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Piece of wood, possibly worked, use unknown. Tapered at one end. Surface is heavily dessicated and charred throughout. Very sandy with roots attached.

Piece of worked wood, use unknown, possibly a barracouta lure. Approximately rectangular in shape and in cross-section. Surface has been worked smooth. One end appears to have a bevel, tapering slightly. The other end is reduced, with cut marks creating a notch on one side.

Kete Whiri, a basket woven from an internal base whiri (braid). Woven with natural and dyed brown harakeke (flax) in takitahi pattern (over one, under one) with a flat bottom adaptation. Finished with an external whiri (braid) around the brim before whenu (strands) are trimmed. X2 three ply whiri (braids) have been threaded into the weaving to act as handles.

A piece of worked wood, use unclear. Surface is dessicated, cracked, and flaking. Cross section is lenticular. Sawn at one end; reduced on one side at that end. The other end is slightly tapered.

Complete patu rakau. The butt has a knob with a projection on one side. Handle is tapered to the proximal end. A longitudinal ridge runs down the centre of the patu on one side, from the butt to the distal end of the blade. Shoulders where the butt meets the blade, demarcated by two curved carvings, meeting at the longitudinal ridge. Blade is elongated, tapering to a rounded point at the distal end. Perforation at the distal end of the blade, drilled from both sides. Sides edges of the blade are heavily chipped and weathered.

Complete wooden bowl. Lenticular shape with steep sides and flattened lenticular base. One end tapers to a rounded spout that is flush with the rim of bowl. The other end is broken. Interior is charred in centre of base and part of the sides.

Complete piupiu waist garment made from undyed flax. Scraped flax sections create approximately seven square motifs with a horizontal band either side. Small tassels have been attached throughout the flax tags. The waistband is approximately 11cm wide with a 3 ply whiri (plait) at the top. As extensions to the whiri, twisted whenu (strands) make up waist ties. These extensions are finished with large tassels.

Complete tatā (canoe bailer). Mid brown wood. Surface is smooth but cracked, with four repairs with wire on the scoop and a large chip missing from the centre of the pouring edge. Handle is curved and projects over the scoop with a manaia on the butt. A piece apparently connected the head of the manaia to the bailer floor, but has been sawn away. Proximal end is carved with two manaia, bodies carved in a rauponga (ridge and notch) pattern. The rim above the manaia is carved with a rauponga on one side and a koru on the other side.

Complete tatā (canoe bailer). Elongated and narrow, made from mid brown rimu with a dark red stain. Handle formed in two curved pieces, joining together at a face carving on the butt. Proximal end of the scoop has a pakura design around the exterior surface of the rim. Horizontal grooves on the exterior bottom of the proximal end of the scoop. The interior surface and distal end of the exterior surface of the scoop are smooth and undecorated. The interior of the scoop has a ridge at about the midpoint, tapering to the pouring lip.

Fragment of woven harakeke (flax). Woven with undyed fine whenu (strands) using a takitahi (over one, under one) pattern. Tapiki (finish) along three side edges fits techniques used to complete whariki (mat) edges. Fine remnants of hukahuka (tags) woven from two ply muka (flax fiber) using the miro (rolling) technique visible towards the centre.

Broken wooden scoop, midsection remaining, broken at proximal and distal end. There is a fragment missing from the bottom of the scoop, near the handle.

Piece of worked wood, broken at each end. Roughly rectangular in shape and in cross-section. Surface is worked smooth and sawn flat on two sides, cracked with a large natural knot on one side. Two complete perforations and three broken perforations run lengthwise along the piece.

Piece of worked wood. Roughly rectangular in shape and in cross-section. Surfaces have been sawn flat and worked smooth. There is a broken perforation at one end. A metal ring has been nailed into one side.

Unfinished paepaeroa cloak, in process of manufacture. The paepaeroa cloak is supported on two weaving sticks (turuturu). The starting decorative (taniko) border forms a side of the cloak (kahu) when worn. The body of the cloak (kaupapa) is twined row by row from left to right, and red wool is worked in to form a decorative finish for the neck edge on the right of the cloak. The warp (whenu) for the lower taniko border is attached at this stage and lies ready at the left to be worked when the rest of the garment is complete. The cloak is then turned back 90 degrees and the taniko border worked. The taniko on this paepaeroa cloak is 5cm wide, using dyed black wool, with a triangle pattern worked in white and red wool. The weaving sticks taper slightly at the bottom, and reduced at the top with knob to secure the paepaeroa to. Between the two weaving sticks the paepaeroa is secured to a metal rod.

Complete piupiu. Garment made from flax, scraped and unscraped, dyed (black, gold) and undyed (natural). Tags fall from various levels of kaupapa. Tags have scraped and unscraped sections forming a pattern of 4 horizontal bands across skirt. All unscraped sections are incised with cuts, some horizontal, some diagonal, some with criss-cross pattern. Kaupapa is approx. 230mm long with 17 weft rows (black) of single pair twining. Waistband has 4 weft rows (3 natural, 1 gold) of double pair twining. Top of waistband is 3 ply plait from warp extensions of kaupapa. Ties at each end are extensions of 3 ply plait. One has gold and natural flax fibre worked into it, and is knotted in several places.

A model of a hoe (waka paddle). Dark brown wood. Handle is worked smooth with a knob on the butt and an oval cross-section. Blade of the paddle is diamond-shaped with a half-circular cross-section. Blade is carved with a rauponga (ridges and notches) pattern on one side and a koru pattern on the other side.

Complete taiaha. Wooden surface is smooth and polished. Double-sided human face carved at the proximal end. Face has a protruding tongue, geometric shapes on lips and forehead, slanted eyes. Distal end of the blade is rounded.

Complete wooden adze haft. Large crack on handle. Knob at the butt of the handle. Platform for attachment of adze previously had raised sides, now broken off and flat.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay, broken near the centre. Muka lashings at head and base. Twisted cord attached at head with a nail sticking out of the cord. Some feathers attached to muka at the base. Curved bone point with internal barb.