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Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.

Complete kahawai lure. Curved wooden shank with knob at base for lashings. Iridescent paua shell inlay. Muka lashings at head and base. Twisted muka cord attached at head. Straight bone point with very prominent internal barb.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at head and base with twisted cord bundle at head.

Complete two-piece fish hook, with wooden shaft and bone point. Point is straight and barbed. Point is lashed with muka at base. Shaft is cylindrical in shape, with curved base and knob at head.

Complete eel-weir stick. Both ends taper to a blunt point. The proximal end has wearing, with the outer layer of wood cracking away. There are fractures along the whole shaft.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings and twisted cord at head and base.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings at base and head with twisted cord at head.

Complete taiaha. Surface is worked smooth and polished. Human face carved on each side at the proximal end. Protruding tongue has a rauru (spiral and notch) pattern. Two eyes have paua shell inlays intact. Blade is narrow and rounded, with a large chip missing from the edge.

Complete taiaha. Roughly carved human faces on each side of the proximal end. Metal drawing pins in three of the four eyes (perforation visible where one is missing). Unfinished spiral incised markings on one side of protruding tongue. Dark dyed twisted piece of fibre tied around the centre of the blade.

Complete taiaha. Proximal end carved with human face in high relief on each side. Protruding tongue has a rauru (double spiral with notches) pattern. Blade is undecorated, flaring out to the distal edge, with a chip broken off one side.

Complete wahaika rakau. It has a perforation that is rectangular and has been chipped out. It has whakairo on both sides and the top of the head, and also on both sides of the body. It has a carved human figure below the handle with shell inlays for eyes. It is well polished.

Complete two-mouthed hinaki (eel trap). Two-strand, half-twisted twining made from vine. Stick-like projections at the end of the eel funnels. Four internal braces woven into body. Bait door at one end with two rounded handles. Another larger handle on the other side.

Complete hue (gourd container or calabash). Mid brown and mid orange. Elongated, bulbous base with a short, curved neck. Top of the neck has been cut away and the edges have been polished smoothed. Small perforation just below the top. Base is severely cracked.

Complete hue (gourd container). Dark orange in colour. Hole cut out on one side of neck; small piece of stem still attached. A twisted and knotted piece of muka cord is looped around the body of the gourd and tied at the top for use as a carrier.

Complete hue or taha tuatua (gourd container or calabash) inside a woven kete. Oval shape, with a rounded base broken in several fragments. Top is cut off at the neck, creating a large circular hole with sides worked smooth. Kete is made of unscraped harakeke, plaited in an over-one, under-one twill, broken in several places and with a broken muka handle. Metal ring and broken pieces in plastic bags accompany the hue.

Complete tatā (canoe bailer). Dark brown wood. Handle is straight and carved with a rauponga (ridge and notch) pattern and a face carving at the proximal end. Eyebrows, eyes (one with paua shell and one missing), nose and mouth indicated. Scoop is U-shaped with thick walls. Exterior surface is carved with faces and spirals around the rim and koru pattern on the bottom. The carvings on the scoop are amateur, possibly unauthentic and added after the handle carvings. The interior of the scoop is unornamented with a ridge at the pouring edge.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Kete Muka woven from natural and black dyed muka (flax fiber) using whatu aho patahi (single-pair weft-twining). Cast on for this kete is unusual as is appears a base cord has been used as a foundation, whenu (warp strands) have been added by creating a loop with the whenu and pulling both tail ends through. The body of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. A badly deteriorating natural and black muka three ply whiri (braid) has been added to act as a handle. Frill work woven outer edge in black and natural muka.