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A piece of thick vine that has been twisted into a loop, and worked to a dull point at each end.

Waka huia made from porokaiwhiri. Dark brown in colour. Shape is an elongated oval and cross section is half-circular. There is a projection on one end of the box carved in a human head figure; the other end has broken off. Lid is flattened on the bottom and has a notched projection on one end, broken off on the other end. The exterior sides of both the lid and box are divided into quadrants with a rauponga (ridge and triangular notch) pattern. The interior sides of both the lid and box are smooth and undecorated.

Complete gourd. The gourd tapers to a point, where a short section of stem remains. The tapered top has two holes, one approximately 34.5mm in diameter, the other is approximately 5mm in diameter. White paint spots are present on the underside of the gourd.

Fragment "A" of kete woven from harakeke (flax) using fine whenu (strands). Kaupapa (body) woven using takirua pattern. Sewn together along one edge with muka (flax fibre) cord twined to tapiki (finish) another edge. Fragment "B" of kete woven from harakeke (flax) using fine whenu (strands). Kaupapa (body) woven using takirua pattern. Muka (flax fibre) cord twined to tapiki (finish) opening with remaining whenu untrimmed as a decorative element. Fragments of muka cord made using the miro (rolling) technique remain.

Small wooden ladle or scoop. Surface is charred, cracked, and flaking. An oval depression has been carved into the body, and one end has a notch on the edge to form a spout. The handle at the other end is quite short; may be a broken remnant of a longer handle.

Complete tokotoko. Dark brown wood. Full-length figure carved at the top. Double-sided face carving mid-way down the tokotoko and at the distal end. Large paua shell eye inlays on the middle carving. Rauponga (ridge and notch) pattern throughout. Handle is undecorated except for a plain face carving on the butt.

Wooden taurapa/waka stern. Surface is burnt and cracked. Triangular cross section; flat top with sides tapering in toward the base. One end curved upward to form two elongated curved projections, 65mm apart, one of which has broken off. A deep groove runs below the projections on the external side to the base, with a hole in the centre. The other end appears to have a broken projection in the centre, possibly where it was attached to the waka.

Waka huia without lid. Mid brown in colour. Lenticular shape. Exterior surface is carved in a geometric pattern including koru and rauru (double spirals). There is an human head projecting at each end for suspension.

Complete tatā (canoe bailer). Dark brown wood. Handle is straight and projects over the scoop, with a face carving and perforation at the butt. Proximal end of the bailer has a koruru figure with paua eyes in the centre and two manaia on either side. A koru pattern radiates around both sides of the rim. Scoop is elongated, tapering toward the pouring edge, which has two large chips. A large crack runs from the pouring edge to the midpoint. The interior and exterior surfaces of the scoop are smooth and undecorated.

Broken bowl, base and two intact sides remaining. Shaped to a point a one end, squared at other end. Base flat externally and internally. Intact side straight. There is a small rectangular projection 15 mm long below rim on straight end. At the pointed end there is a small perforation through the base.

Multiple hukahuka (tags) constructed with the two ply miro (rolling) technique. Dyed black with paru.

Complete composite fishhook. Curved wooden shank. Straight bone point with internal barb lashed with muka cord. Additional muka lashings and a twisted cord at the head. Bait notch at the base.

Complete waka huia made from totara. Dark brown in colour. Shape is lenticular; round in cross section. There is a human head figure at each end for suspension, one of which has broken off below the eyes. The exteriors of both the box and lid are carved with a rauru (double spiral) at the centre and diagonal rauponga (ridges and triangular notches) running from the centre line to the edge. The interior sides of both are smooth and undecorated.

Fragments of fine kete woven using the takitoru pattern. The upper edge of the largest fragment features remnants of unique woven triangles as a decorative element below a finely woven tapiki (finish) featuring a three ply whiri (braid) looped as possible handles. Other fragments contain remnants of muka cord

Piece of kōkōwai wrapped in three layers of kete and kelp. Kōkōwai rests on a bed of feathers and soft fibre and is imprinted with fibre remnants of inner kete. Kete is plaited in over-one, under-one twill, with narrow strands of unscraped plant material. Middle layer is a piece of rigid kelp. Outer layer is a larger, more complete woven piece of kete, curled at the edges and quite rigid, plaited around one edge.

Complete waka huia made of totara. Dark brown and dark red in colour. Lenticular shape. On each end of the box, there are female figures with their bodies in high relief on box and heads forming suspension knobs. Faces have red wax eyes. The exterior sides of both the lid and the box are carved with a rauponga (ridge and triangular notch) and rauru (double spiral) pattern. There is a rauru in the centre of the lid and two rauru on the bottom of the box. The lid is flat on the bottom and rounded on the top and fits into box with a tongue and groove at each end.

Sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takirua pattern. Braided tapiki (finish) along the heel ends with long harakeke (70mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fibre) is threaded in eight loops around the outside of the sandal and is laced with and additional 3 ply whiri muka. A looped loosely woven muka cord formed using the miro (rolled) technique form the back of sandal at the rear.

Wooden barracouta lure with bone point

Complete barracouta fishing rod with attached lure. Rod is slightly curved wood. Carved with a diamond pattern midway down the rod, cross-section is round on the lower half below the carving and slightly flattened at the distal end. Distal end has a groove where the lure is attached with a line made from twisted muka fibre. Lure is wooden with a knob at the head. Point is a curved metal nail in the base. Several other smaller nails through the base for support.

Kete Whiri (Bag woven from a central braid). Whenu (strands) are braided together in a whiri (plait). This forms the base centre of the kete. Whenu have then been woven outwards from middle to edge, forming a circular kete.Two flax whiri (plaits) are connected aroung the edge, forming handles. The stitching holding one side together has begun to come apart.