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Broken ribbonwood piupiu. A section of proper left tags missing. The tags have been arranged in alternating vertical lines of undyed and dyed (red and dark purple) bands. These tags are accompanied by four 3 ply whiri (plaits). The proper left whiri is missing. The whiri are dyed red and purple, with one whenu (strand) left undyed. The waistband is approximately 7cm wide with three weft weaves. The front of the waistband has been covered with a decorative twill (diagonal weave). The waistband has a decorative edging at the top, attached using cotton thread. At each end of the waistband a 4 ply whiri extension of different fibre has been attached. One detached tag accompanies the garment.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete hue (gourd container or calabash). Exterior surface is mid brown and covered with a black substance. Wide, bulbous base with a short, wide neck. Vine stem at the top of the neck, with a circular perforation on one side of the neck. Several cracks throughout body and neck.

Complete hue or taha huahua (gourd container or calabash) inside a kete and wooden hoop supports. Neck of the gourd has been cut away, creating a large circular hole, the edges of which have been worked smooth. Kete is plaited with unscraped harakeke in an over-two, under-two twill. Kete has a flat base and rounded sides with a drawstring closure made of twisted muka cord. Two wooden hoops wrap around the perimeter of the kete to support the container. The two hoops are tied with pieces of unscraped harakeke and thick plaited muka handles.

Fragment of a slate knife, no discernable edges. Surface is grounded on both sides.

Fragment of a schist knife, no discernable edges. Surface is grounded on both sides.

Complete waka huia, pointed oval shape. Lid is flat underneath but quite domed on top, one end chipped. The lid is decorated with two large double spirals in a rauru pattern, with rest of surface filled with coiled fern frond motif. Decoration on lid almost identical to that on box, the decoration on the base just being expanded to fit the larger surface. Knobs on the short ends formed from 'Janus' heads with paua shell eyes in 6 of the 8 eye spaces. Each head carved differently. There is a small lip on the rim of the base to stop too much movement of lid.

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.

Complete pounamu pendant. Part totoweka and part kahurangi variety. Light green and light brown with white inclusions, high translucency. Surface is polished. Rounded edges. Teardrop-shaped. Tapered toward the proximal end, with a suspension hole.

Complete mere pounamu. Surface is ground. There is an off-centre perforation that has been drilled from both sides in the proximal handle end. There is a short sawing mark on the proximal handle end. The butt is rounded and sides that taper to the start of the blade, which then flare out till the distal end, which is rounded. There is a small chip in the distal end.

Complete pounamu pendant. Light green inanga variety with low translucency. Adze-shaped. Surface is polished. Suspension hole drilled from both sides at the proximal end. Proximal edge is rounded and chipped. Distal end is sharp and straight, with a large chip off proper left side. Bevel is demarcated by a curved line.

Pounamu hei tiki. Dark green tangiwai/bowenite, Anita Bay source. Missing most of its right leg. Head is tilted towards its left side. Relatively small eyes with some red sealing wax in evidence. Large tongue protrudes from mouth. Left hand with three fingers rests on thigh while right arm is bent around towards left shoulder. Right hand with three fingers rests on chest. There is a single suspensory straight walled perforation hole at top of the head indicating possible use of mechanical drill.

Complete tokotoko. Dark brown wood. Carved with two full-length figures on one side. Rauponga and kirikiore patterns. Paua shell inlays throughout, attached using red sealing wax (one missing). Metal band and a metal cap at the distal end. Handle is undecorated except for two curved lines on either side.

Complete patu onewa, with no tau. Drill perforation present. Butt has ornamental grooves across top. Blade smooth and in very good condition with one very small bruised chip on one edge.

Plaster cast of complete of minnow shank with a triangular cross section. It has a perforation through the head and one notch on either side of the head at the bottom of the head. The base has notches across the flat side of the shank. Cast of D27.1054

Complete argillite knife. Surface is grounded on both sides. Cutting edge is sharp and rounded, wth bevel on both surfaces. Haft end is curved.

Complete tokotoko. Carved in a twisting, corkscrew shape, with a rauponga (ridge and notch) pattern. Bird-head carving at the distal end, with projecting beak

Broken patu paraoa, broken at the butt and at the blade edge. Surface is heavily worn. Tapered toward the handle.

Complete kahu huruhuru, with tui, weka and pigeon feathers. Manufactured using whatu aho rua (two-pair weft-twining) technique with flax. There is a black strand along the left and right edges. The cloak has horizontal bands of alternating triangles, the lower five alternate between black and white triangles, with occasional triangles in green. The sixth band from the bottom is alternating green and white triangles, with the uppermost band once again alternating black and white. There is a band around the upper edge that has lost many of its feathers. There were two sets of ties along the upper edge, but they have been lost.