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Complete tatā (waka bailer) made of dark brown rimu. Surface is smooth with chisel marks evident. The curved handle protrudes over the scoop, with a facial carving on the butt consisting of spirals and notches and two perforations. A stump on the interior of the scoop below the handle indicates that there had once been a support bar projecting from the underside of the handle which has since been sawn off. There is another carving at the base of the handle and at the back of the scoop with koru, spiral, and notch patterns. The interior and exterior of the scoop are undecorated.

Complete tatā (canoe bailer). Light brown rimu wood. Surface is worked smooth but with wood grain still evident. Handle is straight with a carved face at the butt (browline, bulbous eyes, and nose are indicated). Style departs from traditional design with handle at back, indicates European influence. A chip is missing from centre edge of pouring edge.

Broken adze (Upper butt not present). Cross-section is asymmetrical. Surface is almost entirely ground. Butt has a rough patch on the tip of it where the poll had been broken off. No differentiation between butt and blade, upper butt broken off. Sides taper towards poll. Bevel is demarcated by a line, blade is sharp and curved, concave.

Complete iron adze or axe head. Cross-section is rectangular. Cutting edge is sharp and curved with a small chip missing from the proper right side corner. The sides reduce from the cutting edge to the poll end. Poll is further reduced on the proper left side edge of the poll.

Complete pae manu (bird perch) consisting of a central bar with a bowl at each end. Dark brown wood. Surface is smooth. Side of the perch is carved in curved pattern, with perforations between the lines. Two straight perforations are drilled from top to bottom, possibly for mounting purposes. One bowl has a human head facing externally, mouth is an open hole on the side. Nose, eyes, eyebrow, and five topknots at the head are indicated. Bowl at the other end is smaller but deeper, with a human figure carved externally. Tongue protrudes and lips, nose, and eyes are indicated, as well as a torso with inwardly curved limbs. Both bowls have flattened rims and the interior surfaces are rough, with chisel marks evident.

Mid brown wooden bowl. Shape is lenticular and cross section is half-circular. Spout at one end and small projection at other, possibly for suspending. Adze marks visible on exterior, smoothed but not polished or decorated.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Round wooden kumete. Shallow depth, approximately half of height. Rim and bottom are flattened. Two handles on either side depict human faces in high relief. The exterior is carved in a rauponga whakarere (ridge and triangular notch) pattern.

Wooden adze haft. Handle is round in cross section and chisel marks visible on surface, darkened near the grip. Triangular platform at the distal end, with notches and a deep groove at the edge. A mount is lashed with plaited fibre into the hollow groove, projecting beyond the platform. The mount has a deep rectangular groove, open at one end, for inserting an adze. It appears to be made using metal tools.

Complete pounamu pendant. Light green inanga variety. Surface is ground with a groove/sawing mark on one side. Proximal end is squared off with a suspension hole drilled from both sides. Distal end is tapered to a sharp point.

A: Complete barracouta lure. Straight wooden shank with a dessicated surface. On one end, there are two grooves on one side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge. B: Complete barracouta lure. Straight wooden shank with a smoothly worked surface, some cut marks and dessication evident. At one end, there is a groove on each side and one on the edge for lashing. Bone point inserted at the other end in a perforation. Point is slightly curved with a serrated external edge.

Complete adze. Oval at poll, lenticular at blade. Surface is bruised and flaked. Butt undifferentiated. Bevel demarcated by lines that meet in an apex mid-blade. Cutting edge is sharp and rounded with minor chipping.

Complete patiti with iron axe-head and wooden handle. Surface of the handle is smooth. The butt flares out slightly, with a flattened edge and a straight drilled perforation. Sides of the handle are reduced at the distal end, where the axe-head is attached. Surface of the axe-head is somewhat rusted, with a stamp mark on one side. Blade flares out with a curved, sharp cutting edge.

Complete tatā (canoe bailer). Made from dark brown rimu using steel tools. Curved handle projects over the scoop, with a manaia head carved at the butt. Below the handle, at the back of the scoop, is another carving and two perforations. Two pieces of loose wood on the carving have been re-attached in the past with heavy furniture nails. Scoop has a slight ridge on the interior, creating a straight-sided pouring edge

Broken patu onewa, handle and part of blade present. There is an incomplete perforation at the handle that has been drilled from both sides. The butt of the handle is carved, oval in shape, with three grooves on each side and top ridge at the top. Surface is ground.

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.

Shark tooth pendant with suspension hole at root. Red sealing wax on root, some of which has chipped away.

Mostly complete pounamu pendant, broken at the suspension hole. Possibly reworked from a chisel. Dark brown and green waikokopu variety. Surface is ground. Square cross section. Tapered at each end. Bevel demarcated by a line on the proximal end, just below the suspension hole. Distal end is rounded, with an indented bevel, demarcated by a change in surface. Remnants of red paint or wax on one side.

Broken adze, lower part of the blade only oval cross-section. Ground surface with bruised surface at the sides and on the back, outlining the bevel and the spine down the back. The piece of adze is the blade and bevel only, there is no butt The bevel is demarcated by the bruised surface outlining it. The bevel is curved, and the cutting edge is curved, asymmetrical and sharp.

Broken toggle, one end remaining. One side is decorated with darkened striations in a cross-hatched pattern. Inside of the bone is packed with dirt.