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Persian mirror case and stand made of iron, with decoration in silver and gold.

Complete composite fishhook consisting of two curved pieces of paua shell lashed together with muka. Additional muka lashings at the head, attached to a twisted muka cord. Modern metal nail through lashings at base.

Triangular porcellanite flake. Cortex visible at proximal end. Ripples on ventral surface. Retouching on the proper right lateral margin.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Complete wahaika paraoa. A profile human figure joins the blade to the handle, with its legs extending across the handle. The face extends out into the recessed side of the blade. Another figure extends from the poll, with tongue extended and two hands coming to hold a stylised body. Both figures are adorned with pākati (notches) along the eyes, mouth, torso, arms and legs. Both figures have paua inserts in the eyes. There is a perforation at the poll. The convex distal edge of the blade is lightly notched from use.

Silcrete core light grey in colour. Cortex on the dorsal surface. Unifacial retouch on the edges.

Complete bone flute. There are three perforations along the top of the flute and two perforations at the end on the side, one broken. There is the start of two decorative patterns. On the side with the perforations there are striations in a chevron pattern, and on the other side there are striations in a crosshatched pattern.

Complete patu paraoa. Wide, curved, knob at the proximal end, two grooves on either side, and one central groove at the very proximal end. There is a perforation through the handle.

Complete bone fishhook. The head has two rectangular knobs, with lashing wearing underneath them. The hook comes to a sharp point at the tip.

Complete stone sinker. Transverse lashing groove.

Small flax kete with twisted handle. Woven in a twill pattern from unscraped flax with no additional decoration. Natural mid-yellow colour. No base seam; cast off by folding to internal side and inserting through other flax strands.

Complete pair of poi. Both oblong with a squared base, one slightly larger than the other. Raupo has been wrapped around the poi longitudinally; very wide strips of plant material used. Held together at top of poi with fibre. There is a length of twisted fibre cord emerging from the top, knotted at end.

Complete worked shell. A perforation hole is drilled off centre in the shell. The exterior edge is chipped.

Complete kawakawa pounamu hei tiki. Cream inclusion are evident on the back. Head turned to the proper left. Proper right eye has a flake missing. Suspension hole protrudes from top of head. Arms bent, three fingered hands resting on thighs. Feet have three toes. Perforations between toes and between arms and torso. Back flattened.

Polished stone axes used by European pioneer farmers to clear land for fields. 6000-3000 BC.

Complete argillite adze. Cross-section of blade is trapezoidal, with back narrower than front. Cross-section of butt is rectangular. Surface is ground on blade, bruised on butt. Minor differentiation between butt and blade, front slightly reduced forming small shoulder. Bevel is continuous with blade, cutting edge is sharp and curved. This adze is lashed to a wooden haft (D33.1311) with a length of processed fibre.

Complete bone bird spear point. Three barbs. Six notches on one side of the base.

Complete whalebone comb with eight thick teeth. The comb has a rounded top, with a carved perforated design appearing on one edge of the frame.

Sickle stones. Mounted on bone or wood, these were used to harvest grain.