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Complete waka huia, oval shaped. The waka huia is hollowed out except for the short sides, where a small ledge remains that the lid rests on. The lid is decorated with rauponga whakarare motif in parallel stripes along its length. The lid features a hole in centre for cord attachment, with a small amount of cord in the perforation. On the top of the lid this cord is dyed red, with a small amount hanging out underneath. Base is carved with interlocking rauru spirals occupying most of area with two smaller double spirals in between and raupongo whakarare filling the remaining spaces. Ends have koruru. One faces upwards with a laterally pierced perforation behind for suspension. The other faces downwards, with a laterally pierced perforation behind for suspension. Both have paua shell inlay eyes. On the long sides there are two paua shell inlay circles.

Complete patu paraoa. The handle has a circular perforation with wood inserted, below this is a circular perforation in the butt.

Complete taiaha. Proximal end carved with human face in high relief on each side. Paua shell inlay in eyes. Protruding tongue has a rauru (double spiral with notches) pattern. Centre of taiaha and distal end of the blade has bands of rauponga (groove and notch) pattern.

Complete wooden tokotoko. Cross-section is circular at one end and square at the other. Square end is carved with a set of pakura (spirals and crescents) on each side. Below the pakura are oval paua shell inlays, two intact and two missing, and an incomplete carved rauponga (ridge and notch) pattern. A face with paua shell eyes is carved near the other end. Another face, more simply carved and without paua shell, is carved on the butt, with a projecting, rounded tongue.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with dark orange paint or varnish residue. Surface is smooth. Cross-section is round at the handle and lenticular at the blade. Handle is straight and sawn across at the proximal edge. Blade is tapered at both ends and flattened on the back. Distal edge comes to a dull point, lightly cracked and chipped with usewear visible.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with a dark orange paint or varnish residue. Surface is smooth. Cross-section is oval at the handle and lenticular at the blade. Handle is straight and sawn across the proximal edge. Blade is flattened on one side and tapered at both ends, coming to a point at the distal edge.

Complete kāheru or ketu (digging stick or cultivating tool). Mid-brown wood with dark orange paint or varnish residue. Cross-section is round at the handle and lenticular at the blade. Surface is smooth. Handle is straight and has been sawn at the proximal edge. Blade is tapered at each end and flattened on one side. Blade was cracked and then repaired with a gummed cord near the distal edge. The distal edge is chipped.

Pounamu/nephrite hei tiki. Mid green with blue undertones and black in carved lines. Highly polished surface, low transparency. Carved on both front and back surfaces. Two perforations drilled on both sides are placed in close proximity near top of forehead. Natural cracks on chest on one side which run up to shoulder. One side has complete paua shell inset in one eye and broken in other eye. Other side has is missing paua shell insets. Arms with distinctive elbows rest on thighs, no defined hands or fingers. Legs brought together underneath body with three toes either side. Female genitalia displayed one side only and accentuated by three grooves radiating out across both thighs.

Complete waka huia. Lid is carved in a rauponga whakarare style, with elaborate female figures on each end. The ends of the lid terminate of each end at the neck of the human figure, with the head being on the knobs of the box portion of the waka huia. Heads have carved eyes, though one head has only one carved eye. There are circular paua shell inlay at each end of the shoulder and knee joints of the figures' bodies on the lid. Heads have upturned faces, with carved forehead, lips, and one figure's tongue. The heads were previously broken off, now repaired with wax carved and coloured to match. There are two shallow knobs, one at end short end of the lid, that fit into interior grooves of the box. The box of the waka huia is also carved in a raupongo whakarare style. Made from matai it has a deep black/red colour with a rich patina. There are three intact huia feathers inside.

Small oval soapstone pebble. Brown green in colour with hole drilled in centre. Perforation has very straight sides and has been made with metal tools. One side has been ground flat.

Complete composite fishhook consisting of two curved pieces of paua shell lashed together with muka. Additional muka lashings at the head, attached to a twisted muka cord. Modern metal nail through lashings at base.

Complete adze. Stone. Black. Cross-section is rectangular. Surface is ground. Undifferentiated between butt and blade, sides taper towards poll. Proper left of back poll reduced. Bevel is continuous with blade, cutting edge is sharp and curved. ?Auck/Taranaki written on front.

Complete patu paraoa. Shallow ornamental grooves and perforation at butt. Chip on the proximal end of the butt. There are two natural grooves/perforations running the length of the blade.

Complete plaster cast of a tatā (canoe bailer). Painted mid brown. Surface water stain and cracking inside scoop. Handle projects over the scoop, with a carving and two perforations on the butt. Back of the scoop has a wheku figure carving. Cast has been broken and repaired at the base of the handle and on several places on the scoop.

Cast of a waka huia. Two large pieces have broken off either end of the lid, one is missing. Painted dark brown. Rectangular box with double-sided manaia or human figures at each end. The exterior sides of the box are carved with rauru (double spirals). The exterior side of the bottom of the box has a set of four human figures carved down spine, with rauru along either side. Interior of box is undecorated and shallow. The exterior side of the lid has a high relief carving of four figures down the centre line as a handle. The pointed legs of the two end figures double as lid fittings cut into base.

Cast of a waka huia. Painted mid brown. Rectangular in cross section. Lid is flat, with a curved interlocking crescent pattern carved on the exterior surface. Two manaia figures dominate the bottom of the box, sitting parallel from centre with head at end of bottom. Both ends consist of a koruru style head with protruding tongues. Central figure delineates between two manaia figures running from centre of sides to ends. The interior surface of both the box and the lid are uncarved.

Cast of a waka huia. Painted dark brown. Cross section is rectangular. The exterior sides of the box and lid have human and manaia figures and geometric patterns carved throughout. Eyes and other circular grooves are filled with thick silver paint. The box has a three-dimensional figure at each end, with perforations between the limbs. Lid is flat with three curved projections at each end (some of which have broken off) which dovetail into top of base. Inside of base and lid uncarved.

Cast of a nguru. Painted dark brown with silver paint representing paua shell inlay throughout. Two holes on the top side near the proximal end and one at the distal end. Three carved figures on surface; at the neck of the centre figure is an angled perforation for suspension. Eye and geometric carvings around the perimeter of the proximal end.

Cast of double-barrelled pūtōrino. Painted dark brown. Proximal end has a facial carving with protruding tongue. Two holes in centre top of each barrel form the mouths of two opposite-facing carvings. Tapering toward the distal end, with another face carving. Figures have gold paint around their eyes. Six groups of fibre bindings are represented by dark yellow paint.

Cast of a pae hamuti, used as a grip to balance while squatting over a latrine. A human head figure is carved at each end; one is much larger than the other and has a forked tongue and silver paint inserted in eyes. The body of the larger figure is carved behind the head, with three-fingered hands resting on torso and three-toed feet resting on the jaw, and geometric decoration on the shoulders and buttocks. The middle of the handle is carved with a lizard or taniwha body connecting to the smaller head. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a two rectangular perforations in the centre for lashing.