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Broken ribbonwood piupiu. A section of proper left tags missing. The tags have been arranged in alternating vertical lines of undyed and dyed (red and dark purple) bands. These tags are accompanied by four 3 ply whiri (plaits). The proper left whiri is missing. The whiri are dyed red and purple, with one whenu (strand) left undyed. The waistband is approximately 7cm wide with three weft weaves. The front of the waistband has been covered with a decorative twill (diagonal weave). The waistband has a decorative edging at the top, attached using cotton thread. At each end of the waistband a 4 ply whiri extension of different fibre has been attached. One detached tag accompanies the garment.

Complete kahu huruhuru with kiwi and pheasant feathers. The top edge is a two ply twist, except one at each of the ends, where the warps become part of the fringe. There are two attachments for tying - 1 is a piece of bias binding, the other a tassel in red, black and cream wool. The cloak is of cotton, with two-ply interlocking weft. Along the left and right edges there is a twist of blue, red, black and white wool. The centre of the cloak is kiwi feathers with pheasant feathers as a 6-8cm wide border on the left, right and bottom edges. The border is in square blocks of colours; down the sides there are alternating squares of black then brown. Along the bottom there are alternating squares of black, brown, and white feathers.

Black and white woollen kete. Weaving with synthetic wefts and handle and decorated with blue/green domestic fowl feathers. Warps of cream wool held together with cream wefts in double pair twine. Centre four warp rows cross over stitch - outer two of five warps crossed. Feathers attached along top and bottom with double pair twine. Black twisted woollen cord attached in pattern above feathers. Lined with blue satin sheen fabric. Single black braided cord handle (synthetic) attached on either side.

Complete string of 68 glass trade beads, strung together on a thick piece of cotton string. There is a pattern of one large mid blue bead with two smaller dark blue beads that repeats on both sides till the centre where the pattern changes and becomes two large dark blue beads followed by two large mid blue beads.

Complete kahu huruhuru. The garments kaupapa (main body) is muka (flax fibres), the surface is covered with scattered, multicoloured feathers. There are two main vetical lines of solid feathers. In the centre of the kaupapa is a T shaped block of dark grey and orange feathers. The kaupapa is edged in a solid lines of feathers and a 2 ply red and green woolen whiri (plait). This same wool edging is used as the weft line across the top seam and as two 3 ply whiri extensions from the top seam creating ties. The top corners have cream fringing. A linen and velcro attachment has been sewn along the back of the top seam using cotton.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka woven from natural muka (flax fiber). Woven using whatu aho rua (two-pair weft-twining). The kaupapa (body) of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. Frill work woven edge attached after initial weaving. X2 three ply muka whiri (braids) with tassels have been added to function as handles

Kete. Square in shape. Woven from undyed muka. Fringe attached with double pair twine to front and back of both side edges. Fringe along base formed from warps, with extra weft thread inserted along basal weft row for decorative purposes. Warps held together with double pair twine. Decorated with turquoise and purple fibre circles, which are faded. These are formed by the insertion of two additional coloured weft threads to top and bottom of every 7th weft stitch - undulating effect of each thread forms circle. Top edge frayed badly. No handles.