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Small lacquered dish with three feet.

Complete tatā (waka bailer) made of dark brown rimu. Surface is smooth with chisel marks evident. The curved handle protrudes over the scoop, with a facial carving on the butt consisting of spirals and notches and two perforations. A stump on the interior of the scoop below the handle indicates that there had once been a support bar projecting from the underside of the handle which has since been sawn off. There is another carving at the base of the handle and at the back of the scoop with koru, spiral, and notch patterns. The interior and exterior of the scoop are undecorated.

Complete tatā (canoe bailer). Light brown rimu wood. Surface is worked smooth but with wood grain still evident. Handle is straight with a carved face at the butt (browline, bulbous eyes, and nose are indicated). Style departs from traditional design with handle at back, indicates European influence. A chip is missing from centre edge of pouring edge.

Complete stairwell stringer (diagonal beam that holds up the steps/treads of the stairwell). One end is diagonally cut, with the end chipped and worn. This end has one nail hole. The opposite end is snapped. The top surface has 7 pairs of nail holes (14 holes total). The whole beam has pest holes sporadically bored into it.

Complete pae manu (bird perch) consisting of a central bar with a bowl at each end. Dark brown wood. Surface is smooth. Side of the perch is carved in curved pattern, with perforations between the lines. Two straight perforations are drilled from top to bottom, possibly for mounting purposes. One bowl has a human head facing externally, mouth is an open hole on the side. Nose, eyes, eyebrow, and five topknots at the head are indicated. Bowl at the other end is smaller but deeper, with a human figure carved externally. Tongue protrudes and lips, nose, and eyes are indicated, as well as a torso with inwardly curved limbs. Both bowls have flattened rims and the interior surfaces are rough, with chisel marks evident.

Mid brown wooden bowl. Shape is lenticular and cross section is half-circular. Spout at one end and small projection at other, possibly for suspending. Adze marks visible on exterior, smoothed but not polished or decorated.

Complete mōkihi (raft) made of reeds and other plant material, bundled together and tied with unscraped flax. Pieces of twisted flax and other fibre attached in the centre and at one end. Lenticular shape. Interior is very shallow, with a deeper portion cut at each end.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Round wooden kumete. Shallow depth, approximately half of height. Rim and bottom are flattened. Two handles on either side depict human faces in high relief. The exterior is carved in a rauponga whakarere (ridge and triangular notch) pattern.

Wooden adze haft. Handle is round in cross section and chisel marks visible on surface, darkened near the grip. Triangular platform at the distal end, with notches and a deep groove at the edge. A mount is lashed with plaited fibre into the hollow groove, projecting beyond the platform. The mount has a deep rectangular groove, open at one end, for inserting an adze. It appears to be made using metal tools.

A: Complete barracouta lure. Straight wooden shank with a dessicated surface. On one end, there are two grooves on one side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge. B: Complete barracouta lure. Straight wooden shank with a smoothly worked surface, some cut marks and dessication evident. At one end, there is a groove on each side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge.

Complete patiti with iron axe-head and wooden handle. Surface of the handle is smooth. The butt flares out slightly, with a flattened edge and a straight drilled perforation. Sides of the handle are reduced at the distal end, where the axe-head is attached. Surface of the axe-head is somewhat rusted, with a stamp mark on one side. Blade flares out with a curved, sharp cutting edge.

Complete tatā (canoe bailer). Made from dark brown rimu using steel tools. Curved handle projects over the scoop, with a manaia head carved at the butt. Below the handle, at the back of the scoop, is another carving and two perforations. Two pieces of loose wood on the carving have been re-attached in the past with heavy furniture nails. Scoop has a slight ridge on the interior, creating a straight-sided pouring edge

Complete kahu kuri cloak. The kaupapa (body) is woven in close, single pair pukapuka (twining) except for occasional rows of whatuaho rua (double pair twining) which are woven tightly with a small gap used for a guide to sew the dogskin strip. The kurupatu (fringe collar) is made with a dogskin strip. The kahu kuri is covered with small tufts of dog fur, lighter around the sides, darker through the middle. There are areas of the cloak where the fur has thinned, showing the dog skin strips. The edges of the cloak, under the fur, are woven with darker fibres, in an almost chevron pattern. There is a modern support pillow and velcro strip attached to the inside of the cloak.

A finely woven variation of a konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. Woven with natural harakeke in a takirua (over two, under two) pattern. Remains of a braided tapiki (finish) that has been used internally can be visualised. A muka cord has then been attached to this kete to create a pouch drawstring