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Shallow lidded bowl (lekanis) from Apulia. The decoration is of two female heads and stylised palm leaves (palmettes). Attributed to an artist now known as the Ugento Painter. Approximately 350-325 BC

Complete kahu huruhuru with kereru feather, flax fibre and wool. Manufactured with whatu aho rua technique (two-pair weft-twining). The first and the last whenu along the left and right edges are pink and blue wool thread twisted together. Kereru feather attached singly (a aho/2) in green and white vertical stripes. The kurupatu (fringe collar) is made with white feather. There are no ties. There is a small area of repair along the top at one edge.

Wooden carved wheku/koruru. Painted dark red and carved with a rauponga (grooves and notches) pattern around the figure's mouth, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes. Distal end comes to a point, indicating a protruding tongue; five teeth depicted. Two perforations at the mouth. Back side has a piece of wood protruding as well as two metal hooks tied with wire for suspension.

Cast of broken shank with the head and most of the shank remaining. It has a triangular cross-section that is serrated at the tip. There is a perforation through the head and one notch on either side of the head. It is coloured red.

The goddess Bastet, part cat and part woman was the daughter of Re, the sun-god. She represented the power of the sun to ripen crops. Cats were sacred to Bastet and many bronze cats were dedicated to her at her temple on the Nile delta. The chief seat of her worship was at Bustatie, the modern Tell Basta

Dark wooden tewhatewha. Two perforations on the blade. Chips broken off of proximal end. Handle broadens about halfway down. Tapers at the base, with a gold metal hooped nail at the end.

Cast of a whale tooth pendant. Curved to a point at the front distal end. Serrated projections running down both side edges. Facial projection at the front centre at the proximal end with large eyes and a long pointy mouth that curves inward. Curved projections run down the centre below the facial feature. Proximal end is squared off, with a small suspension hole.

Cast of a whale tooth pendant. Curved forward and tapering to a point at the distal end. Proximal end is flat with a notched half-circular projection at the front. One complete and one broken suspension hole, both drilled from each side from the proximal edge to the back. Serrations running down both side edges from the proximal end to the distal end.

Complete adze Trapezoidal, with back narrower than front. The surface is ground, with flaking around butt and back Butt undifferentiated Bevel continuous with blade. Cutting edge smooth, sharp and straight. Prominent saw mark/gouge down the left side proper.