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Five pronged eel fork (matarau tune). Outside tines are longer than the internal tines. The tines are pointed at distal end and notched at proximal end so tines can be bound and secured. Heavily bound at top with plain harakeke/flax with woven chord extending from centre tie point. Tines evenly spaced with plain harakeke at middle.

Fragment of kete woven from undyed harakeke (flax) using the takitahi (over one, under one) pattern. Remains of three ply whiri (braid) finish at the top.

Remains of woven harakeke (flax) listed as a fragment of a sandal. Appears to be the remains of a whiri (braid) technique formed by looping doubled whenu (strands).

Brown Kete Muka possibly dyed using tanekaha bark and a white ash mordant. Short fringe, made with double pair twining, attached to side edges and base on front and back. Warps held together with double pair twining. Patterned in regular manner. Alternate rows of cross stitch (based on eight warp unit) and alternate verticle stripes natural and brown. No handles.

Complete flax kete with plaited handle. Woven in a twilled over-one, under-one pattern with unscraped flax. Natural mid-yellow colour with some mid-red and mid-brown in handle. Internal base commencement; cast off with internal horizontal plait. Top edge serrated in large triangular shape. Patterned at the base with three horizontal double rows of holes, created by changing the direction of individual flax strands.

Frament of maro. The fibre is woven together, with two whenu (strands) forming diagonal ornamental lines.

Complete fishing line and sinker. The line is plaited flax bound with unworked flax. The sinker is complete, with a transverse lashing mark around the circumference. The connecting rod is a naturally formed Y section, with flax bound to each of the lengths of wood.

Sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with long harakeke (210mm) added as a possible decorative or cushioning element adhered via looping through wefts. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Complete tatua. Plaited flax man's war belt. Natural colouration. Made in one piece, with sides folded over and then folded over longitudinally - unstitched long the bottom edge. Plaited in over two, under two twill with loose flax strands from commencement and finish lying loosely inside belt. Darker dyed three ply plaited fibre braid attached to each end.

Complete kahu huruhuru, with peacock, chicken and turkey feathers. There are peacock feathers in a square in centre of the cloak, with wool borders approximately 8cm wide of blue, red and black. Along the top there are four ties using the same wool. One pair of ties are short, and set back from the edge by approximately 10cm, there is a longer pair of ties at each corner. Manufactured using a whatu aho patihi technique (single pair twining). The 1first whenu are made with two threads; one blue wool and one undyed flax.

Whariki muka (table mat). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Frill work woven outer edge.

Paraerae (sandal) woven from harakeke (flax). Two whenu (strands) are overplayed for reinforcement and woven using the takirua (over two, under two) pattern. Braided tapiki (finish) along the heel ends with long harakeke (50mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fiber) is threaded in six loops around the outside of the sandal and a muka cord formed using the miro (rolled) is tied to the side of the sandal.

Complete piupiu. The flax tags are scraped and unscraped, with the scraped sections dyed alternating faded blue, red and green. The tags are accompanied by five twisted whenu that are tied in decorative bows at the waistband and have pairs of tassels at both the waistband and ends. The waistband is approximately 11cm wide with the horizontal weft rows dyed in red and the vertical warp rows dyed in a faded blue. The top of the waistband is a three ply whiri (plait), with any extensions at each end broken away.

Two sandals woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with trimmed harakeke added as a possible decorative or cushioning element adhered with a knot. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay. Muka lashings at head and base. Twisted cord attached at head. Straight iron point with internal barb.

Goose feather and flax kete. Feathers are light brown, light grey, and white in colour. Warps held together using single pair twine. 19 weft rows, 1.5cm apart. Feathers attached to every 6th warp on alternate weft rows (except basal three). Cast on using thrum technique. Cast off from inside by taking warp 1 to back of warp 4, warp 2 to back of warp 5 etc and holding in place with single pair twine. Warps then frayed and trimmed to form fringe on external side. Twisted flax fibre handle on either side, one strand of which has been dyed bright yellow.

Kete Muka (Wall Pocket) woven from natural muka (flax fibre). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns, whenu (strands) have also been left loose in order to give a ruffled decorative effect. Muka thread has also been looped through ara (wefts) in order to create twirled frills along six wefts. Frill work woven edge. Two muka cords made via miro (rolling) technique adorn each side of the pocket opening, both have tassels attached.

Complete flax kete with single plaited handle. Natural light yellow colour. Fringe attached with single pair twine along both sides on front and back. Base fringe formed from warps. Extra weft thread added for decoration. Warps held together with single pair twine. Patterned on both sides with alternate rows of loose "ruffled" warps and single crossed thread. Handle attached to each edge, knotted and frayed, with a tassel at each end.

Kete woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns forming triangular shape in centre and loose warps ('ruffles') surrounding triangle. Back is undecorated, with weft rows further apart, except for four rows which are visible from front. Double pocketed. Frill work woven edge. Three ply whiri of flax have been added to act as handles.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa decorated with mawhitiwhiti (woven cross stitch pattern work). Decorative three ply whiri (braid) tassels adorns the top. Outer edge frill work is woven independently and sewn to the item with cotton thread and is woven using a braided tapiki (border) technique seen on some Kai Tahu kakahu.