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Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Kete Muka woven from natural and black dyed muka (flax fiber) using whatu aho patahi (single-pair weft-twining). Cast on for this kete is unusual as is appears a base cord has been used as a foundation, whenu (warp strands) have been added by creating a loop with the whenu and pulling both tail ends through. The body of this kete is decorated with mawhitiwhiti (woven cross stitch) patterns. A badly deteriorating natural and black muka three ply whiri (braid) has been added to act as a handle. Frill work woven outer edge in black and natural muka.

Complete tatā (canoe bailer) made of a split whalebone. Large bulbous end made from the epiphysis of the bone, tapering to a straight, open pouring edge. Exterior side of the epiphysis has a mouth and protruding tongue carving and decorative geometric patterns. Handle curved over the top, with a human face (spiral eyes, nose, lips and tongue) indicated at the end. Surface has been polished on one side, and is burnt on the epiphysis and on the handle. Holes at the epiphysis. Has previously been broken and repaired at the pouring edge. Identified as a fake, not of authentic Māori origin.

Complete hue (gourd container or calabash) with bulbous base and relatively small, narrow neck. Single, square perforation at base of neck and remnant of vine stem at the top. Fibre cord twisted and knotted around gourd (dividing body into 8 areas) with the three individual cords held together above the neck. Rattles.

Complete adze. Cross-section is rectangular, with rounded corners. Surface of lower blade and bevel is ground. Flaked on all other surfaces. Undifferentiated between butt and blade. Front slopes slightly towards poll, and large chip on back of poll. Bevel is demarcated by a line, and where surface changes from flaked to ground. Cutting edge is sharp and straight.

Complete wooden tatā (canoe bailer). There is a large curved handle with a simple manaia carved into the handle knob. Where the handle meets the bailer there is a large mouth carving. At the funnel end of the bailer there are two curved ridges. The walls of the bailer are high and straight. There are several cracks where the walls meet the base. Wood is stained dark red.

Complete taiaha. The arero (tongue) is decorated with rauponga style carving (rows alternating with notches) on both sides. The upoko (head) has two sets of inset eyes. One eye retains paua shell, the other three have red sealing wax remaining. The rau (nose) is rounded and bears marks of use.

Broken silcrete blade, proximal portion remaining. Light grey in colour.

Complete kahawai lure. Curved wooden shank with notches at head and base. Muka lashings across notches and cord at head. Paua shell inlay. Bone point is complete and straight with internal barb. Orange and yellow feathers attached by lashings at the base.

Twisted strand of muka (flax) fibre.

Complete composite fishhook. Curved wooden shank with large bone point attached with muka lashings. Bone point is straight with and incurved tip and three external barbs and one internal barb. Lower external barb and internal barb have two notches on them. Additional muka lashings twisted around the head.

Complete teka (footrest) for a kō (digging stick). Single piece of mid brown wood, with step and base at a 90-degree angle from each other. Step is sawn flat at the top end and base tapers to the bottom end, with a chip missing from the edge. Base has a projection with a perforation for lashing. Surface is smooth with chisel marks evident.

Broken tattoo chisel, lower portion remaining. Hafting end not present. Cutting edge is sharp and curved, one side chipped. There are longitudinal striations along lower portion to cutting edge.

Complete hoe (waka paddle). Dark brown wood. Surface is worked smooth. Blade is roughly lenticular in cross section, with a flatter back than front. Relatively narrow blade, tapering to a point at the distal end. Perforation where the blade meets the handle. Handle is round in cross section. Large knob on the lower section of the handle, possibly from a natural knot in the wood. Another knob at the butt of the handle.

Complete wooden pūtōrino. Bound at each end with harakeke strands; discolouration on the surface appears to indicate that there once were additional binding sites. Single mouth perforation on one side with rudimentary eyes carved onto surface and very two shallow koru radiating from centre below mouth. An unevenly set cross-shaped mark sits on top face above eyes. Surface has been varnished in the past but now worn. Two cracks running longitudinally on both sides with tape residue running along one.

Complete wooden pūtōrino. Bound with strands of harakeke at each end and at four places on the body. Tapered at the distal end, with a knobbed mouthpiece at the proximal end. Perforation at the centre on one side. Surface has been painted mid-brown. Two cracks running longitudinally on each side.

Complete adze Cross-section is triangular, with apex to front. Surface is flaked. Minor differentiation between butt and blade. Front reduced towards poll. Bevel and cutting edge only roughly finished. Bevel seems continuous with blade. Cutting edge sharp and curved.

Unfinished needle. Distal end is sharp, no eye at the proximal end.

Broken bird spear point, base remaining. Three barbs remaining, serrations on barbs.

Broken bird spear point, all but small fragment of base remaining. Bird spear point has three barbs, both sides of the bird spear point are serrated. Bird spear point has a slight curve to it.