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Complete hue or taha tuatua (gourd container or calabash) inside a woven kete. Oval shape, with a rounded base broken in several fragments. Top is cut off at the neck, creating a large circular hole with sides worked smooth. Kete is made of unscraped harakeke, plaited in an over-one, under-one twill, broken in several places and with a broken muka handle. Metal ring and broken pieces in plastic bags accompany the hue.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Kete Muka woven from natural and black dyed muka (flax fiber) using whatu aho patahi (single-pair weft-twining). Cast on for this kete is unusual as is appears a base cord has been used as a foundation, whenu (warp strands) have been added by creating a loop with the whenu and pulling both tail ends through. The body of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. A badly deteriorating natural and black muka three ply whiri (braid) has been added to act as a handle. Frill work woven outer edge in black and natural muka.

Complete kahawai lure. Curved wooden shank with notches at head and base. Muka lashings across notches and cord at head. Paua shell inlay. Bone point is complete and straight with internal barb. Orange and yellow feathers attached by lashings at the base.

Twisted strand of muka (flax) fibre.

Complete composite fishhook. Curved wooden shank with large bone point attached with muka lashings. Bone point is straight with and incurved tip and three external barbs and one internal barb. Lower external barb and internal barb have two notches on them. Additional muka lashings twisted around the head.

Clongumeration of cotton cord, muka ( flax fiber), and muka (flax fiber) formed into cord by miro (rolling) technique.

Taura (rope). A large length of rope made from multiple cords of muka (flax fiber), prepared via miro (rolling) and braided into a thick three ply whiri (plait). The taura has been coiled and sewn together by introduced thread in two places.

Kete Whiri, a basket woven from an internal base whiri (braid). Woven with natural harakeke (flax) in takitahi pattern (over one, under one).One side longer than the other, creating a misshapen square in shape. Finished with a serrated top edge. Two miro (rolled) fibres have been threaded into the weaving to act as handles.

Complete model of a torch. Totara bark is bound together by raupo. Flax is loosely woven and tied to the exterior. The torch tapers to a point at the base, with the raupo visible at the top.

Rourou (food bowl). Woven with ten whenu (strands) of harakeke (flax) from the centre outwards in a takitahi pattern. Completed by trimming left over whenu on the interior with outer whenu tucked back into the weave of the bowl. Tied with a small piece of harakeke to secure. Four whenu are woven into a round four ply whiri (plait) used to make a handle. Rourou were frequently constructed as single or limited use items as they were quick and easy to weave.

Complete cord drill made of wood with lashings of string and muka cord and a chalcedony drill point. Drill consists of a central spindle, a circular whirl, and four centre supports. The surfaces have been worked smooth. Perforated near the proximal end of the spindle. Distal end is notched on one side, and the chalcedony drill point is lashed to it with string.

Rourou (food bowl). Woven with twelve whenu (strands) of harakeke (flax) from the centre outwards in a takitahi pattern. Completed with a whiri (braid) tied with a piece of flax that is looped through the basket and knotted into a handle. Rourou were frequently constructed as single or limited use items as they were quick and easy to weave.

Complete matarau (eel spear). Wooden handle worked to a sharp point at both ends. Six other prongs lashed to one end of the handle with two metal braces and muka fibre.

Complete matarau (eel spear). Wooden handle worked to a sharp point at one end. Six other prongs lashed to the point of the handle with vines and muka fibre.

Complete pōhā used for preserving tītī, consisting of a kelp bag inside of a flax kete with a bark liner. Kete is made in an under-one, over-one pattern, and plaited around the top edge. Long strips of bark, probably totara, cover the kelp bag, and are lashed together with strips of flax, and tied together tightly at the top.

Complete mutu kaka (bird snare). Handle is curved with decorative notches running down one side. Butt is carved with a geometric pattern and has two perforations with a vine and muka cord lashed through them. Perch is carved at one end with a human face facing upward, and there is a projection curving upward at the other end, representing the feet of the carved figure. Two perforations on either side of the figure's mouth each with a broken twig through them, lashed with a twisted muka cord. Another diagonal perforation from the figure's nose bridge to the back of the head, with a twisted muka cord passing through it, tied to a thicker plaited muka cord. A stick and a broken block of wood is lashed with a vine to the perch.

Complete kahawai lure. Curved bone shaft with paua shell inlay. Barbed bone fishhook point lashed to base with muka. Twisted muka cord at head.

Complete taiaha. Human face carved on both sides of the proximal end. Rauru (spiral and notch) pattern carved on protruding tongue. Distal edge of the tongue tapers to a point; sides are flattened. Paua shell inlay is intact in three of four eyes. Cloth padding wrapped around the shaft below the carved faces; narrow strip of black cloth patterned with yellow dots and a larger piece of undecorated brown cloth. Cloth and remnants of bird quills are lashed on using plaited muka fibre. Tufts of white dog hair attached to plaited muka at the base of the shaft. Blade is undecorated and worked smooth, tapering to a slight point at the distal edge.

Kete muka woven using whatu aho patahi (single-pair weft-twining). Woven from top to bottom. Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch) patterns. X2 Three ply muka braids with tassels have been introduced as handles.