

Complete tokotoko (walking stick). Light brown wood with surface worked smooth. Circular in cross section. Proximal end is sawn flat, with a male human figure. Figure has a full moko and both hands rest on stomach; proper right leg broken off. Two bands of carvings about one-quarter and three-quarters from the proximal end: former is a diamond motif carving and latter is made of two simple grooves. Tapers to a point at the distal end.

Complete adze. Fossilised wood. Mid-brown and light brown. Cross-section of blade is rectangular, cross-section of butt is semi-circular. Surface of blade is ground, with some flake scars, surface of butt is ground. Major differentiation between butt and blade, sides reduced forming shoulder. Bevel is continuous with blade, cutting edge is chipped off. Tahakopa written on front.

Complete waka huia, oval shaped. The waka huia is hollowed out except for the short sides, where a small ledge remains that the lid rests on. The lid is decorated with rauponga whakarare motif in parallel stripes along its length. The lid features a hole in centre for cord attachment, with a small amount of cord in the perforation. On the top of the lid this cord is dyed red, with a small amount hanging out underneath. Base is carved with interlocking rauru spirals occupying most of area with two smaller double spirals in between and raupongo whakarare filling the remaining spaces. Ends have koruru. One faces upwards with a laterally pierced perforation behind for suspension. The other faces downwards, with a laterally pierced perforation behind for suspension. Both have paua shell inlay eyes. On the long sides there are two paua shell inlay circles.

Complete taiaha. Proximal end carved with human face in high relief on each side. Paua shell inlay in eyes. Protruding tongue has a rauru (double spiral with notches) pattern. Centre of taiaha and distal end of the blade has bands of rauponga (groove and notch) pattern.

Complete wooden tokotoko. Cross-section is circular at one end and square at the other. Square end is carved with a set of pakura (spirals and crescents) on each side. Below the pakura are oval paua shell inlays, two intact and two missing, and an incomplete carved rauponga (ridge and notch) pattern. A face with paua shell eyes is carved near the other end. Another face, more simply carved and without paua shell, is carved on the butt, with a projecting, rounded tongue.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with dark orange paint or varnish residue. Surface is smooth. Cross-section is round at the handle and lenticular at the blade. Handle is straight and sawn across at the proximal edge. Blade is tapered at both ends and flattened on the back. Distal edge comes to a dull point, lightly cracked and chipped with usewear visible.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with a dark orange paint or varnish residue. Surface is smooth. Cross-section is oval at the handle and lenticular at the blade. Handle is straight and sawn across the proximal edge. Blade is flattened on one side and tapered at both ends, coming to a point at the distal edge.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with dark orange paint or varnish residue. Cross-section is round at the handle and lenticular at the blade. Surface is smooth. Handle is straight and has been sawn at the proximal edge. Blade is tapered at each end and flattened on one side. Blade was cracked and then repaired with a gummed cord near the distal edge. The distal edge is chipped.

Complete waka huia. Lid is carved in a rauponga whakarare style, with elaborate female figures on each end. The ends of the lid terminate of each end at the neck of the human figure, with the head being on the knobs of the box portion of the waka huia. Heads have carved eyes, though one head has only one carved eye. There are circular paua shell inlay at each end of the shoulder and knee joints of the figures' bodies on the lid. Heads have upturned faces, with carved forehead, lips, and one figure's tongue. The heads were previously broken off, now repaired with wax carved and coloured to match. There are two shallow knobs, one at end short end of the lid, that fit into interior grooves of the box. The box of the waka huia is also carved in a raupongo whakarare style. Made from matai it has a deep black/red colour with a rich patina. There are three intact huia feathers inside.

Complete composite fishhook consisting of two curved pieces of paua shell lashed together with muka. Additional muka lashings at the head, attached to a twisted muka cord. Modern metal nail through lashings at base.

Broken bowl, the sides of one end have been broken off. Elongated with short sides, creating a shallow bowl. The remaining end has a high-sided V shaped projection. The bottom of the bowl is flat, inside smoothed. The surface of the outside is smoothed along sides with the broken end rough. There is a visible repair where previously broken, and several cracks along bottom and sides.

Kete Muka woven from natural and yellow dyed muka (flax fiber). Yellow possibly raurekau bark in origin. Woven from bottom to top using whatu aho patahi (single-pair weft-twining). The body of this kete is unusually decorated as double whenu (warp strands) appear to have been used, with one strand left loose to give the body of this kete a decorated ruffled effect. Yellow and natural muka have been miro (twined) to create two cords that have been added to act as handles. Frill work woven outer edge in yellow and natural muka has been sewn to the left and right edges.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Cast of a pae hamuti, used as a grip to balance while squatting over a latrine. A human head figure is carved at each end; one is much larger than the other and has a forked tongue and silver paint inserted in eyes. The body of the larger figure is carved behind the head, with three-fingered hands resting on torso and three-toed feet resting on the jaw, and geometric decoration on the shoulders and buttocks. The middle of the handle is carved with a lizard or taniwha body connecting to the smaller head. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a two rectangular perforations in the centre for lashing.

Complete wahaika rakau. The blade has a triangular shaped perforation chipped out and circular perforations with a piece of wood inserted. It also has a human carved on the side of the blade. The butt has a circular perforation chipped out and a face carved into it. The wahaika is in good condition.

Complete pounamu pendant. Dark green in colour with high translucency. Cross section is lenticular. Surface is ground. J-shaped, with a curved and rounded distal end. Proximal end is also rounded, with a braided muka cord through the suspension hole.

Complete wahaika rakau. It has a perforation that is rectangular and has been chipped out. It has whakairo on both sides and the top of the head, and also on both sides of the body. It has a carved human figure below the handle with shell inlays for eyes. It is well polished.

Complete patu aruhe (fern root beater). There is a ridge running from neck towards beater but running out and flattening out towards end of head. There is a shoulder between beater end and handle. There are two significant splits on handle, on opposite sides. There are several smaller splits on sides of beater end. Surface is covered in small cracks, possibly burnt.