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Complete adze. Cross-section is asymmetrical. Side hafted adze. Surface is bruised. Major differentiation between butt and blade - proper right side heavily reduced, leaving a handle like shape on proper left of adze. Bevel is demarcated by surface, where it changes from bruised on the butt to ground on the bevel and cutting edge. Cutting edge is sharp and curved. Large chips along edge.

Broken ribbonwood piupiu. A section of proper left tags missing. The tags have been arranged in alternating vertical lines of undyed and dyed (red and dark purple) bands. These tags are accompanied by four 3 ply whiri (plaits). The proper left whiri is missing. The whiri are dyed red and purple, with one whenu (strand) left undyed. The waistband is approximately 7cm wide with three weft weaves. The front of the waistband has been covered with a decorative twill (diagonal weave). The waistband has a decorative edging at the top, attached using cotton thread. At each end of the waistband a 4 ply whiri extension of different fibre has been attached. One detached tag accompanies the garment.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete kahu huruhuru, with tui, weka and pigeon feathers. Manufactured using whatu aho rua (two-pair weft-twining) technique with flax. There is a black strand along the left and right edges. The cloak has horizontal bands of alternating triangles, the lower five alternate between black and white triangles, with occasional triangles in green. The sixth band from the bottom is alternating green and white triangles, with the uppermost band once again alternating black and white. There is a band around the upper edge that has lost many of its feathers. There were two sets of ties along the upper edge, but they have been lost.

Unfinished paepaeroa cloak, in process of manufacture. The paepaeroa cloak is supported on two weaving sticks (turuturu). The starting decorative (taniko) border forms a side of the cloak (kahu) when worn. The body of the cloak (kaupapa) is twined row by row from left to right, and red wool is worked in to form a decorative finish for the neck edge on the right of the cloak. The warp (whenu) for the lower taniko border is attached at this stage and lies ready at the left to be worked when the rest of the garment is complete. The cloak is then turned back 90 degrees and the taniko border worked. The taniko on this paepaeroa cloak is 5cm wide, using dyed black wool, with a triangle pattern worked in white and red wool. The weaving sticks taper slightly at the bottom, and reduced at the top with knob to secure the paepaeroa to. Between the two weaving sticks the paepaeroa is secured to a metal rod.

Complete piupiu. Garment made from flax, scraped and unscraped, dyed (black, gold) and undyed (natural). Tags fall from various levels of kaupapa. Tags have scraped and unscraped sections forming a pattern of 4 horizontal bands across skirt. All unscraped sections are incised with cuts, some horizontal, some diagonal, some with criss-cross pattern. Kaupapa is approx. 230mm long with 17 weft rows (black) of single pair twining. Waistband has 4 weft rows (3 natural, 1 gold) of double pair twining. Top of waistband is 3 ply plait from warp extensions of kaupapa. Ties at each end are extensions of 3 ply plait. One has gold and natural flax fibre worked into it, and is knotted in several places.

Complete wooden adze haft. Large crack on handle. Knob at the butt of the handle. Platform for attachment of adze previously had raised sides, now broken off and flat.

Complete pounamu adze. Cross-section is rectangular. Surface is ground with sawing marks on proper right side. Front and sides of butt are slightly reduced, especially on proper left side. Bevel is demarcated by a line. Cutting edge is straight and sharp. "Pelichet Bay" inscription.

Complete kotiate made of wood. Two notches on blade. Geometric carvings along blade and handle. Face carving at butt with a perforation below the head.

Centre of a fishhook tab, showing drill work around edges.

Broken fishhook point, lower remaining, notches on external side of base. Bone is burnt.

Complete wahaika rakau. It has a circular drilled perforation at the head. It has whakairo on the head in the shape of a head. It also has whakairo on one side of the handle in the shape of the human form. It is well polished.

Complete wahaika rakau. It has rectangular chipped out perforation on the head. It has whakairo on the head in the shape of a head, it also has whakairo on the side of the handle in a head shape. Above the butt there is an inverted notch on the opposite side to the carving. It is polished but with scratches and minor chips along the blade.

Contemporary wooden koauau made from maire. Three holes on top with flush bevelled ends. Underside has innovative flattened plane for placement on flat surfaces.

Kete Whiri (bag with a central braid). Woven with a combination of takitahi (over one, under one) and takirua (over two, under two) patterns. The bottom of this kete is made by braiding strands into a whiri (braid). Weaving is then extended from either side which forms the base. The bag was then woven from the bottom up before being completed in an internal three ply whiri (braid) around the rim. Two four ply round whiri (braids) have been added as handles. Inside the bag is a segment of weaving with decorative florishes.

Complete piupiu with degradation at the waistband. The flax tags are scraped and unscraped, forming decorative horizontal bands. The first and third rows of exposed flax have been dyed with a dark dye. The tags are accompanied by six twisted whenu (strand) decorations which originally ended in tassels. Two tassels remain. The waistband is approximately 4cm wide with two weft rows. There is remnants of a blue dye in the waistband. The top of the waistband is whiri (plaited), with the whiri having come loose along the top of the garment. Ties are evident at each end of the waistband, with one ending in a tassel. There are seven loose tags that have come away from the garment accompanying the object.

Complete piupiu. Flax tags are attached to an approximately 11cm deep waistband. The tags have been sporadically scraped and dyed with paru. The scraped areas form three distinct motifs: lines, dashes and diamonds. From the waistband the motifs repeat in the pattern line, dashes, diamonds, dashes, line. The waistband has a tāniko design of alternating pātikitiki (diamonds) and stars. The waistband is formed of wool with a flax edging along the top. This edge extends to form ties at each end. Each tie has a knot in it.

Two poi woven from raupo (bullrush) wrapped longitudinally. One poi secured with muka (flax fiber) cord. The other secured with muka cord in two places (70mm apart). Twisted natural coloured muka cord inserted with a knot at the end.

Two poi woven from raupo (bullrush) wrapped longitudinally. Both secured with harakeke (flax) in two places (10mm apart). Natural muka (flax fiber) cord formed via the miro (rolling) technique inserted with both poi tied together via a knot at the end.