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Complete tokotoko. Dark brown wood. Carved with two full-length figures on one side. Rauponga and kirikiore patterns. Paua shell inlays throughout, attached using red sealing wax (one missing). Metal band and a metal cap at the distal end. Handle is undecorated except for two curved lines on either side.

Plaster cast of complete of minnow shank with a triangular cross section. It has a perforation through the head and one notch on either side of the head at the bottom of the head. The base has notches across the flat side of the shank. Cast of D27.1054

Complete pounamu pendant. Light green tangiwai/bowenite with high translucency. Surface is polished. Fracture mark is apparent at the proximal end. Broken suspension hole, with string cord lashed to one side of the proximal end. Distal end is rounded.

Complete kahu huruhuru with kiwi and pheasant feathers. The top edge is a two ply twist, except one at each of the ends, where the warps become part of the fringe. There are two attachments for tying - 1 is a piece of bias binding, the other a tassel in red, black and cream wool. The cloak is of cotton, with two-ply interlocking weft. Along the left and right edges there is a twist of blue, red, black and white wool. The centre of the cloak is kiwi feathers with pheasant feathers as a 6-8cm wide border on the left, right and bottom edges. The border is in square blocks of colours; down the sides there are alternating squares of black then brown. Along the bottom there are alternating squares of black, brown, and white feathers.

Black and white woollen kete. Weaving with synthetic wefts and handle and decorated with blue/green domestic fowl feathers. Warps of cream wool held together with cream wefts in double pair twine. Centre four warp rows cross over stitch - outer two of five warps crossed. Feathers attached along top and bottom with double pair twine. Black twisted woollen cord attached in pattern above feathers. Lined with blue satin sheen fabric. Single black braided cord handle (synthetic) attached on either side.

Opalite flake.

Complete plaster cast of a whakapakoko atua or atua kiato (god stick), painted dark brown. Top end is a human head in profile, with eyebrows, jaw line, and neck depicted. Body is represented by a curves and waves down the length of the stick, tapering and coming to a blunt point at the base.

Complete taiaha. Roughly carved human faces on each side of the proximal end. Metal drawing pins in three of the four eyes (perforation visible where one is missing). Unfinished spiral incised markings on one side of protruding tongue. Dark dyed twisted piece of fibre tied around the centre of the blade.

Broken kahawai lure, iron shank and lashings remaining. Remnants of paua shell inlay and lashings attached to iron shank at head and base. Braided cord attached at head.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Complete string of 68 glass trade beads, strung together on a thick piece of cotton string. There is a pattern of one large mid blue bead with two smaller dark blue beads that repeats on both sides till the centre where the pattern changes and becomes two large dark blue beads followed by two large mid blue beads.

Complete wooden paipa (smoking pipe). Exterior of the bowl is carved with three human figures. Figures have realistic faces, hair, ears, and paua shell inlay eyes. Chest and arms have geometric patterns. Metal fitting around the bowl and stem rim. A smooth, curved mouthpiece is attached.

Complete kahu huruhuru. The garments kaupapa (main body) is muka (flax fibres), the surface is covered with scattered, multicoloured feathers. There are two main vetical lines of solid feathers. In the centre of the kaupapa is a T shaped block of dark grey and orange feathers. The kaupapa is edged in a solid lines of feathers and a 2 ply red and green woolen whiri (plait). This same wool edging is used as the weft line across the top seam and as two 3 ply whiri extensions from the top seam creating ties. The top corners have cream fringing. A linen and velcro attachment has been sewn along the back of the top seam using cotton.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Wall Pocket) With closing flap/lid. Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front with two similar cords without tassels on the lower front. Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Cast of a patu onewa. Painted dark grey. Slightly tapered toward the butt, with a perforation that was drilled from both sides. No shoulders where the handle meets the blade. Blade is relatively narrow.