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Complete wooden lid, possibly for a tuki (calabash mouthpiece). Dark brown in colour. Circular with a raised circular base for fitting. Base is undecorated, but has chisel marks evident. Exterior is carved with a rauponga (groove and triangular notch) pattern. Raised human figure project off the centre as the handle. Figure has a protruding tongue and three-fingered hands rest on abdomen. Feet come together and rest on a human head below.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge. A piece of muka cord has been looped between stitches along the bottom to add a decorative element.

Broken paepae (outer threshold of pataka). Made of dark wood, possibly stained. There is one complete male figure in profile on the lower portion of the paepae, head is horizontal. Above this figure on the proper right side there is a leg of a second figure, the rest of which does not remain. These details are carved in taratara a kae style. There are three large perforations on the proper left side, and two smaller perforations on the proper right side. There is a projection on the bottom of the paepae on the proper right side.

Waka huia without a lid. Made from kapuka wood; dark brown in colour. Rectangular in shape and in cross section; slightly rounded on the bottom. Simple grooved knobs on each end, one of which has a perforation for a suspension cord. Exterior is carved in a rauru (double spiral) pattern, with three on the bottom and four on each side. Interior is smooth and undecorated.

Complete tatā (canoe bailer). Light brown rimu wood. Surface is worked smooth but with wood grain still evident. Handle is straight with a carved face at the butt (browline, bulbous eyes, and nose are indicated). Style departs from traditional design with handle at back, indicates European influence. A chip is missing from centre edge of pouring edge.

A finely woven variation of a konae, a two cornered bag made with an even number of whenu (strands) from a folded square base. Woven with natural harakeke in a takirua (over two, under two) pattern. Remains of a braided tapiki (finish) that has been used internally can be visualised. A muka cord has then been attached to this kete to create a pouch drawstring

Part of a Paraerae sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement using the takitahi (over one, under one method), the strands used and method are similar to fragment 'F'.

Part of a Paraerae sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using a takirua (over two, under two) pattern. This fragment uses smaller whenu (strands) and has a different method of tapiki (finish) to the other fragments and is likely to be from a different paraerae.

Part of a Paraerae sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement and woven using the takitahi (over one, under one method). This piece shows a tapiki (finish) along the heel end with a trimmed harakeke cushioning element adhered with a looping technique, however due to the width and thickness of the whenu (strands) used in the weaving, it is unlikely to have originally been a part of the other fragments.

Remains of a three ply whiri (braid) of harakeke, its purpose is unknown.

Possibly the toe end of a sandal woven from harakeke (flax). Two whenu (strands) are overlaid for reinforcement using the takitahi (over one, under one method), the strands used and method are similar to fragment 'B'.

Complete wooden hoe (paddle). Double-sided human or bird carving at the proximal end, with four perforations. The proximal edge has been burnt on one side. A double-sided human face is carved where the handle meets the blade, with spiral and pākati (dog-tooth) patterns throughout. Blade is an elongated oval, tapering to a point at the distal end, with two perforations. The distal edge has been flattened, with chisel marks evident on the side edges.

Unfinished waka huia made of porokaiwhiri. Mid-brown in colour. Cross-section is a flattened oval. The exterior side of the box is partially carved in a rauponga (ridge and triangular notch) pattern; about one-quarter is unfinished. Undecorated human heads protrude from either end of the box, with a perforation drilled behind each head for suspension. The interior of the box and both sides of the lid are undecorated. The bottom of the lid is flattened and rests on the box with tongue and groove joint.

Complete waka huia made from totara. Mid-brown in colour and stained red in some portions. Cross section is U-shaped. Lid and the interior of the box are lenticular, with straight, squared off ends and a flat bottom. There is a handle along the exterior centre of the lid created by four overlapping manaia figures, with various perforations and minimal carvings. The exterior sides of both the lid and the box surface are divided into quadrants with a curved rauponga (ridge and triangular notch) pattern. There is a human head carving protruding off each end of the box, used for suspension.

Complete wahaika rakau. Geometric and facial design (possibly based on an owl?) carved on blade with mirror image on opposite side. Two of the eight paua shell inlays are missing. Where the blade meets the handle, a human figure is carved with extruding tongue and three fingered hands on chest. Polished, uncarved handle with square-shaped perforation. Human face carving at butt of handle.

Complete wahaika rakau. It has a circular drilled perforation at the head. It has whakairo on the head in the shape of a head. It also has whakairo on one side of the handle in the shape of the human form. It is well polished.

Complete wahaika rakau. It has rectangular chipped out perforation on the head. It has whakairo on the head in the shape of a head, it also has whakairo on the side of the handle in a head shape. Above the butt there is an inverted notch on the opposite side to the carving. It is polished but with scratches and minor chips along the blade.

Rourou (food bowl). Woven with twelve whenu (strands) of harakeke (flax) from the centre outwards in a takitahi pattern. Completed with a whiri (braid) tied with a piece of flax that is looped through the basket and knotted into a handle. Rourou were frequently constructed as single or limited use items as they were quick and easy to weave.

Complete kahawai lure. Wooden shank with knobs at head. Paua shell inlay. Muka lashings at head and base. Curved bone point with internal barb and notches at base.