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Complete poutokamanawa (carved building component) made of totara. Realistic (not stylized) male figure, painted red with white on eyes and mouth and black irises and moko. Earlobes have perforations for pendants. Grooved comb protruding from head. Five-fingered hands rest on lower abdomen. Body with clavicles and rib cage suggested but body otherwise plain. No genitals depicted. Sawn off just above the ankles and attached to a black painted base.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Wooden carved wheku/koruru. Painted dark red and carved with a rauponga (grooves and notches) pattern around the figure's mouth, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes. Distal end comes to a point, indicating a protruding tongue; five teeth depicted. Two perforations at the mouth. Back side has a piece of wood protruding as well as two metal hooks tied with wire for suspension.

Contemporary carved waharoa (gateway) depicting the three waka Uruao, Araiteuru, and Takitimu. The waharoa consists of a centre panel, two exterior side panels, and two interior side panels. Centre panel and exterior side panels are painted in shades of reds, green, yellow, black, and white. Each exterior side panel has a projection depicting a waka prow with a figure in the centre. Four other ancestral figures are carved down the height of the panels, one on top of the other, with geometric shapes on the centre and sides. The centre panel has three ancestral figures carved one on top of the other, with a projection depicting a waka stern. Two ancestral figures stand on either side of the centre piece, amongst geometric shapes representing waves. Two unpainted interior panels are carved from totara with two ancestral figures each, one on top of the other, stands on either side of the interior frame. The figures have paua shell eyes, projecting tongues, and are holding hoe (waka paddles

Complete ko (digging stick). The square shaft tapers towards the grip. The grip is an asymmetrical, circular handle. The distal end comes to a blunted point. Approximately 35cm from the distal end, a footrest has been attached. The footrest is attached with three nails. The connecting surface of the footrest has an ornimetal arrowhead pointed towards the distal end.

Cast of a waka huia. Two large pieces have broken off either end of the lid, one is missing. Painted dark brown. Rectangular box with double-sided manaia or human figures at each end. The exterior sides of the box are carved with rauru (double spirals). The exterior side of the bottom of the box has a set of four human figures carved down spine, with rauru along either side. Interior of box is undecorated and shallow. The exterior side of the lid has a high relief carving of four figures down the centre line as a handle. The pointed legs of the two end figures double as lid fittings cut into base.

Cast of a waka huia. Painted mid brown. Rectangular in cross section. Lid is flat, with a curved interlocking crescent pattern carved on the exterior surface. Two manaia figures dominate the bottom of the box, sitting parallel from centre with head at end of bottom. Both ends consist of a koruru style head with protruding tongues. Central figure delineates between two manaia figures running from centre of sides to ends. The interior surface of both the box and the lid are uncarved.

Cast of a waka huia. Painted dark brown. Cross section is rectangular. The exterior sides of the box and lid have human and manaia figures and geometric patterns carved throughout. Eyes and other circular grooves are filled with thick silver paint. The box has a three-dimensional figure at each end, with perforations between the limbs. Lid is flat with three curved projections at each end (some of which have broken off) which dovetail into top of base. Inside of base and lid uncarved.

Cast of a nguru. Painted dark brown with silver paint representing paua shell inlay throughout. Two holes on the top side near the proximal end and one at the distal end. Three carved figures on surface; at the neck of the centre figure is an angled perforation for suspension. Eye and geometric carvings around the perimeter of the proximal end.

Cast of double-barrelled pūtōrino. Painted dark brown. Proximal end has a facial carving with protruding tongue. Two holes in centre top of each barrel form the mouths of two opposite-facing carvings. Tapering toward the distal end, with another face carving. Figures have gold paint around their eyes. Six groups of fibre bindings are represented by dark yellow paint.

Cast of a pae hamuti, used as a grip to balance while squatting over a latrine. A human head figure is carved at each end; one is much larger than the other and has a forked tongue and silver paint inserted in eyes. The body of the larger figure is carved behind the head, with three-fingered hands resting on torso and three-toed feet resting on the jaw, and geometric decoration on the shoulders and buttocks. The middle of the handle is carved with a lizard or taniwha body connecting to the smaller head. There is a rectangular reduction on the bar (at the end closest to the larger carved head), with a two rectangular perforations in the centre for lashing.