Rāranga

Complete kahu huruhuru. The garments kaupapa (main body) is muka (flax fibres), the surface is covered with scattered, multicoloured feathers. There are two main vetical lines of solid feathers. In the centre of the kaupapa is a T shaped block of dark grey and orange feathers. The kaupapa is edged in a solid lines of feathers and a 2 ply red and green woolen whiri (plait). This same wool edging is used as the weft line across the top seam and as two 3 ply whiri extensions from the top seam creating ties. The top corners have cream fringing. A linen and velcro attachment has been sewn along the back of the top seam using cotton.

Complete kahu kiwi (kiwi feather cloak). Flax body in whatu rua, 2 pair twining, aho 1cm apart, whenu - 5 per cm. Covered with brown kiwi feathers, groups of 3 feathers worked into both rows of twining. Twisted muka fibre border and ties at the top.

Complete piupiu with degradation at the waistband. The flax tags are scraped and unscraped, forming decorative horizontal bands. The first and third rows of exposed flax have been dyed with a dark dye. The tags are accompanied by six twisted whenu (strand) decorations which originally ended in tassels. Two tassels remain. The waistband is approximately 4cm wide with two weft rows. There is remnants of a blue dye in the waistband. The top of the waistband is whiri (plaited), with the whiri having come loose along the top of the garment. Ties are evident at each end of the waistband, with one ending in a tassel. There are seven loose tags that have come away from the garment accompanying the object.

Complete piupiu. Flax tags are attached to an approximately 11cm deep waistband. The tags have been sporadically scraped and dyed with paru. The scraped areas form three distinct motifs: lines, dashes and diamonds. From the waistband the motifs repeat in the pattern line, dashes, diamonds, dashes, line. The waistband has a tāniko design of alternating pātikitiki (diamonds) and stars. The waistband is formed of wool with a flax edging along the top. This edge extends to form ties at each end. Each tie has a knot in it.

Complete kahu huruhuru. There are kiwi feathers in the centre of the kahu huruhuru, with a green feather border; 5cm on the left side and 6cm border on the right side.There is a purple and grey herringbone stitch border at the top edge, and a gold and black twine at the bottom edge. There are two lengths of harakeke twine with loops at the end that are worked along the top edge, approximately 15cm from the right and left sides.

Flax fibre, decorated on front only with peacock, pheasant and domestic fowl feathers. There is one visible orange kaka feather on this kete woven in towards the centre of the body. Front extends as flap and folds over to back, loop on each side to button. (non-matching white and cream buttons. Warps held in place with double pair twine. Six bands of cross over stitch - alternate red and black which overlie warps (held with same weft rows) on back, flap and two rows front. Sides of flap bound with black fabric. Two whiri (braids) used as handles, with decorative tassels at end.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge attached after initial weaving. X2 three ply muka whiri (braids) with tassels have been added to function as handles

Complete kahu kuri cloak. The kaupapa (body) is woven in close, single pair pukapuka (twining) except for occasional rows of whatuaho rua (double pair twining) which are woven tightly with a small gap used for a guide to sew the dogskin strip. The kurupatu (fringe collar) is made with a dogskin strip. The kahu kuri is covered with small tufts of dog fur, lighter around the sides, darker through the middle. There are areas of the cloak where the fur has thinned, showing the dog skin strips. The edges of the cloak, under the fur, are woven with darker fibres, in an almost chevron pattern. There is a modern support pillow and velcro strip attached to the inside of the cloak.

Complete korowai (cloak with twisted tags). The kaupapa (main body) is flax with twisted whenu (strands) tags added across the surface. The side borders are ornamented with paru-dyed flax and edged with feathers. The weft strands of the side borders are alternating blocks of red and green wool, and blocks of natural fibre. The bottom of the side panels have degraded and much of the dyed flax has been lost. The bottom edge of the kaupapa is ornamented by a tasselled woollen edging alternating dark purple, brown, yellow and cream. Woven into the base of the kaupapa are five whenu (strands) of wool, alternating red and dark purple, finishing with a whiri (plait) of red and green woven together. The top edge is ornamented with whenu of both wool and flax and a flax tasselling. At the top corners additional coloured wool tags have been added, along with longer flax tags for securing the garment.

Complete pake (rain cape) made of flax and tussock. Thick plaited muka fibre at the top edge, with smaller plaited ties attached. Top third is bordered with a shorter layer of fibre. Bottom edge is uneven.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.