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Fragment of a plaster wall with a stamped decoration.

Complete wooden paipa (smoking pipe). Exterior of the bowl is carved with three human figures. Figures have realistic faces, hair, ears, and paua shell inlay eyes. Chest and arms have geometric patterns. Metal fitting around the bowl and stem rim. A smooth, curved mouthpiece is attached.

Complete kahu huruhuru. The garments kaupapa (main body) is muka (flax fibres), the surface is covered with scattered, multicoloured feathers. There are two main vetical lines of solid feathers. In the centre of the kaupapa is a T shaped block of dark grey and orange feathers. The kaupapa is edged in a solid lines of feathers and a 2 ply red and green woolen whiri (plait). This same wool edging is used as the weft line across the top seam and as two 3 ply whiri extensions from the top seam creating ties. The top corners have cream fringing. A linen and velcro attachment has been sewn along the back of the top seam using cotton.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front. Outer edge frill work is woven independently and sewn to the item with thread. Lined with pink coloured fabric.

Kete Muka (Wall Pocket). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Wall Pocket) With closing flap/lid. Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fiber) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front with two similar cords without tassels on the lower front. Outer edge frill work is woven independently and sewn to the item with thread.

Kete Muka (Tea Cosy). Woven from undyed muka using whatu aho rua (two-pair weft-twining). Kaupapa (body) decorated with mawhitiwhiti (woven cross stitch pattern work) and some whenu (warps) are loosely woven to add decoration. Muka (Flax fibre) cord is looped through weft stitches along the body to add a swirling decorative element. Two muka tassels attached to muka cords constructed using the miro (rolling) technique feature on the front and back . Outer edge frill work is woven independently and sewn to the item with thread.

Complete one-piece fishhook point.

Complete one-piece fishhook point, manufactured from an iron nail. Nail head present at shank.

Complete metal flounder spear point. The point is bent at a near 90 degree angle on the proximal end. There is a barb at the distal end.

Complete loop of 21 glass trade beads of varying colours and sizes, but all small. There is one yellow bead, five mid red beads, four dark blue beads, two mid green beads, two mid blue beads, four light blue beads, one dark green bead, and two white beads.

Cast of a patu onewa. Painted dark grey. Slightly tapered toward the butt, with a perforation that was drilled from both sides. No shoulders where the handle meets the blade. Blade is relatively narrow.

Complete koropepe pendant, carved on both sides. Kawakawa variety of pounamu, mid-green in colour. Surface is ground. Body is curved in a spiral, with a perforation at the centre. Face at the proximal end, with a mouth indicated by a notch and eyes filled with red sealing wax. Suspension hole at the back of the head, drilled from both sides.

Complete piupiu. Flax tags are attached to an approximately 11cm deep waistband. The tags have been sporadically scraped and dyed with paru. The scraped areas form three distinct motifs: lines, dashes and diamonds. From the waistband the motifs repeat in the pattern line, dashes, diamonds, dashes, line. The waistband has a tāniko design of alternating pātikitiki (diamonds) and stars. The waistband is formed of wool with a flax edging along the top. This edge extends to form ties at each end. Each tie has a knot in it.

Complete kahu huruhuru. There are kiwi feathers in the centre of the kahu huruhuru, with a green feather border; 5cm on the left side and 6cm border on the right side.There is a purple and grey herringbone stitch border at the top edge, and a gold and black twine at the bottom edge. There are two lengths of harakeke twine with loops at the end that are worked along the top edge, approximately 15cm from the right and left sides.

Complete pounamu pendant with faded red cloth tied at proximal end. Dark green and black. Chatoyant with high transparency. Octagonal cross section. Tapered at each end. Proximal end is rounded with a suspension hole drilled from each side. Distal end is flattened.