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Complete tatā (canoe bailer). Dark brown wood. Handle is straight and carved with a rauponga (ridge and notch) pattern and a face carving at the proximal end. Eyebrows, eyes (one with paua shell and one missing), nose and mouth indicated. Scoop is U-shaped with thick walls. Exterior surface is carved with faces and spirals around the rim and koru pattern on the bottom. The carvings on the scoop are amateur, possibly unauthentic and added after the handle carvings. The interior of the scoop is unornamented with a ridge at the pouring edge.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Kete Muka woven from natural and black dyed muka (flax fiber) using whatu aho patahi (single-pair weft-twining). Cast on for this kete is unusual as is appears a base cord has been used as a foundation, whenu (warp strands) have been added by creating a loop with the whenu and pulling both tail ends through. The body of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. A badly deteriorating natural and black muka three ply whiri (braid) has been added to act as a handle. Frill work woven outer edge in black and natural muka.

Complete hue (gourd container or calabash) with bulbous base and relatively small, narrow neck. Single, square perforation at base of neck and remnant of vine stem at the top. Fibre cord twisted and knotted around gourd (dividing body into 8 areas) with the three individual cords held together above the neck. Rattles.

Complete paddle. Handle oval in section and expands gently to blade. Proximal end has a long, diamond cross-sectioned knob that comes to a point. Sides of blade widen near the distal end, and then taper approximately 70cm from the end. Blade has longitudinal central ridge on front and back.

A variation of a konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. Woven with natural harakeke in a takirua (over two, under two) pattern. An irregular tapiki (finish) has been used and secured with a row of whatu aho patahi (single-pair weft-twining) and whatu aho rua (two-pair weft-twining). A muka cord has then been threaded through to create a pouch.

Complete tewhatewha. The upper edge of the blade is curved, with a slight slope to it. The lower edge of the blade is curved, with a small perforation near the shaft. The cross-section of the upper shaft is lenticular, becoming circular on the lower. The surface of the tewhatewha is fully carved. The blade has a rauru spiral on either side, with partial spirals filling in gaps around the edges. The shaft of the tewhatewha is carved with three haehae followed by a row of pakati in a variety of patterns; alternating linear then curved as it goes down the tewhatewha. Approximately 40cm from the bottom of the tewhatewha there is a carved face with missing paua shell inlay.

Complete tokotoko. The distal portion of the tokotoko is uncarved. Everything above 34cm is finely carved in a variety of patterns. After a section of mixed diagonal and longitudinal carved lines, there are stacked human figures. The lowest two are bilateral carved faces with notched paua shell inlay eyes. The figure at the proximal end is a full standing human figure with two slender legs, ending with carved buttocks and stomach with four fingered hands that meet on the stomach. The arms and chest are carved, as is the face. The eyes are inlaid with notched paua shell. There is a curved handle protruding from the back of the head that curves around and meets the tokotoko again at the back of the shoulders of the figure. There is a final human face here where the handle meets the shoulders that also has inlaid paua shell eyes and long carved lip.

Complete huata or tao (spear). Wooden rod with a smooth, undecorated surface. Tapers to a blunt point at one end and a flattened, bevelled edge on the other end. Carved inscription "NA MANAMA" near the blunt end.

Complete timo (grubber). Made from a single piece of light brown wood, worked to about a 45-degree angled curve. Surface is smooth and polished. Butt of the handle has a ngututa head carved, with double ngututa heads on the exterior edge where the handle meets the blade. Eyes have paua shell inserts. Previously broken at the top of the blade and repaired. Tapered to a blunt point on the distal end.

Ceremonial adze haft, identified as a fake. Dark brown wood with paua shell inlay and a twisted muka cord for lashing. Handle is carved with a geometric pattern of ridges and notches, with a human head carved on the butt. Haft consists of a carved human figure with adze housing situated between rear of legs, grasping a fish to its mouth with both three-fingered hands. Manaia eyes and forehead runs down ridge to base of hafting point. Figures are carved with geometric patterns.

Pair of wooden weaving sticks with sample of twined flax fibre tied between them. The sticks are not identical. One (a) is circular in section, the other (b) slightly oval. Both taper to a point at distal end, stick (a) broken on tip and has grey/brown substance on it. Proximal end is flat. Stick (b) appears to have been chewed and broken. Each has 30mm wide groove, 35mm below end, around, to which is attached the weaving. Coarse muka with 22 rows of double pair twining plus an insert row and commencement row. Commencement and final row have scalloped weft introduced and short pieces of black flax fibre forming decoration.

Pair of wooden weaving sticks with sample of twined flax fibre tied between them. Both weaving sticks taper to a point at distal end, with a groove at the proximal end to which is attached the weaving. One of the sticks is broken at the proximal end. Coarse muka with 8 rows of double pair twining plus an insert row and commencement row. Commencement row has scalloped weft introduced and short pieces of black flax fibre forming decoration.

Complete kahawai lure. Curved wooden shank with notches at head. Shell inlay. Straight bone point with internal barb. Muka lashings at head and base.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.

Complete kahawai lure. Curved wooden shank with knob at base for lashings. Iridescent paua shell inlay. Muka lashings at head and base. Twisted muka cord attached at head. Straight bone point with very prominent internal barb.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at head and base with twisted cord bundle at head.

Complete two-piece fish hook, with wooden shaft and bone point. Point is straight and barbed. Point is lashed with muka at base. Shaft is cylindrical in shape, with curved base and knob at head.

Complete eel-weir stick. Both ends taper to a blunt point. The proximal end has wearing, with the outer layer of wood cracking away. There are fractures along the whole shaft.

Complete hoe (waka paddle). Dark brown wood. Surface is worked smooth. Blade is roughly lenticular in cross section, with a flatter back than front. Relatively narrow blade, tapering to a point at the distal end. Perforation where the blade meets the handle. Handle is round in cross section. Large knob on the lower section of the handle, possibly from a natural knot in the wood. Another knob at the butt of the handle.