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Dark green pounamu hei tiki made using lapidary machinery. Suspension hole at forehead. Head turned towards left with intricate and well-defined facial features. Arms resting on thighs. Legs curved at underneath body. Perforations at arms and legs. Back flat. Front surface highly polished.

Complete pounamu pendant with a red cord necklace attached. Dark green tangiwai variety, highly translucent. Surface is ground smooth. Straight with rounded edges. Tapering toward the proximal end, which has an off-centre suspension hole. Distal end is curved with a slight bevel-like reduction on one side.

Complete adze. Pounamu. Mid green, light green, mid brown, light brown. Cross-section is rectangular. Back of adze is concave. Surface is ground, with some flaking on back edges and on poll, some bruising on bevel. Undifferentiated between butt and blade, sides taper towards poll and front slopes down towards poll. Bevel is demarcated by a line, cutting edge is sharp and curved, large chip missing from proper right side of cutting edge. Cutting edge is narrower than widest point of blade.

Stone patu, black colouration, hole at handle end with 2-ply twisted twine tied through as a handle. Five incised lines at end of handle. Complete patu onewa, with drill perforation and fibre cord tau. Curved reke on the butt. Minor chipping on edge of blade on both sides. Blade smooth and highly polished.

Complete pounamu adze. Cross-section is rectangular. Surface is ground with sawing marks on proper right side. Front and sides of butt are slightly reduced, especially on proper left side. Bevel is demarcated by a line. Cutting edge is straight and sharp. "Pelichet Bay" inscription.

Complete pounamu adze. Cross-section is rectangular. Surface is ground and bruised. Back of the adze is reduced where the butt meets the blade. Front and back both have a bevel; front bevel is demarcated by a line, back bevel is demarcated by a change in surface. Cutting edge is straight and sharp. "Pelichet Bay" inscription.

Broken curved fishhook point, base not present.

Complete wahaika rakau. It has a circular drilled perforation at the head. It has whakairo on the head in the shape of a head. It also has whakairo on one side of the handle in the shape of the human form. It is well polished.

Complete wahaika rakau. It has rectangular chipped out perforation on the head. It has whakairo on the head in the shape of a head, it also has whakairo on the side of the handle in a head shape. Above the butt there is an inverted notch on the opposite side to the carving. It is polished but with scratches and minor chips along the blade.

Broken flute, small fragment remaining. There is a single perforation. The surface has been drawn on with a thin marker in a variety of patterns.

Broken flute, small fragment remaining. There are two partial perforations. The surface of the fragment is covered in striations in a cross-hatched pattern.

Broken bowl, one end and side remaining. Base flat and rectangular in shape. The remaining side has straight low sides that rises at the end to an inverted V projection. There is a longitudinal fragment missing from the remaining side, along the edge towards the base. There are many cracks in the surface. Except for the broken edges, the surface is smooth.

Complete stone adze Trapezoidal with front narrower than back. The surface is bruised with a ground blade. The butt is differentiated by surface working, with only a rough-out of a chin. The bevel is continuous. The cutting edge is curved and sharp.

Complete adze. Stone. Dark grey and mid grey. Cross-section is oval. Surface mostly ground, some light bruising on butt. Major differentiation between butt and blade, small ridge at shoulder. Front reduced, and sides taper towards poll. Bevel is continuous with blade, cutting edge is sharp and curved, lightly chipped. Wyndham written on front (writing is slightly worn).

Complete adze. Black stone. Cross-section is rectangular. Surface is ground on the blade and bruised on the butt. Front and sides of the butt are slightly reduced to form shoulders; sides taper toward poll. Bevel is demarcated by a line. Cutting edge is curved and sharp. " Kensington. Dunedin" inscription.

Broken adze (lower blade remaining). Stone. Mid grey. Cross-section is oval. Surface is ground on front and back, with some flaking on proper left side. Butt not present. Bevel is continuous with blade, cutting edge is sharp and curved. Partial sticker on front reads "Part of Maori A[?]e found N.E[?]..D.S. M[?] Esq.". "N E Valley" written on front.

Complete kahu kiwi. The whole garment is woven in whatu aho rua (two-pair weft-twining). On each edge there are three black dye whenu, the last whenu along the very edges is made with 2 strands, one black one natural twisted together, this extends out the top edge as a tie. The kurupatu (collar) is braided whenu, with a fringe on the front side. There is densely woven kiwi feather all over the cloak attached by colour, grouped in waves of brown to white. Along the bottom edge there is green and pink wool stitch. At the top there are two natural coloured ties that are poked through the fabric and knotted, approximately 25cm from either edges.

Broken adze (blade remaining). Stone. Light grey. Cross-section is rectangular. Surface is ground, some bruising on back and flaking on front. Butt not present. Bevel is continuous with blade, and cutting is sharp and curved, lightly chipped on proper left. "Wakari" written on front.

Complete kahu huruhuru (fowl and kiwi feather cloak). There are kiwi feathers along the borders mixed with fowl feathers. There are reddish fowl feathers and white fowl feathers with iridescent black fowl feathers tags that form vertical parallel lines. Along the bottom edges there is black and natural twine fringing. The top of the cloak is worked in a thick multi-strand braid with two ties approximately 25cm from the edges. The cloak is wider at the top, narrowing towards the lower edge.

Complete tatā (canoe bailer) made of a split whalebone. Large bulbous end made from the epiphysis of the bone, tapering to a straight, open pouring edge. Exterior side of the epiphysis has a mouth and protruding tongue carving and decorative geometric patterns. Handle curved over the top, with a human face (spiral eyes, nose, lips and tongue) indicated at the end. Surface has been polished on one side, and is burnt on the epiphysis and on the handle. Holes at the epiphysis. Has previously been broken and repaired at the pouring edge. Identified as a fake, not of authentic Māori origin.