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Broken bone point, tip remaining. Distal end is sharp.

Broken bone point, tip remaining. Distal end is sharp.

Broken barbed point, midsection remaining. Single barb before the broken distal end.

Broken barbed point, tip remaining. Single barb at broken proximal end.

Broken bone point, tip remaining. Distal end is sharp.

Broken bone point, base remaining.

Broken bone point, tip remaining. Distal end is sharp.

Complete bone point, distal end is sharp.

Complete bone point, distal end is sharp.

Complete bone point, distal and proximal ends are sharp.

Broken bone point, tip remaining. Distal end is sharp.

Broken ribbonwood piupiu. A section of proper left tags missing. The tags have been arranged in alternating vertical lines of undyed and dyed (red and dark purple) bands. These tags are accompanied by four 3 ply whiri (plaits). The proper left whiri is missing. The whiri are dyed red and purple, with one whenu (strand) left undyed. The waistband is approximately 7cm wide with three weft weaves. The front of the waistband has been covered with a decorative twill (diagonal weave). The waistband has a decorative edging at the top, attached using cotton thread. At each end of the waistband a 4 ply whiri extension of different fibre has been attached. One detached tag accompanies the garment.

Complete kahu kiwi (Kiwi feather cloak). Worked in single pair twine, shaped in middle, with a kiwi feather border, all sides but more narrow along the top, and there are single kiwi feather tags throughout the centre, like polka dots, There is brown twine above the bottom kiwi feather border.There are two purple ties that end in tassels at the top edge of the kahu kiwi, approximately 6cm from each side.

Complete kahu kiwi. Feathers are intermittently worked into the cloak. There is a vertical striped design; one brown, three yellow, one brown, three yellow, one brown. Cloak is worked in two pair twine, shaped at shoulders, has reverse weaving at selvages for finishing off black twine in selvages.

Complete hue (gourd container or calabash). Exterior surface is mid brown and covered with a black substance. Wide, bulbous base with a short, wide neck. Vine stem at the top of the neck, with a circular perforation on one side of the neck. Several cracks throughout body and neck.

Kete Muka woven from natural muka (flax fiber) using whatu aho rua (two-pair weft-twining). Cast on using decorative looped whenu (strands). The body of this kete is decorated with whenu (strands) left loose in order to give a ruffled decorative effect. Muka cord formed using the miro (rolling) technique has been added as handles. Frill work woven outer edge.

This Kete is unusual due to the orientation of the feathers, which is upside down when compared to most kete huruhuru. One side features native orange tipped kaka feathers with intermittent kereru feathers featured throughout. The opposite side predominantly seems to be woven using primarily duck feathers of varying species. The cast on for this kete is also unusual, as it appears to have used a base cord for the brim, where whenu (warps) have been attached by creating a loop and pulling the tail ends through. The muka for this kete is dyed black, most likely using paru (iron rich mud) which is beginning to show signs of breakdown. The yellow dye is most likely achieved using raurekau/kanono bark.

Complete bird spear point. 4 barbs. Three of the barbs are the same size while one is smaller. The shaft is quite round, not straight.

Large piece of Kuri (dog) skin with remnants of muka (flax fiber) thread stitching on one side. Poor condition with holes from ? Previous pests.

Fragments of tapa. The edges of the cloth are frayed along the base, with a straighter edge along the top. The proper right is missing a large portion of the cloth. The proper right edge is completely detached.