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Waka huia without a lid. Made from kapuka wood; dark brown in colour. Rectangular in shape and in cross section; slightly rounded on the bottom. Simple grooved knobs on each end, one of which has a perforation for a suspension cord. Exterior is carved in a rauru (double spiral) pattern, with three on the bottom and four on each side. Interior is smooth and undecorated.

Complete adze Cross-section is oval. Surface is bruised. Flaking at poll. Undifferentiated between butt and blade. Sides taper towards poll. Back slopes up towards poll. Bevel and cutting edge unfinished. Cutting edge as is is very blunt and straight.

Complete adze. Asymmetrical at poll, rectangular at blade. Surface is ground with some flaking at poll and front of butt. Butt undifferentiated. Bevel is demarcated by two straight lines meeting at an off-centre apex.

Set of fire oven stones.

complete, everything in place, no Tau. This Patu is in very good condition. On one side it is cracked along the blade, it has a small hole along that crack near the bottom. The crack has been fixed with adhesive. At the butt of the patu there are markings, Reke, that surround the hole for the tau.

Complete Oval cross-section. Bruised and flaked surface The poll of the adze is curved, flaked and irregular, with a slight outward curve on the proper right The left and right sides of the back of the adze are bruised as though shaping of the tool had only started. The shape of the bevel is indicated by an area of unbruised stone and a ridge on the proper left side. The cutting edge is irregular, badly flaked and asymmetrical

Broken adze, blade and bevel only Plano-convex cross-section. The surface is ground at the bevel and on the lower front of the blade. The rest of the surface, particularly the broken top end, is flaked The piece of adze is the blade and bevel only, there is no butt The bevel is continuous with the blade, only differentiated by the difference in surface texture. The cutting edge is sharp and asymmetrical

Complete mutu kaka (bird snare). Dark brown wood. Surface is smooth with chisel marks visible; no decorative carving. Handle is straight with an oblique edge and a notch at the butt. Perch is straight and tapered to a dull point at each end with a square-shaped perforation at the shorter end, where the handle meets the perch. Two grooves on one side of the perch.

Complete wooden hoe (paddle). Double-sided human or bird carving at the proximal end, with four perforations. The proximal edge has been burnt on one side. A double-sided human face is carved where the handle meets the blade, with spiral and pākati (dog-tooth) patterns throughout. Blade is an elongated oval, tapering to a point at the distal end, with two perforations. The distal edge has been flattened, with chisel marks evident on the side edges.

Broken pounamu pendant, broken at the proximal end. Dark green and grey. Surface is ground with some cracks. Distal end is rounded. Proximal end has one broken and one incomplete suspension hole.

Large complete adze. Greenish grey stone. Trapezoidal cross-section with the back narrower than the front. The surface is ground on the blade with bruising and flaking on the back. The butt is bruised and the poll is flaked. There is major differentiation between the blade and the butt. The sides and front of the blade are reduced and there are distinct shoulders. The butt is bruised. The bevel is a very gentle slope and is continuous with the blade. The cutting edge is asymmetrical, sharp and has some small chips.

Complete Whakawae. Features two human figures, one standing on top of the other. Both figures feature paua shell inlay eyes with tongues sticking out, and both hands resting on their stomachs. The lower figure's body has been rubbed smooth from touching.

Single Poi Kanga (corn husk poi). Corn husk has been wrapped longitudinally from the internal base of the cob around spherical ball or stuffing and secured with muka (flax fibre) cord. Evidence of burn marks to the outside leaves. Muka cord formed via miro (rolling) inserted into top of poi terminating in a knot. Early and modern weavers frequently experimented with corn husk in weaving due to its easy availability, ease of preparation and its ability to mimic or replicate natural native materials.

Adze, with large curved bevelled edge. Poll end almost circular in cross section; blade triangular in cross section. Light blue/green/grey in colour. Small bevel, not sharp. Blade polished; handle is not. Non-smooth surface down one side of blade.

Complete wooden lid, possibly for a tuki (calabash mouthpiece). Dark brown in colour. Circular with a raised circular base for fitting. Base is undecorated, but has chisel marks evident. Exterior is carved with a rauponga (groove and triangular notch) pattern. Raised human figure project off the centre as the handle. Figure has a protruding tongue and three-fingered hands rest on abdomen. Feet come together and rest on a human head below.

Complete pake (rain cape) made of flax and tussock. Thick plaited muka fibre at the top edge, with smaller plaited ties attached. Top third is bordered with a shorter layer of fibre. Bottom edge is uneven.

Complete slightly curved bone pendant with a suspension hole at the proximal end.

Complete poutokamanawa (carved building component) made of totara. Realistic (not stylized) male figure, painted red with white on eyes and mouth and black irises and moko. Earlobes have perforations for pendants. Grooved comb protruding from head. Five-fingered hands rest on lower abdomen. Body with clavicles and rib cage suggested but body otherwise plain. No genitals depicted. Sawn off just above the ankles and attached to a black painted base.

Complete. The cross section is asymmetrical. The surface is flaked, bruised and ground. There is a prominent vertical sawing mark through the middle on both the front and the back. There is also a sawing mark on the proper right side. The butt is not present. The bevel is rough and demarcated by a ridge. The cutting edge is blunt and uneven.

Complete iron adze or axe head. Cross-section is rectangular. Cutting edge is sharp and curved. The sides reduce from the cutting edge to the poll end.