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Complete tewhatewha. The upper edge of the blade is straight but sloping. The lower edge is of the blade is curved, with a small fragment missing. There is a perforation through the lower blade. There is a small carving mid-way down the shaft of concentric diamonds, four on each side. These diamonds are surrounded by a raised dot pattern that curve around the tewhatewha.

Mostly complete pounamu gouge. Cross-section is circular. The surface is ground. The proximal end shows working, with a concave bevel, but the end is broken off. The distal end is also bevelled, but not concave. Cutting edge is sharp and curved.

Complete bone hook from barracouta fishhook. The hook comes to a blunt point.

Complete albatross bone awl. The proximal end is unworked. The distal end is sharpened toa blunt point.

Complete adze. Cross-section is trapezoidal, with back narrower than front, slightly more rounded on butt. Surface of blade is ground, very lightly bruised on butt. Major differentiation between blade and butt, front and sides taper to a second shoulder, then continue reducing till poll end. Bevel is concave, demarcated by a line. Cutting edge is sharp and curved, lightly chipped.

Complete waka huia, oval shaped. The waka huia is hollowed out except for the short sides, where a small ledge remains that the lid rests on. The lid is decorated with rauponga whakarare motif in parallel stripes along its length. The lid features a hole in centre for cord attachment, with a small amount of cord in the perforation. On the top of the lid this cord is dyed red, with a small amount hanging out underneath. Base is carved with interlocking rauru spirals occupying most of area with two smaller double spirals in between and raupongo whakarare filling the remaining spaces. Ends have koruru. One faces upwards with a laterally pierced perforation behind for suspension. The other faces downwards, with a laterally pierced perforation behind for suspension. Both have paua shell inlay eyes. On the long sides there are two paua shell inlay circles.

Complete waka huia. Lid is carved in a rauponga whakarare style, with elaborate female figures on each end. The ends of the lid terminate of each end at the neck of the human figure, with the head being on the knobs of the box portion of the waka huia. Heads have carved eyes, though one head has only one carved eye. There are circular paua shell inlay at each end of the shoulder and knee joints of the figures' bodies on the lid. Heads have upturned faces, with carved forehead, lips, and one figure's tongue. The heads were previously broken off, now repaired with wax carved and coloured to match. There are two shallow knobs, one at end short end of the lid, that fit into interior grooves of the box. The box of the waka huia is also carved in a raupongo whakarare style. Made from matai it has a deep black/red colour with a rich patina. There are three intact huia feathers inside.

Persian mirror case and stand made of iron, with decoration in silver and gold.

Complete composite fishhook consisting of two curved pieces of paua shell lashed together with muka. Additional muka lashings at the head, attached to a twisted muka cord. Modern metal nail through lashings at base.

Complete pounamu gouge. Cross-section is circular. The surface is ground, with a groove along the top of the gouge. The sides taper slightly to the proximal end. The bevel is demarcated by two lines that meet in a point, the bevel is concave. The cutting edge is sharp and curved.

Triangular porcellanite flake. Cortex visible at proximal end. Ripples on ventral surface. Retouching on the proper right lateral margin.

Silcrete core light grey in colour. Cortex on the dorsal surface. Unifacial retouch on the edges.

Complete tara (bird spear point). There are notches on both lateral margins at the head. There are nine barbs along one side.

Complete flax kete with kiwi feather decoration. Warps held in place with double pair twine. Each row 1.0 - 1.5cm apart; 19 in all. Feathers attached at every third warp on alternate weft rows. Loosely twisted flax fibre handles on each side. Cast on using thrum technique and cast off from inside by placing first pair of warps to back of second pair, second pair to back of third pair, etc. Held by double pair twine. Warps then frayed to form fringe on outside around top.

Complete wahaika paraoa. A profile human figure joins the blade to the handle, with its legs extending across the handle. The face extends out into the recessed side of the blade. Another figure extends from the poll, with tongue extended and two hands coming to hold a stylised body. Both figures are adorned with pākati (notches) along the eyes, mouth, torso, arms and legs. Both figures have paua inserts in the eyes. There is a perforation at the poll. The convex distal edge of the blade is lightly notched from use.

Complete bone flute. There are three perforations along the top of the flute and two perforations at the end on the side, one broken. There is the start of two decorative patterns. On the side with the perforations there are striations in a chevron pattern, and on the other side there are striations in a crosshatched pattern.