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Complete kahu huruhuru, with peacock, chicken and turkey feathers. There are peacock feathers in a square in centre of the cloak, with wool borders approximately 8cm wide of blue, red and black. Along the top there are four ties using the same wool. One pair of ties are short, and set back from the edge by approximately 10cm, there is a longer pair of ties at each corner. Manufactured using a whatu aho patihi technique (single pair twining). The 1first whenu are made with two threads; one blue wool and one undyed flax.

Whariki muka (table mat). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Frill work woven outer edge.

Paraerae (sandal) woven from harakeke (flax). Two whenu (strands) are overplayed for reinforcement and woven using the takirua (over two, under two) pattern. Braided tapiki (finish) along the heel ends with long harakeke (50mm) added as a cushioning element adhered via looping and threading through wefts. Three ply whiri (braid) woven with muka (flax fiber) is threaded in six loops around the outside of the sandal and a muka cord formed using the miro (rolled) is tied to the side of the sandal.

Complete piupiu. The flax tags are scraped and unscraped, with the scraped sections dyed alternating faded blue, red and green. The tags are accompanied by five twisted whenu that are tied in decorative bows at the waistband and have pairs of tassels at both the waistband and ends. The waistband is approximately 11cm wide with the horizontal weft rows dyed in red and the vertical warp rows dyed in a faded blue. The top of the waistband is a three ply whiri (plait), with any extensions at each end broken away.

Two sandals woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi pattern. Braided tapiki (finish) along the heel ends with trimmed harakeke added as a possible decorative or cushioning element adhered with a knot. Looped harakeke runs around the outer edge of each sandal laced with knotted harakeke.

Goose feather and flax kete. Feathers are light brown, light grey, and white in colour. Warps held together using single pair twine. 19 weft rows, 1.5cm apart. Feathers attached to every 6th warp on alternate weft rows (except basal three). Cast on using thrum technique. Cast off from inside by taking warp 1 to back of warp 4, warp 2 to back of warp 5 etc and holding in place with single pair twine. Warps then frayed and trimmed to form fringe on external side. Twisted flax fibre handle on either side, one strand of which has been dyed bright yellow.

Kete Muka (Wall Pocket) woven from natural muka (flax fibre). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns, whenu (strands) have also been left loose in order to give a ruffled decorative effect. Muka thread has also been looped through ara (wefts) in order to create twirled frills along six wefts. Frill work woven edge. Two muka cords made via miro (rolling) technique adorn each side of the pocket opening, both have tassels attached.

Complete flax kete with single plaited handle. Natural light yellow colour. Fringe attached with single pair twine along both sides on front and back. Base fringe formed from warps. Extra weft thread added for decoration. Warps held together with single pair twine. Patterned on both sides with alternate rows of loose "ruffled" warps and single crossed thread. Handle attached to each edge, knotted and frayed, with a tassel at each end.

Kete woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns forming triangular shape in centre and loose warps ('ruffles') surrounding triangle. Back is undecorated, with weft rows further apart, except for four rows which are visible from front. Double pocketed. Frill work woven edge. Three ply whiri of flax have been added to act as handles.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa decorated with mawhitiwhiti (woven cross stitch pattern work). Decorative three ply whiri (braid) tassels adorns the top. Outer edge frill work is woven independently and sewn to the item with cotton thread and is woven using a braided tapiki (border) technique seen on some Kai Tahu kakahu.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu in pairs of two. The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element.

Kete Muka woven from natural muka (flax fiber). Woven whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu in pairs of three. The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element. Rolled muka cord prepared with the miro (rolling) technique has been introduced as a handle.

Kete. Square in shape. Woven from undyed muka. Fringe attached with double pair twine to front and back of both side edges. Fringe along base formed from warps, with extra weft thread inserted along basal weft row for decorative purposes. Warps held together with double pair twine. Decorated with turquoise and purple fibre circles, which are faded. These are formed by the insertion of two additional coloured weft threads to top and bottom of every 7th weft stitch - undulating effect of each thread forms circle. Top edge frayed badly. No handles.

Broken kahawai lure, in two pieces. Two knobs on head of the shank. There is a curved point with an internal barb, and a notch on the external side of the base attached to the paua shell shank by muka.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Complete kaitaka patea cloak. Woven from muka (flax fibre) with horizontal aho (wefts). Narrow wool taniko borders on the side edges and a broad border on the bottom. Taniko is woven in black and white chevron and diamond pattern, with triangles in red, pink, green, and blue; faded throughout. The body of the cloak and the top border are undecorated.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Kete Muka woven from natural muka (flax fiber) using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu (strands). The body of this kete is decorated with whenu (strands) left loose in order to give a ruffled decorative effect. Muka cord formed using the miro (rolling) technique has been added as handles. Frill work woven outer edge.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.