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Broken kahawai lure, shank remaining. Curved wooden shank with knob at base and notches at head. Paua shell inlay.

Broken bowl, one end and side remaining. Base flat and rectangular in shape. The remaining side has straight low sides that rises at the end to an inverted V projection. There is a longitudinal fragment missing from the remaining side, along the edge towards the base. There are many cracks in the surface. Except for the broken edges, the surface is smooth.

Complete string of 12 glass trade beads. They are of varying size, but all small. They are strung on a straight piece of muka, tied at both ends.

Wooden adze haft. Surface is polished smooth. Handle is round in cross section, with a platform at the distal end running perpendicular to the handle. Groove cut in platform with plaited flax tied around and attached to handle.

Broken wooden puppet figure with movable arms, left ear, and base not present. Surface is polished smooth except for face, which has a complete incised moko. Large cylindrical head with ears and deeply grooved eyes. Top knot or comb represented by a squared-off projection coming from the top of the head. Square perforations at shoulders where movable arms would have been attached. Four circular perforations on the back side, one of which has a small metal piece sticking out of it. Knees are sawn flat at the front. Broken at the feet, with grooves and remnants of carved toes remaining.

Wooden helve, pounamu/ nephrite blade/inaka variety. Carved handle oval in section, ridge at base extending from tongue of wheku style inward sitting head diminishing at middle to a blunt point at proximal end. Distal end has platform with carved face on internal side below. External/projection at distal end of platform and elaborately carved in form of human figure; inset paua eyes. Manaia sits back to handle and merged with human figure with protruding tongue. Toki blade lashed onto handle with fibre. Blade is thin sectioned , bevelled the full length on true right side but not on other. An approximate 30 degree angled blade which shows sign of some wear. Shimmery green with high schistocity and lighter mottled vein. Two perforations at butt end for attachment. Several cracks including one at centre distal end of toki.

Dressed flax. The bundle is tied with the thread holding on the accession number. The bundle is matted together.

Dressed flax. The bundle is tied with a length of thicker flax. The bundle comes to a knot at one end. The other end is loose.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. Paua inlay. Lashings and cord at head and base. Straight bone point with internal barb. Some remnants of feathers at base.

Complete tokotoko (walking stick). Dark brown wood. Carved with three full-length figures and two faces, all with white shell eyes. The top two figures are male and female human figures, with moko. The bottom full-length figure is more stylized, with a large mouth and carved in a triangular notched pattern, creating a shaggy, fur-like body. All figures and faces are carved with a variety of rauponga, rauru, and mangopare patterns. A band of carved mangopare runs down part of the bottom half of the tokotoko. The handle and distal end are undecorated. The distal end appears to have had a cap which has come off.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings and twisted cord at head and base.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings at base and head with twisted cord at head.

Complete two-mouthed hinaki (eel trap). Two-strand, half-twisted twining made from vine. Stick-like projections at the end of the eel funnels. Four internal braces woven into body. Bait door at one end with two rounded handles. Another larger handle on the other side.

Complete hue (gourd container or calabash). Mid brown and mid orange. Elongated, bulbous base with a short, curved neck. Top of the neck has been cut away and the edges have been polished smoothed. Small perforation just below the top. Base is severely cracked.

Complete hue (gourd container). Dark orange in colour. Hole cut out on one side of neck; small piece of stem still attached. A twisted and knotted piece of muka cord is looped around the body of the gourd and tied at the top for use as a carrier.

Complete hue or taha tuatua (gourd container or calabash) inside a woven kete. Oval shape, with a rounded base broken in several fragments. Top is cut off at the neck, creating a large circular hole with sides worked smooth. Kete is made of unscraped harakeke, plaited in an over-one, under-one twill, broken in several places and with a broken muka handle. Metal ring and broken pieces in plastic bags accompany the hue.