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Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete hue (gourd container or calabash). Exterior surface is mid brown and covered with a black substance. Wide, bulbous base with a short, wide neck. Vine stem at the top of the neck, with a circular perforation on one side of the neck. Several cracks throughout body and neck.

Kete Muka woven from natural muka (flax fiber) using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu (strands). The body of this kete is decorated with whenu (strands) left loose in order to give a ruffled decorative effect. Muka cord formed using the miro (rolling) technique has been added as handles. Frill work woven outer edge.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.

Fragments of tapa. The edges of the cloth are frayed along the base, with a straighter edge along the top. The proper right is missing a large portion of the cloth. The proper right edge is completely detached.

Complete hue or taha huahua (gourd container or calabash) inside a kete and wooden hoop supports. Neck of the gourd has been cut away, creating a large circular hole, the edges of which have been worked smooth. Kete is plaited with unscraped harakeke in an over-two, under-two twill. Kete has a flat base and rounded sides with a drawstring closure made of twisted muka cord. Two wooden hoops wrap around the perimeter of the kete to support the container. The two hoops are tied with pieces of unscraped harakeke and thick plaited muka handles.

Wooden tiwha (plug) for repairing holes in pōhā (kelp bags). Oval shape with a rectangular cross-section. Surface is worked smooth and flat. Grooved around the perimeter.

Fine woven Kete Muka woven from natural muka (flax fiber). Woven using Whatu aho patahi (single-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge attached after initial weaving. Two muka cord made with miro (rolling) with tassels have been added to function as handles.

Complete wooden kō with carved teka (digging stick with footrest). Very long handle with notched, pointed end. Distal end is rounded with notched side edges. Teka is lashed to kō with harakeke strands. Top of teka is sawn flat, with a slight curve at the distal end. Human figure is carved on the bottom. Eyebrows, nose, and mouth are depicted. Both hands, with three fingers on each, are inside mouth. Legs are depicted at the base.

Complete waka huia, pointed oval shape. Lid is flat underneath but quite domed on top, one end chipped. The lid is decorated with two large double spirals in a rauru pattern, with rest of surface filled with coiled fern frond motif. Decoration on lid almost identical to that on box, the decoration on the base just being expanded to fit the larger surface. Knobs on the short ends formed from 'Janus' heads with paua shell eyes in 6 of the 8 eye spaces. Each head carved differently. There is a small lip on the rim of the base to stop too much movement of lid.

Complete tokotoko. Dark brown wood. Carved with two full-length figures on one side. Rauponga and kirikiore patterns. Paua shell inlays throughout, attached using red sealing wax (one missing). Metal band and a metal cap at the distal end. Handle is undecorated except for two curved lines on either side.

Complete putatara, with conch shell body and wooden mouthpiece intact. The wooden mouthpiece is carved, two ridges down either side, with curved ridges linking them around the front, creating a mouthpiece that looks phallic in shape. There are two circular paua inlay on the front and back. One inlay appears to be adhered with red wax. The mouthpiece is attached to the shell with fibre and wax. There is a perforation through the outer lip of the aperture that has a length of fibre twine through it. On the outer whorl of the body there is a large repair. An oval piece of wood has been fixed to a hole in the wood with four lengths of fibre twine that has been waxed to fill in any gaps. At the distal end of the aperture there is a perforation.

Complete wooden koauau. Round in cross section, polished patina from handling. Exterior surface carved with rauru (double spirals) and a human figure protruding off one side. Human figure has rauru on shoulders and thighs. Feet rest on a wheku style head. Light green glass or stone inlay in eyes, at base of foot, and between two of the finger holes. A rectangular-shaped indentation filled with red sealing wax indicates there may have been another inlay. Four fingers holes in total.

Complete one-piece fishhook. Intricately carved knob on head of shank, with a perforation through knob. Perforation through base. Length of fishing line remains lashed around shank.

Complete tokotoko. Carved in a twisting, corkscrew shape, with a rauponga (ridge and notch) pattern. Bird-head carving at the distal end, with projecting beak

Piece of wood, possibly worked, use unknown.

Piece of wood, possibly worked.

Piece of wood, possibly worked. Roughly rectangular in shape and in cross-section.

Piece of worked wood, use unknown. Surface is dessicated and sandy. One side appears to have a ridge running lengthwise with two flat worked planes on either side.

Piece of worked wood, use unknown. Surface is very worn and cracked. Charred at one end. There appears to be an indentation on one side, near the charred end, but it's unclear whether this is natural or man-made.