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Ceremonial adze haft, identified as a fake. Dark brown wood with paua shell inlay and a twisted muka cord for lashing. Handle is carved with a geometric pattern of ridges and notches, with a human head carved on the butt. Haft consists of a carved human figure with adze housing situated between rear of legs, grasping a fish to its mouth with both three-fingered hands. Manaia eyes and forehead runs down ridge to base of hafting point. Figures are carved with geometric patterns.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.

Complete kahawai lure. Curved wooden shank with knob at base for lashings. Iridescent paua shell inlay. Muka lashings at head and base. Twisted muka cord attached at head. Straight bone point with very prominent internal barb.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at head and base with twisted cord bundle at head.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings and twisted cord at head and base.

Complete kahawai lure. Wooden shank with knobs at head and large knob at base. Paua shell inlay. Straight bone point with internal barb. Lashings at base and head with twisted cord at head.

Complete taiaha. Surface is worked smooth and polished. Human face carved on each side at the proximal end. Protruding tongue has a rauru (spiral and notch) pattern. Two eyes have paua shell inlays intact. Blade is narrow and rounded, with a large chip missing from the edge.

Complete kahawai lure. Curved wooden shank with notches at head and base. Muka lashings across notches and cord at head. Paua shell inlay. Bone point is complete and straight with internal barb. Orange and yellow feathers attached by lashings at the base.

Paua shell containing kokowai. Dirt covers the pigment. The edge of the shell shows come chipping.

Complete waka huia made from totara. Wood is dark brown with a mid-red stain. Base has been broken in three pieces and glued back together. Cross section is a flattened U-shape, with rounded ends and a flat lid. Exterior sides of lid and box are carved with a curved rauponga (ridge and triangular notch) and rauru (spiral) pattern. Base has a human figure carved on both ends. The figures' bodies consist of curved arms and legs with three fingers and toes on each, carved on the base. The figures' heads protrude off the sides for suspension and have paua shell inlaid in the eyes.

Complete waka huia made of totara. Elongated oval in shape and half-circular in cross section. Dark red and brown in colour. A human figure projects off at each end, one male and one female. Both figures have paua inset eyes with geometric carvings. Female figure has glass beads at the back of the head to form another set of eyes. Male figure has paua inset eyes at the back of the head and another on the manaia figure depicted on its proper left arm. Exterior of box and lid are both carved with a curved rauponga (ridge and triangular notch) and rauru (double spiral) pattern. Interior is smooth and undecorated.

Complete epa. Rectangular shaped piece that has been sawn off at top and at bottom. This epa shows the upper half of a frontal human figure - the head disproportionately large, with paua shell inlay eyes. The head is carved using a rauponga pattern, while the body is carved using a different style where featuring notches (ngau pae). Right arm is lowered at shoulder but bends up at elbow so that three fingered hand rests on pectoral area beneath a small raised spiral. Left arm is lowered and bent at elbow so that three fingered hand rests across stomach This piece is cut short at the top of the hips.

Complete waka huia. Square in cross-section. Decorated on lid in carved groove and dot motif worked in three sections into complex patterns. The carving patterns differ on both long sides. The base has the groove and dot pattern in swirling pattern that forms two highly stylised faces with (not original) inlay paua shell eyes. The handles are elongated laterally and decorated with an abstract pattern. They are perforated vertically for suspension cord. On one end of the lid there is a centred, wide and flat tongue that has a matching slot. There is a small chip in the corner on this end of the lid. On the other end of the lid, the tongue is off-centre and narrower, with a matching slot. Modern fibre through handle perforations for suspension.

Broken paua shell ornament. Suspension hole drilled through the off-centre, missing a portion of the shell.

Complete kahawai lure. Curved bone shaft with paua shell inlay. Barbed bone fishhook point lashed to base with muka. Twisted muka cord at head.

Complete taiaha. Human face carved on both sides of the proximal end. Rauru (spiral and notch) pattern carved on protruding tongue. Distal edge of the tongue tapers to a point; sides are flattened. Paua shell inlay is intact in three of four eyes. Cloth padding wrapped around the shaft below the carved faces; narrow strip of black cloth patterned with yellow dots and a larger piece of undecorated brown cloth. Cloth and remnants of bird quills are lashed on using plaited muka fibre. Tufts of white dog hair attached to plaited muka at the base of the shaft. Blade is undecorated and worked smooth, tapering to a slight point at the distal edge.

Complete tokotoko. Mid-brown wood. Carved with two full-length figures and rauponga (ridge and notch) pattern in a variety of directions and styles. Paua shell inlay in eyes and as features of rauponga pattern (three missing). Top figure has a realistic face, with a full moko, holding a patu in one hand. Lower figure has a more stylized, traditional face with slanted eyes and wide mouth. Handle and distal end are uncarved.

Complete kahawai lure. Wooden shank with knobs at head and base. Paua shell inlay. Slightly curved bone point with internal barb. Lashings at head and base.

Broken kahawai lure. Medial portion remaining, broken at both ends.

Complete tokotoko. Dark brown wood. Full-length figure carved at the top. Double-sided face carving mid-way down the tokotoko and at the distal end. Large paua shell eye inlays on the middle carving. Rauponga (ridge and notch) pattern throughout. Handle is undecorated except for a plain face carving on the butt.