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Complete putatara, with conch shell body and wooden mouthpiece intact. The wooden mouthpiece is carved, two ridges down either side, with curved ridges linking them around the front, creating a mouthpiece that looks phallic in shape. There are two circular paua inlay on the front and back. One inlay appears to be adhered with red wax. The mouthpiece is attached to the shell with fibre and wax. There is a perforation through the outer lip of the aperture that has a length of fibre twine through it. On the outer whorl of the body there is a large repair. An oval piece of wood has been fixed to a hole in the wood with four lengths of fibre twine that has been waxed to fill in any gaps. At the distal end of the aperture there is a perforation.

Complete pounamu/Nephrite hei tiki. Mid-green inanga variety with white inclusions. Westland source. Head turned to left. Serrated paua shell inlaid into eyes. Nostrils, pointed tongue, chin, and forehead indicated. Arms rest on thighs, legs joined with three toes either foot. Perforation drilled front at centre top through scarf cut across rear.

Broken, unfinished putatara. The apex of the spire has been broken off, but there are no perforations to attach a mouthpiece, and the interior spire is intact. The majority of the body is broken off. There are no obvious signs of working.

Broken kahawai lure, in two pieces. Two knobs on head of the shank. There is a curved point with an internal barb, and a notch on the external side of the base attached to the paua shell shank by muka.

Complete waka huia, pointed oval shape. Lid is flat underneath but quite domed on top, one end chipped. The lid is decorated with two large double spirals in a rauru pattern, with rest of surface filled with coiled fern frond motif. Decoration on lid almost identical to that on box, the decoration on the base just being expanded to fit the larger surface. Knobs on the short ends formed from 'Janus' heads with paua shell eyes in 6 of the 8 eye spaces. Each head carved differently. There is a small lip on the rim of the base to stop too much movement of lid.

Complete paua shell tiki eye. A perforation hole ahs been drilled through the centre of the shell and there are notches around the exterior edge.

Complete tokotoko. Dark brown wood. Carved with two full-length figures on one side. Rauponga and kirikiore patterns. Paua shell inlays throughout, attached using red sealing wax (one missing). Metal band and a metal cap at the distal end. Handle is undecorated except for two curved lines on either side.

Complete whakawae. Features two human figures, one standing on top of the other. The top figure is larger, with paua shell inlay eyes and his tongue sticking out. His hands rest on his stomach. The lower figure has a horizontal head featuring paua shell inlay eyes. Parts of his body have been rubbed smooth from touching. His right leg has been previously broken off, and there is a visible repair with glue and nails.

Complete taiaha. Wooden surface is smooth and polished. Human faces carved at the proximal end on both sides. Protruding tongue carved with rauru (spiral and notch) pattern. Eyes are slanted and convex hallows, with a paua shell inlay intact in one. Handle and blade are relatively narrow, slightly flared and rounded at the base.

Small ring of dentalium shell, worn as a necklace bead. Three grooves around the sides.

Complete patu rakau. Dark brown wood. Carved using metal tools in a non-traditional style. Geometric carvings on the blade with two triangular paua shell inlays on each side. Circular knob and small perforation at the butt.

Complete kahawai lure. Wooden shank with paua shell inlay. Straight bone point with internal barb. Lashings at head and base.

Broken kahawai lure, iron shank and lashings remaining. Remnants of paua shell inlay and lashings attached to iron shank at head and base. Braided cord attached at head.

Dentalium shell necklace bead. Broken at each end and hollow in the centre. Deep grooves running around the perimeter of the shell and shallower grooves running lengthwise.

Consists of two figures – perhaps Rangi-nui and Papa-tū-ā-nuku embracing - with a third figure under their legs forming, with other carvings, a lintel over the opening. Along the proper left side are three other faces, each with moko. The faces of all the figures have been left black while the rest of the carving is painted red. The eyes are inlaid with pāua shell. The top and right hand side show evidence of shaping for fitting the pātaka, as well there are holes for lashing on the right hand side. The carving may depict Rangi and Papa and some of their many sons who, until their parents were parted, lived in the darkness between their bodies. Tane personified the sun and was the fertiliser of the land and all its creatures; Tangaroa personified the sea and its inhabitants. These children of Rangi and Papa personified natural phenomena such as the sun, the moon, the sea, and the winds.

Paua shell containing ground kōkōwai (red ochre). Perforation drilled at one end.

Wooden carved wheku/koruru. Painted dark red and black. Carved with a rauponga (grooves and notches) and spiral pattern around the figure's mouth, tongue, nostrils, and top of the forehead. Paua shell inlaid into slanted eyes, held in place by metal pieces. Two perforations at the mouth on either side of protruding tongue. Back side has a piece of curved wood with a perforation for suspension.

Complete Whakawae. Features two human figures, one standing on top of the other. Both figures feature paua shell inlay eyes with tongues sticking out, and both hands resting on their stomachs. The lower figure's body has been rubbed smooth from touching.

Complete kahawai lure. Curved wooden shank with notches at head and base for lashings. Paua inlay. Lashings and cord at head and base. Straight bone point with internal barb. Some remnants of feathers at base.