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Broken kahawai lure, in two pieces. Two knobs on head of the shank. There is a curved point with an internal barb, and a notch on the external side of the base attached to the paua shell shank by muka.

Complete kaitaka patea cloak. Woven from muka (flax fibre) with horizontal aho (wefts). Narrow wool taniko borders on the side edges and a broad border on the bottom. Taniko is woven in black and white chevron and diamond pattern, with triangles in red, pink, green, and blue; faded throughout. The body of the cloak and the top border are undecorated.

Complete one-piece fishhook. Intricately carved knob on head of shank, with a perforation through knob. Perforation through base. Length of fishing line remains lashed around shank.

Unfinished paepaeroa cloak, in process of manufacture. The paepaeroa cloak is supported on two weaving sticks (turuturu). The starting decorative (taniko) border forms a side of the cloak (kahu) when worn. The body of the cloak (kaupapa) is twined row by row from left to right, and red wool is worked in to form a decorative finish for the neck edge on the right of the cloak. The warp (whenu) for the lower taniko border is attached at this stage and lies ready at the left to be worked when the rest of the garment is complete. The cloak is then turned back 90 degrees and the taniko border worked. The taniko on this paepaeroa cloak is 5cm wide, using dyed black wool, with a triangle pattern worked in white and red wool. The weaving sticks taper slightly at the bottom, and reduced at the top with knob to secure the paepaeroa to. Between the two weaving sticks the paepaeroa is secured to a metal rod.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. White iridescent shell inlay, broken near the centre. Muka lashings at head and base. Twisted cord attached at head with a nail sticking out of the cord. Some feathers attached to muka at the base. Curved bone point with internal barb.

Complete composite fishhook. Shank is manufactured from a boar tusk. Point is manufactured from an iron nail bent inwards at the base and then straight at the tip. The tip is attached to the point with muka. There is twisted muka at the proximal end of the shank for the line, with a knot at the end.

Very large composite fishhook without a point. Wooden shank is curved with geometric carvings and two human faces near the head. Along the base, there are shark and fish, one being chased by a bird and others following a fishing lure pulled by figures in a boat. Twisted muka lashings at the point end and at the head, with a very thick plaited cord attached.

Complete kahu kiwi (kiwi feather cloak). Flax body in whatu rua, 2 pair twining, aho 1cm apart, whenu - 5 per cm. Covered with brown kiwi feathers, groups of 3 feathers worked into both rows of twining. Twisted muka fibre border and ties at the top.

Two poi woven from raupo (bullrush) wrapped longitudinally. One poi secured with muka (flax fiber) cord. The other secured with muka cord in two places (70mm apart). Twisted natural coloured muka cord inserted with a knot at the end.

Two poi woven from raupo (bullrush) wrapped longitudinally. Both secured with harakeke (flax) in two places (10mm apart). Natural muka (flax fiber) cord formed via the miro (rolling) technique inserted with both poi tied together via a knot at the end.

Two poi woven from raupo (bullrush) wrapped longitudinally. One poi secured with muka (flax fiber) cord. The other secured with muka cord in two places (10mm apart). Twisted natural coloured muka cord inserted with a knot at the end.

Kete containing five kahawai lures. Kete is in the style of an envelope with a V-shaped fold-over flap. Made of unscraped flax in a pattern created by changing direction of basic over two, under two plait. Made as a tube, cast off along upper edge, opening and flap, by folding over and through other strands. Final bringing together of sides along base. Twisted muka cord attached to corners and at centre of flap. All five kahawai lures: Curved wooden shank with shell inlay. Curved bone point with internal barb attached with muka at the base and with a cord at the head. B and F have some organic material, possibly part of a feather quill also lashed at the base. C, D, and E have metal wire lashed at the base in addition to the muka lashings.

Single Poi Kanga (corn husk poi). Corn husk has been wrapped longitudinally from the internal base of the cob around spherical ball or stuffing and secured with muka (flax fibre) cord. Evidence of burn marks to the outside leaves. Muka cord formed via miro (rolling) inserted into top of poi terminating in a knot. Early and modern weavers frequently experimented with corn husk in weaving due to its easy availability, ease of preparation and its ability to mimic or replicate natural native materials.

Complete pake (rain cape) made of flax and tussock. Thick plaited muka fibre at the top edge, with smaller plaited ties attached. Top third is bordered with a shorter layer of fibre. Bottom edge is uneven.

Complete kahawai lure. Wooden shank with knobs at head. Paua shell inlay. Muka lashings at head and base. Curved bone point with internal barb and notches at base.

Complete string of 12 glass trade beads. They are of varying size, but all small. They are strung on a straight piece of muka, tied at both ends.

Wooden adze haft. Surface is polished smooth. Handle is round in cross section, with a platform at the distal end running perpendicular to the handle. Groove cut in platform with plaited flax tied around and attached to handle.

Ceremonial adze haft, identified as a fake. Dark brown wood with paua shell inlay and a twisted muka cord for lashing. Handle is carved with a geometric pattern of ridges and notches, with a human head carved on the butt. Haft consists of a carved human figure with adze housing situated between rear of legs, grasping a fish to its mouth with both three-fingered hands. Manaia eyes and forehead runs down ridge to base of hafting point. Figures are carved with geometric patterns.

Complete kahawai lure. Curved wooden shank with notches at head. Shell inlay. Straight bone point with internal barb. Muka lashings at head and base.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Muka lashings at base and head.