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Complete argillite adze. Cross-section is rectangular, sides slightly bowed. Surface is mostly ground, with some flaking. Minor differentiation between butt and blade, front reduced towards poll end. Bevel is demarcated by a line, cutting edge is sharp and curved, lightly chipped.

Complete patu onewa. Long, narrow blade with a longitudinal ridge. Pronounced shoulders where the blade meets the handle. Handle flares out at the butt, with a perforation drilled from both sides. Sides of the butt are squared off and the proximal edge has a broken perforation.

Complete korotete (holding basket for live eels), made of woven vines. Two loops at the base and two near the top. Woven vine lid with handle fits on tapered top.

Complete poutokamanawa (carved building component) made of totara. Realistic (not stylized) male figure, painted red with white on eyes and mouth and black irises and moko. Earlobes have perforations for pendants. Grooved comb protruding from head. Five-fingered hands rest on lower abdomen. Body with clavicles and rib cage suggested but body otherwise plain. No genitals depicted. Sawn off just above the ankles and attached to a black painted base.

Complete mutu (bird snare) made from a single piece of light brown wood. Perch has a human face carved facing the proximal end, with eyebrows, nose, and pointed mouth indicated on head. A square knob projects from the perch and one end curves upward. The handle is slightly curved, with another face carved into the butt. Pieces of bird feather quills are curved through perforations at the butt and on the perch, through the mouths of the figures. Both sets of quills are lashed with muka fibre, and a twisted and knotted cord passes through another perforation at the perch figure's forehead.

Complete kahu kuri cloak. The kaupapa (body) is woven in close, single pair pukapuka (twining) except for occasional rows of whatuaho rua (double pair twining) which are woven tightly with a small gap used for a guide to sew the dogskin strip. The kurupatu (fringe collar) is made with a dogskin strip. The kahu kuri is covered with small tufts of dog fur, lighter around the sides, darker through the middle. There are areas of the cloak where the fur has thinned, showing the dog skin strips. The edges of the cloak, under the fur, are woven with darker fibres, in an almost chevron pattern. There is a modern support pillow and velcro strip attached to the inside of the cloak.

Unfinished paepaeroa cloak, in process of manufacture. The paepaeroa cloak is supported on two weaving sticks (turuturu). The starting decorative (taniko) border forms a side of the cloak (kahu) when worn. The body of the cloak (kaupapa) is twined row by row from left to right, and red wool is worked in to form a decorative finish for the neck edge on the right of the cloak. The warp (whenu) for the lower taniko border is attached at this stage and lies ready at the left to be worked when the rest of the garment is complete. The cloak is then turned back 90 degrees and the taniko border worked. The taniko on this paepaeroa cloak is 5cm wide, using dyed black wool, with a triangle pattern worked in white and red wool. The weaving sticks taper slightly at the bottom, and reduced at the top with knob to secure the paepaeroa to. Between the two weaving sticks the paepaeroa is secured to a metal rod.

Complete pouraka (small fish trap). Trap consists of two wooden hoops with two sticks overlapping above, lashed with muka fibre. A net of woven flax is stretched over the two hoops, with an opening in the centre.