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Broken patu onewa, complete in two pieces. Surface is ground. There are several chips around the edges of the blade. There is a perforation at the handle - drilled from both sides. The patu onewa has been broken through the handle at the perforation. The other piece features the knob of the handle, with four grooves on either side of the oval knob with a central ridge between.

Broken bone pendant. Missing proximal end above suspension hole. The pendant curves and tapers to a blunt point. The broken suspension point has been drilled from both sides.

The characteristic feature of Gerzean is the thin buff or grey ware decorated with designs in red. Shapes have been strongly influenced by stone vessels of the time. Many of the painted designs are based on the rush coverings in which stone jars were carried and hung. In the later Gerzean period, jars with wavy ledge-handles appear in profusion. There are also round bowls with ship designs, aloes, and all manner of birds, reptiles, and mammals.

Neolithic figurines statuettes, mostly of women were placed in tombs to provide the owner with a companion in the afterlife. The dead who were buried in a sleeping position with elbows and knees drawn together were also supplied with pottery food containers, jewellery and other goods thought to be useful in the afterlife.

Complete necklace with hei tiki pendant. Pendant is made from red resin with paua shell eyes. Attached at the proper left side to a cord woven from red and silver plastic ties, with a loop at one end and a button at the other. Hei tiki head is tilted to the proper right side with a forehead ridge, deep-set eyes, defined nose, and mouth with tongue protruding. Perforations at neck, arms, and legs. Proper left hand is resting on stomach and proper right hand is resting on right thigh. Feet and toes come together at the base, touching carved genitalia.

Complete patu paraoa. Knob at the butt, coming to a dull point. Two large bilateral notches and projections where the blade meets the handle. Small incised marks on the inside of the notches.

Complete straight pounamu pendant. Light green with surface ground smooth. Large suspension hole at the proximal end. Distal end tapers to a dull point. Both ends have a bevel continuous with the shaft.

Carving of human head made from bone. The back of the carving is concave with two projections at the proximal end either side. Both projections have been perforated - drilled at an angles and subsequently broken. There is a visible repair where previously broken longitudinally ON the proper left side and glued together. There is a centre ridge on the front face from forehead to the raised, squared mouth. The eyes are raised and squared. There are two perforations either side above the mouth, possibly representing nostrils. The chin sits in a deep groove along the bottom edge. There is a horn like projection on the upper proper right side, proper left side broken.

Large pounamu pendant in bird form. Light green and light blue-grey. Surface is ground with some flaking near the distal end. Small suspension hole at the proximal end, drilled from both sides. Proximal edge is chipped and oblique, representing the head and beak. Elongated neck with straight sides. Curved stomach protrudes on one side edge at a notch below the neck and back is straight and in line with the neck on the other side edge. Projection at the distal end representing tail feathers, notched below the back.

Complete pounamu hei matau pendant. Light green, silver, and black. Surface is ground smooth. Suspension hole at the head, mostly drilled from one side. There is a barb-like projection on the external side of the head. Point has a rounded, double-sided tip, one side curves inward and the other ends with an external notch.